This volume demonstrates that a richer notion of spatiotemporal organization in the arts and beyond can allow contouring, especially in the interaction of different disciplines. Central to this is the concept of rhythm, which is meaningful for various artistic disciplines as well as history and cultural studies. The contributions follow up on the related concepts of balance and of meter, whereupon they formulate further theoretical perspectives which are a desideratum even in musicology.
Einleitung No access Pages 7 - 14 Matteo Nanni, Christian Grüny
Eine Geschichte der Rhythmen: warum und wie? No access Pages 15 - 30 Jean-Claude Schmitt
Die Tücken des Binären, oder warum Gilles Deleuze die Betrachtung des Rhythmus in der Barockmusik aufgegeben hat No access Pages 31 - 58 Alexander Jakobidze-Gitman
Kulturen des musikalischen Rhythmus No access Pages 59 - 72 Steffen A. Schmidt
Rhythmus und Geste, oder Metaphysics in Mecklenburgh Street No access Pages 73 - 94 Christian Grüny
