Magic To Do
Pippin's Fantastic, Fraught Journey to Broadway and Beyond- Autor:innen:
- Verlag:
- 2022
Zusammenfassung
In Magic to Do, which celebrates the 50th anniversary of Pippin's opening, two-time Pulitzer Prize jury member Elysa Gardner turns her attention to this innovative show, the musical retelling of the story of Prince Pippin, son of Charlemagne, and his quest for an "extraordinary life." Magic to Do dives deep into the legendary clashes, backstage drama, and incredible artistic synergy that produced one of Broadway's most influential musicals, a show that paved the way for the pop-informed musicals that we know and love today. Full of big personalities, brilliant creative minds, and never-before-told stories, Magic to Do is an intimate look at a moment in history, a time and a place in which popular culture was as defined by conflict—between the young and the old, idealism and cynicism, creation and destruction—as anything else. Gardner draws out this friction through her examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, for whom the show would mark a massive career resurgence, and its young composer/lyricist, Stephen Schwartz (of Wicked fame), who was making his Broadway debut.
Magic to Do, named for the opening song of the musical, clearly marks the lasting cultural significance of Pippin, which derives in large part from the timelessness of the search for self, one that presents itself anew to each succeeding generation, accounting for the show's enduring popularity around the world. Infused with R&B sounds and a universal message, it is fair to say that, without Pippin, there is no Spring Awakening, Dear Evan Hansen, or even Hamilton.
Schlagworte
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Bibliographische Angaben
- Copyrightjahr
- 2022
- ISBN-Print
- 978-1-4930-6435-9
- ISBN-Online
- 978-1-4930-6436-6
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 212
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Contents Kein Zugriff
- Prologue: Whose Show Was It, Anyway? Kein Zugriff
- 1. The Prince and the Prodigy Kein Zugriff Seiten 1 - 12
- 2. Fresh Takes on Famous Sons Kein Zugriff Seiten 13 - 26
- 3. Enter the Showman Kein Zugriff Seiten 27 - 42
- 4. Song and Dance (But Not in That Order) Kein Zugriff Seiten 43 - 62
- 5. From a Medieval Musical Drama to “An Anachronistic, Cynical Burlesque” Kein Zugriff Seiten 63 - 80
- 6. Twelve Players in Search of an Auteur Kein Zugriff Seiten 81 - insert 16
- 7. Order, Design, Composition, Tension, and All That Jazz Kein Zugriff Seiten 99 - 116
- 8. Bomb Scares, Death Threats, and More Fun in Washington Kein Zugriff Seiten 117 - 126
- 9. Glory, Glory . . . and Grievances Kein Zugriff Seiten 127 - 148
- 10. The Motown Connection Kein Zugriff Seiten 149 - 160
- 11. The Theo Ending: A Boy’s Afterlife and Other Post-Fosse Developments Kein Zugriff Seiten 161 - 172
- 12. A Night at the Circus Kein Zugriff Seiten 173 - 186
- Epilogue: More Magic Shows and Miracles Kein Zugriff Seiten 187 - 192
- Acknowledgments Kein Zugriff Seiten 193 - 198
- Selected Bibliography Kein Zugriff Seiten 199 - 200
- Index Kein Zugriff Seiten 201 - 212





