Imaging the Scenes of War: Aesthetic Crossovers in American Visual Culture

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Frontmatter Full access Pages 1 - 4 Download chapter (PDF)
Contents Full access Pages 5 - 6 Download chapter (PDF)
Acknowledgements No access Pages 7 - 8
Introduction No access Pages 9 - 14
1 Trauma Narratives, Mixed Media, and the Meditation on the Invisible No access Pages 15 - 34
2 Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center No access Pages 35 - 60
3 In Search of a Common Vision: Ben Shahn, Photography, and The Family of Man Exhibition in 1955 No access Pages 61 - 90
4 Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s No access Pages 91 - 108
5 Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions No access Pages 109 - 130
6 Screening Holocaust: American Television and the Discourse on ''Victim Cultures'' in West Germany No access Pages 131 - 154
Index No access Pages 155 - 160