Uncertain Destinies and Destinations: Audiovisual Perspectives on Migration and Religion

Natalie Fritz; Marie-Therese Mäder

doi:10.5771/9783741001598

Summary

Die Medien produzieren eine Vielzahl von Bildern über Migration, Menschen auf der Flucht und Religion. Damit beeinflussen sie bis zu einem gewissen Grad unsere Vorstellung von Migration und Flucht. Einige dieser Bilder geben einen Einblick in die oft beunruhigende Situation von Menschen, die alles verloren haben. Menschen, die ihre Heimat und Familie verlassen mussten und verzweifelt nach neuen Perspektiven suchen. Andere nutzen das Thema und das Schicksal von Menschen, um das Publikum mit sensationellen Nachrichten und Bildern von riesigen Menschenströmen, die ihre Herkunftsländer verlassen, zu unterhalten. Das medial vermittelte Phänomen der Flucht bringt nicht nur neue Bilder und Einsichten in die aktuelle Migrationsdebatte hervor, sondern stellt auch den Blick und den Umgang mit Bildern und audiovisuellen Dokumenten in Frage. Diese ethischen Verantwortungsdebatten verbinden sich mit Fragen nach den Funktionen und der Rolle von Religion in audiovisuellen Darstellungen von Migration. Der vorliegende Band nähert sich dem Thema Migration und Religion aus einer interdisziplinären Perspektive mit Fokus auf audiovisuelle Repräsentation. Die Beiträge berücksichtigen Spielfilme, Dokumentationen, Fernsehbeiträge, Kurzfilme und Pressefotos.

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Bibliographic data

Copyright Year: 2022
ISBN-Print: 978-3-7410-0356-1
ISBN-Online: 978-3-7410-0159-8
Publisher: Schüren, Marburg
Series: Religion, Film und Medien
Volume: 7
Language: English
Pages: 193
Product Type: Edited Book

Titelei/Inhaltsverzeichnis No access Pages 1 - 9
Preface No access Pages 10 - 11
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1. A Man, a Woman, and a Baby on their Way to a Better Future No access
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2. Responses to Science Fiction and Documentary Media No access
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3. A Photograph that Became a Metaphor for the Human Cost of Migration No access
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4. The Sea, the Child, and the Hope for a Better Future No access
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5. The Contributions of this Volume No access
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6. Bibliography No access
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7. Filmography No access
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1. Personal Identity No access
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2. Social Identity No access
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3. Acculturation No access
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4. Anthropological Approaches to Cultural Identity No access
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5. Beyond Acculturation: “Roots & Routes” and “Home & Belonging” No access
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6. Dialogical Self Theory and Post-Migration Identity No access
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7. Conclusion No access
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8. Bibliography No access
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9. Filmography No access
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1. Touching Bodies No access
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2. Communicating Ethics through Aesthetics No access
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3. Aesthetic Touches. Discussing with Scandinavian Creation Theology No access
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4. Critical Elaboration of the Signifier/Signified No access
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5. Theology and the Praxis of Touch No access
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6. The Religious-Secular Human No access
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7. Bibliography No access
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8. Further Readings No access
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9. Filmography No access
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  1. Root Causes of Migration No access
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  2. The Presence and Function of Religions and Beliefs No access
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  1. Implicit Religion in DIE FARBE DES OZEANS No access
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  1. Religion and Ethics in STYX No access
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4. Conclusion No access
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5. Literature No access
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6. Filmography No access
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1. Bodily Presence in 4.1 MILES No access
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2. Combining Temporal and Spatial Perspectives in MY ESCAPE No access
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3. Audio-visual Control of Infotainment in Storming Spain’s Razor-Wire Fence: Europe or Die No access
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4. A Mediated Series of Dramatic Events No access
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5. Bibliography No access
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6. Filmography No access
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1. Performativity of Visual Media No access
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2. Critical Insights into a Migration No access
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3. REISE DER HOFFNUNG No access
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4. FUOCOAMMARE No access
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5. Religion in Moving Images No access
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6. Bibliography No access
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7. Filmography No access
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1. EINE BRAUT KOMMT SELTEN ALLEIN No access
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2. HERRGOTT FÜR ANFÄNGER No access
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3. QU’EST-CE QU’ON A FAIT AU BON DIEU? (SERIAL (BAD) WEDDINGS) No access
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4. WILLKOMMEN BEI DEN HARTMANNS (WELCOME TO GERMANY) No access
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5. WELCOME TO NORWAY No access
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6. Conclusion No access
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7. Bibliography No access
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8. Filmography No access
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1. Characters in Kaurismäki’s Universe – Unfortunate Underdogs Fighting for Dignity No access
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  1. Reduced Means – Dialogue, Gestures, and Musical Moments No access
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  2. Stylized Realism No access
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  3. Ironic Gaze No access
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3. Ironic Minimalism and “Divine Comedy” No access
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4. Bibliography No access
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5. Filmography No access
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1. In Search of a Responsible Perspective No access
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2. Ai Weiwei’s Engagement with the Refugee Crisis No access
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3. The Humanitarian Constellation No access
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4. The Camera View No access
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5. An Existential Metaphor: “Shipwreck with Spectator” No access
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6. The Responsibility of the Witness and the Ethics of the Spectator No access
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7. Bibliography No access
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8. Filmography No access
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1. Structuring the Movie No access
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2. Pictures, Photographs No access
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3. The Role of Music No access
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4. Family and History No access
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5. “Heimat” (homeland) No access
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6. Religion and Politics in IRAQI ODYSSEY No access
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7. Back to the Main Topic: Escape/Flight No access
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8. The outcome of the film: the website iraqiodyssey.com No access
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Authors No access Pages 190 - 192
List of Figures No access Pages 193 - 193