Toxic Nostalgia on Screen

Simon Bacon

doi:10.5771/9781666935615

Search publication

Bibliographic data

Copyright year: 2024
ISBN-Print: 978-1-6669-3560-8
ISBN-Online: 978-1-6669-3561-5
Publisher: Lexington, Lanham
Language: English
Pages: 306
Product type: Edited Book

1. Dedication No access
2. Contents No access
3. Acknowledgments No access
4. Foreword No access
Introduction No access Pages 1 - 10
Prologue No access Pages 11 - 26
1. 1. “Well, Everybody Needs a Hobby—So What’s Yours?—Resurrection” No access
  2. “Mommy Was Very Bad!” No access
  3. “What Were You Expecting, an Exploding Pen? We Don’t Really Go in for that Anymore” No access
  4. “Where Are We Going?—Back in Time. Somewhere We’ll Have the Advantage” No access
  5. “Sometimes the Old Ways Are the Best” No access
  6. Notes No access
  7. Works Cited No access
2. 1. Introduction No access
  2. They Have Changed Their Face No access
  3. Dawn of the Dead No access
  4. Dracula Is Not Dead No access
  5. Conclusion No access
  6. Notes No access
  7. Works Cited No access
3. 1. Introduction No access
  2. Monstrous Mother and Daughter Texts: Gothic Nostalgia in Flowers in the Attic (1979) No access
  3. Nostalgic Melodrama and Excessive Style: Lifetime’s Flowers in the Attic (2014) No access
  4. Flowers in the Attic and Productive Nostalgia No access
  5. Note No access
  6. Works Cited No access
4. 1. Introduction No access
  2. Jameson Currier, A Touch of Darkness: Haunted Houses and Spectral Events No access
  3. Rosie Talbot, Sixteen Souls No access
  4. Notes No access
  5. Works Cited No access
1. 1. Option One: Blame the Witches No access
  2. Option Two: Accept Partial Blame, then Dodge No access
  3. Option Three: Name the Evil Directly No access
  4. Conclusion: Navigating the Past No access
  5. Notes No access
  6. Works Cited No access
2. 1. Observations of a Filmmaker No access
  2. How Patriarchy Permeates No access
  3. Male Religious Figures as the Be-All, and End-All No access
  4. The Wicked Wiles No access
  5. 1. The Exorcist (Friedkin: 1973) No access
    2. Rosemary’s Baby (Polanski: 1968) No access
    3. The Omen (Donner: 1976) No access
    4. The Seventh Sign (Schultz: 1988) No access
    5. Mother Joan of the Angels (Kawalerowicz: 1961) No access
    6. Immaculate (Mohan: 2024) No access
    7. The First Omen (Stevenson: 2024) No access
  6. So How Does this Impact a Horror Audience? No access
  7. 1. Male Dominance, Authority, and Control No access
  8. Psychological and Social Implications in Religious Horror Films No access
  9. The Religious Control Room No access
  10. 1. Saint Maud (Glass: 2019) No access
  11. Female Directors and Writers No access
  12. The Cultural Shift No access
  13. Works Cited No access
3. 1. Toxic Nostalgia No access
  2. Immaculate No access
  3. The First Omen No access
  4. Conclusion No access
  5. Notes No access
  6. Works Cited No access
1. 1. Note No access
  2. Works Cited No access
2. 1. Introduction No access
  2. The First Injustice: Miss Mary and Hoyt Pickens No access
  3. The Second Injustice: James Harris and Patricia Campbell No access
  4. The Perpetual Injustice: Ursula Greene and the Children of Six Mile No access
  5. Conclusion No access
  6. Works Cited No access
3. 1. Note No access
  2. Works Cited No access
4. 1. Introduction No access
  2. Cultural Trauma and Black Horror No access
  3. The Affective Structures of Cinematic Trauma No access
  4. Traumatic Imaginations in Lovecraft Country No access
  5. Conclusion No access
  6. Note No access
  7. Works Cited No access
1. 1. Introduction No access
  2. Zombies in East Asia No access
  3. Zombies in South Korea No access
  4. Kingdom of the Gods No access
  5. 1. Season One No access
    2. Season Two No access
  6. Conclusion No access
  7. Works Cited No access
2. 1. Works Cited No access
3. 1. 1. The Myths behind Vuelven and Diablo Rojo PTY No access
  2. 1. De-subjectivizing La Llorona y la Tulivieja No access
    2. Reimagining La Llorona and La Tulivieja No access
  3. Closing Remarks No access
  4. Notes No access
  5. Works Cited No access
4. 1. Toxic Nostalgia: Techno-Primitivism and the Cultic in Zero K No access
  2. Undead Memories of Cold War: The “Near East” in Suspended Animation No access
  3. Note No access
  4. Works Cited No access
1. 1. Note No access
  2. Works Cited No access
2. 1. Interface Horror and the Digital Native No access
  2. Digitizing Trauma No access
  3. Deindividuation and the Cyberbully No access
  4. Note No access
  5. Works Cited No access
3. 1. Notes No access
  2. Works Cited No access
Index No access Pages 295 - 300
About the Contributors No access Pages 301 - 306