The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanović explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.
0.1 Methods of Research and Theoretical Frameworks Kein Zugriff Seiten 22 - 40
0.2 Literature Review Kein Zugriff Seiten 40 - 42
0.3 Pride Parade as a Site of Contradictions. Europeanisation, LGBT and Queer Activism, and Leftist Demands from Within Kein Zugriff Seiten 42 - 46
0.4 Structure of the PhD Dissertation Kein Zugriff Seiten 46 - 48
1.1 Feminist and Queer Backgrounds—Dissident Currents—Debates on Intersectionality: Decolonial Feminism and Decolonial Queer Kein Zugriff Seiten 56 - 69
1.2 Gender and Political Difference: The Histories of Art and Activism in the Yugoslavian Cultural Space Kein Zugriff Seiten 69 - 81
1.3 Anti-War Agency: Feminists, Lesbians, Gays, Artists and Others Kein Zugriff Seiten 81 - 86
1.4 Translating Queer: QueerBeograd and the Discourse of Kvar Kein Zugriff Seiten 86 - 92
2.1 QueerBeograd Cabaret—"Preparing the Space" Kein Zugriff Seiten 96 - 97
2.2 "Queercore/Lubricant" Cabaret (2006) Kein Zugriff Seiten 98 - 121
2.3 QueerBeograd Cabaret (2007) Kein Zugriff Seiten 121 - 133
