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The Complete Book of 1930s Broadway Musicals

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Publisher:
 2018

Summary

Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway.

In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies.

Each entry contains the following information:

  • Plot summary

  • Cast members

  • Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors

  • Opening and closing dates

  • Number of performances

  • Critical commentary

  • Musical numbers and the performers who introduced the songs

  • Production data, including information about tryouts

  • Source material

  • Details about London and other foreign productions

Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Keywords



Bibliographic data

Copyright year
2018
ISBN-Print
978-1-5381-0276-3
ISBN-Online
978-1-5381-0277-0
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
696
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
    3. Introduction No access
    4. Alphabetical List of Shows No access
  1. 1930 Season No access Pages 1 - 38
  2. 1930–1931 Season No access Pages 39 - 128
  3. 1931–1932 Season No access Pages 129 - 206
  4. 1932–1933 Season No access Pages 207 - 276
  5. 1933–1934 Season No access Pages 277 - 326
  6. 1934–1935 Season No access Pages 327 - 376
  7. 1935–1936 Season No access Pages 377 - 422
  8. 1936–1937 Season No access Pages 423 - 460
  9. 1937–1938 Season No access Pages 461 - 502
  10. 1938–1939 Season No access Pages 503 - 578
  11. 1939 Season No access Pages 579 - 614
  12. Appendix A:Chronology (by Season) No access Pages 615 - 618
  13. Appendix B:Chronology (by Classification) No access Pages 619 - 624
  14. Appendix C:Discography No access Pages 625 - 626
  15. Appendix D:Filmography No access Pages 627 - 628
  16. Appendix E:Black-Themed Shows No access Pages 629 - 630
  17. Appendix F:Jewish-Themed Shows No access Pages 631 - 632
  18. Appendix G:Published Scripts No access Pages 633 - 634
  19. Appendix H:Gilbert and Sullivan Operettas No access Pages 635 - 640
  20. Appendix I:Theatres No access Pages 641 - 646
  21. Bibliography No access Pages 647 - 648
  22. Index No access Pages 649 - 694
  23. About the Author No access Pages 695 - 696

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