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Neoliberal Aesthetics of Resistance in the Disney Star Wars Films

Rescripting Rebellion
Authors:
Publisher:
 2023

Summary

From 2015 to 2019, the Walt Disney Corporation has produced five theatrical films in the Star Wars galaxy. These films have been met with mixed reactions from audiences and critics alike and sparked seemingly endless public debate about representations of people of color, women, and queer people in 21st century popular film. This book explores the evolving discourse surrounding Disney’s Star Wars films from a political economic perspective and through a lens focusing on the corporate representation of marginalized communities with an aim to critique neoliberal ethics of resistance against fascist regimes. Through exploring the characters of Saw Gerrera, Finn, Poe Dameron, and L3-37, Abigail Reed argues that Disney’s utilization of diverse identities within the franchise is ultimately regressive. Rather than engaging with marginalized communities’ histories or futures, Reed posits, Disney uses these narratives to serve its private interests as an American global media conglomerate and undermine historically effective models of rebellion against imperialism in favor of a model of governance that centers Whiteness and the interests of the Global North.

Keywords



Bibliographic data

Copyright year
2023
ISBN-Print
978-1-7936-4738-2
ISBN-Online
978-1-7936-4739-9
Publisher
Lexington, Lanham
Language
English
Pages
142
Product type
Book Titles

Table of contents

ChapterPages
    1. Preface No access
    1. Notes No access
    1. Diversity No access
    2. Notes No access
    1. Context No access
    2. Narrative No access
    3. Saw Gerrera as Exemplar of the “Other” No access
    4. Waging Political Violence No access
    5. Fatherhood, Race, and Kinship No access
    6. Notes No access
      1. Poe and Finn as Rebellious Leaders No access
      2. Poe and Finn as Straight-Washed Generals No access
    1. Notes No access
    1. Notes No access
  1. Conclusion No access Pages 119 - 120
  2. Bibliography No access Pages 121 - 132
  3. Index No access Pages 133 - 140
  4. About the Author No access Pages 141 - 142

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