Technologies of Theatre: Joseph Furttenbach and the Transfer of Mechanical Knowledge in Early Modern Theatre Cultures

Jan Lazardzig; Hole Rößler

doi:10.5771/9783465142591

Summary

Baroque theatre spectacles are frequently celebrated for their overwhelming effects and marvelous technologies. However, little is known about how the mechanical knowledge for elaborate stage machineries was actually acquired by architects and engineers, and how it disseminated throughout European theatre cultures with regard to specific religious, social, political as well as economical contexts. So far unnoticed by historians of theatre and performance, the early seventeenth-century codex iconographicus 401 (Bavarian State Library) offers new insight to the transfer of mechanical knowledge and theater technology. This manuscript can now be attributed to Joseph Furttenbach (1591-1667), building master of the Swabian city of Ulm, today best known for his numerous publications on architectural theory. The codex incorporates technical drawings and descriptions of the theatrical machineries invented and designed by Giulio Parigi for the epoch-making festivals at the Medici court in Florence. The invention and construction of theatrical machineries was taught at Parigi’s Florentine academy of art and engineering, which Furttenbach attended. Besides an English translation of Furttenbach’s manuscript (originally written in German language), this volume collects studies at the intersection of theater, architecture, and technology, proposing an innovative approach to the historiography of early modern theater.

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Bibliographic data

Edition: 1/2016
Copyright Year: 2016
ISBN-Print: 978-3-465-04259-4
ISBN-Online: 978-3-465-14259-1
Publisher: Klostermann, Frankfurt am Main
Series: Zeitsprünge
Volume: 20
Language: English
Pages: 488
Product Type: Edited Book

Titelei/Inhaltsverzeichnis No access Pages I - IV
Joseph Furttenbach and the Transfer of Medical Knowledge No access Pages 271 - 312
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Florentine Festivals and Stage Machinery No access Pages 313 - 366
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Knowledge of Stagecraft. Joseph Furttenbach and the Limits of Cultural Translation No access Pages 367 - 388
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The Uffizi Theatre No access Pages 389 - 416
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Between Tradition and Innovation No access Pages 417 - 438
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The Engineer´s Gaze No access Pages 439 - 456
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Forms and Functions of Codification of Knowledge No access Pages 457 - 470
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Abstracts No access Pages 471 - 474
Notes on Contributors No access Pages 475 - 488