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Volume 19 (2022), Edition 1

WestEnd
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Journal:
WestEnd
Publisher:
 2022


Bibliographic data

ISSN-Print
1860-2177
ISSN-Online
2942-3546
Publisher
Nomos, Baden-Baden
Language
German
Product type
Volume

Articles

Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 1 - 2
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022

Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 3 - 20
The lives of two painters, Celia Paul and Cecily Brown, tell very different stories about what it takes to thrive in a medium historically dominated by men.
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 21 - 40
There seem to be hardly any points of contact between the politics of memory and law. At least that is what the current debate suggests. A closer look, however, shows that law is connected to the cultural memory of a society in an ambivalent way....
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 41 - 74
What is the relationship between a philosophical or theoretical conception of mind, and the mind’s conception of itself? Should the latter constrain the former? And how does the mind itself understand a theory of mind, that is, a theory of itself?...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 75 - 82
In the introduction to this issue’s special theme, Johannes Voelz characterizes the contemporary debate of autofiction as one concerned with the analysis of the present social condition. In order to take seriously this analysis without simply...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 83 - 98
Whenever the history of autofiction is told, it involves a historicization of the term autofiction and its supposed French origin in the 1970s. But the question of why a large number of writers, most noticeably Karl Ove Knausgård, started writing...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 99 - 112
This article examines the autofictions of US-American author Tao Lin in the context of networked sociality. The essay thus elaborates on a specific aspect of Andreas Reckwitz’s theory of singularization not explored in depth by Reckwitz himself,...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 113 - 124
Through an original interpretation of the interview form, Rachel Cusk creates a paradoxical autofiction, a subject who “finds herself” by undertaking a journey through the lives of others. Cusk leads us to a redefinition of contemporary...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 125 - 140
It seems easy to identify aspects of Andreas Reckwitz’s society of singularities in contemporary autosociobiographical narratives of aspirations to social advancement and fears of social decline. However, novels such as Nicolas Mathieu’s Wie...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 141 - 154
This article examines prominent representatives of autofictional writing, such as Édouard Louis and Karl Ove Knausgård, and discusses whether their programmatic directness and artlessness are instances of what sociologist Andreas Reckwitz calls...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 155 - 166
The article examines the works of Silvia Bovenschen with particular emphasis on their relation to Critical Theory, especially the philosophy of Theodor W. Adorno. It describes this relationship, as also in other areas of Bovenschen’s political and...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 167 - 182
This article analyzes the background and the process of foundation of the Institute for Social Research. Special attention is paid to the role played by Felix Weil, which was central not only in financial terms, but also in the conceptual and...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 183 - 194
The late sociologist Ulrich Oevermann is renowned as the founder of Objective Hermeneutics. But, as the article shows, his oeuvre has much more to offer than that: an original contribution to social theory, including a methodologically grounded...
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022
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Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 195 - 196
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022

Cover of Volume: WestEnd Volume 19 (2022), Edition 1
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Page 197 - 208
Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden 2022

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