Dark Waves
The Synthesizer and the Dystopian Sound of Britain (1977-80)- Autor:innen:
- Verlag:
- 2023
Zusammenfassung
Between 1977 and 1980, Britain was a country and culture in flux. The threat of nuclear war, mass unemployment, and strikes made it a particularly gloomy period historically. Within this, a growing number of electronic music acts were using technology and the synthesizer to soundtrack changing times.
Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977- 80) is the first musicological collection of essays on acts that include Throbbing Gristle, Cabaret Voltaire, and The Human League, mapping how the synthesizer spurred toward a fundamental shift in the mechanisms of electronic musicmaking in late 1970s. The volume traces how, along with the musical aesthetics established by both the Punk and Post-Punk movements, the synthesizer led to new and innovative effects, ideas, processes, and musical genres. Dark Waves explores the background, influences, and use of technology and how such developments would result in the more commercial electronically produced sound of 1980s synth pop which, in turn, shaped the sound of electronic music today.
Schlagworte
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Bibliographische Angaben
- Copyrightjahr
- 2023
- ISBN-Print
- 978-1-5381-6530-0
- ISBN-Online
- 978-1-5381-6531-7
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 188
- Produkttyp
- Monographie
Inhaltsverzeichnis
- CONTENTS Kein Zugriff
- FOREWORD Kein Zugriff
- INTRODUCTION Kein Zugriff Seiten 1 - 4
- 1. DYSTOPIAN SENTIMENTALITIES Kein Zugriff
- 2. POLITICAL, ECONOMIC, AND CULTURAL INFLUENCES Kein Zugriff
- 3. TECHNOLOGY AND AESTHETICAL FRAMEWORKS Kein Zugriff
- 4. CABARET VOLTAIRE: Dadaism Up North Kein Zugriff
- 5. THROBBING GRISTLE: Music from the Death Factory Kein Zugriff
- 6. THE NORMAL: The Car Crash Set Kein Zugriff
- 7. FAD GADGET: Mechanised Curiosity Kein Zugriff
- 8. THE HUMAN LEAGUE: Electronically Yours Kein Zugriff
- 9. GARY NUMAN: Subhuman in Suburbia Kein Zugriff
- 10. VISAGE: The New Guard Kein Zugriff
- 11. CONCLUSION: Influence and Afterword Kein Zugriff
- BIBLIOGRAPHY Kein Zugriff Seiten 167 - 172
- INDEX Kein Zugriff Seiten 173 - 186
- ABOUT THE AUTHOR Kein Zugriff Seiten 187 - 188





