Tanz und Musik – Perspektiven für die Historische Musikpraxis. Vorwort der Herausgeberinnen No access Pages 7 - 14
Breathing, Sound, and Movement. Evolutionary Biological Building Blocks of Human Dance Across Species No access Pages 15 - 28 Silvia Leonetti, Maria Goncharova, Andrea Ravignani
Revisiting the “Clerical Dance Song” in Medieval Europe No access Pages 29 - 60 Mary Channen Caldwell
Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice No access Pages 61 - 82 Jennifer Nevile
From Pieces for Amateurs to Works of Art. Dance Music for Keyboard in Sixteenth-Century Italy No access Pages 83 - 104 Cristina Cassia
Measure: Moving In and Out of Time No access Pages 105 - 132 Anne Daye
Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung No access Pages 133 - 158 Hanna Walsdorf
Ending an Opera: What Happens When Dancing Replaces Singing? No access Pages 159 - 178 Rebecca Harris-Warrick
«Composé sur des airs d’opéras-comiques représentés à Vienne». Zu Glucks Ballettpasticcio Les aventures champêtres (Wien 1760) No access Pages 179 - 216 Irene Brandenburg
Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation No access Pages 217 - 250 Ralph Bernardy
Ein Gespräch mit Véronique Daniels No access Pages 251 - 258 Agnese Pavanello
Percussion in Early Dance. Looking for a ‘Historical’ Groove No access Pages 259 - 266 Gabriele Miracle
Stepping Away from the Notation. Reconstructing Instrumental Practices in 16th-Century Dance Repertory No access Pages 267 - 280 Baptiste Romain
The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave No access Pages 281 - 298 Mojca Gal
Performing Goethe’s Proserpina (1815). A Practice-Based Study of Gestural Attitudes, Movement, and Music No access Pages 299 - 320 Laila Cathleen Neuman
Darf man das? Historische Musikpraxis zwischen Quellen und ästhetischer Gegenwart. Einleitung No access Pages 323 - 326 Martin Kirnbauer
Darf man das? Listening to Music This Way and That No access Pages 327 - 340 Tim Carter
Medieval Stories and Rituals on Today’s Stage. Between Art, Scholarship, Obedience, Fashion and Horror Vacui No access Pages 341 - 354 Katarina Livljanić
On Necromantic History (and Music) No access Pages 355 - 366 Jan-Friedrich Missfelder
The Monstrosity of Early Music. Revivalism and the Excess of Musical Survivals No access Pages 367 - 404 Björn Schmelzer
«It was never like this in my day». Wege, Umwege und Irrwege der Annäherung an die Alte Musik No access Pages 405 - 416 Lorenz Welker
Abstracts und Kurzbiographien No access Pages 417 - 440
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