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Tanz und Musik
Perspektiven für die Historische Musikpraxis- Authors/Editors:
- |
- Series:
- Basler Beiträge zur Historischen Musikpraxis, Volume 42
- Publisher:
- 2023
Keywords
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Bibliographic data
- Edition
- 1/2024
- Copyright Year
- 2023
- ISBN-Print
- 978-3-7965-4972-4
- ISBN-Online
- 978-3-7965-4973-1
- Publisher
- Schwabe, Basel / Berlin
- Series
- Basler Beiträge zur Historischen Musikpraxis
- Volume
- 42
- Language
- German
- Pages
- 440
- Product Type
- Edited Book
Table of contents
ChapterPages
- Titelei/Inhaltsverzeichnis No access Pages 1 - 6
- Tanz und Musik – Perspektiven für die Historische Musikpraxis. Vorwort der Herausgeberinnen No access Pages 7 - 14
- Breathing, Sound, and Movement. Evolutionary Biological Building Blocks of Human Dance Across Species No access Pages 15 - 28Authors: | |
- Revisiting the “Clerical Dance Song” in Medieval Europe No access Pages 29 - 60Authors:
- Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice No access Pages 61 - 82Authors:
- From Pieces for Amateurs to Works of Art. Dance Music for Keyboard in Sixteenth-Century Italy No access Pages 83 - 104Authors:
- Measure: Moving In and Out of Time No access Pages 105 - 132Authors:
- Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung No access Pages 133 - 158Authors:
- Ending an Opera: What Happens When Dancing Replaces Singing? No access Pages 159 - 178Authors:
- «Composé sur des airs d’opéras-comiques représentés à Vienne». Zu Glucks Ballettpasticcio Les aventures champêtres (Wien 1760) No access Pages 179 - 216Authors:
- Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation No access Pages 217 - 250Authors:
- Ein Gespräch mit Véronique Daniels No access Pages 251 - 258Authors:
- Percussion in Early Dance. Looking for a ‘Historical’ Groove No access Pages 259 - 266Authors:
- Stepping Away from the Notation. Reconstructing Instrumental Practices in 16th-Century Dance Repertory No access Pages 267 - 280Authors:
- The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave No access Pages 281 - 298Authors:
- Performing Goethe’s Proserpina (1815). A Practice-Based Study of Gestural Attitudes, Movement, and Music No access Pages 299 - 320Authors:
- Darf man das? Historische Musikpraxis zwischen Quellen und ästhetischer Gegenwart. Einleitung No access Pages 323 - 326Authors:
- Darf man das? Listening to Music This Way and That No access Pages 327 - 340Authors:
- Medieval Stories and Rituals on Today’s Stage. Between Art, Scholarship, Obedience, Fashion and Horror Vacui No access Pages 341 - 354Authors:
- On Necromantic History (and Music) No access Pages 355 - 366Authors:
- The Monstrosity of Early Music. Revivalism and the Excess of Musical Survivals No access Pages 367 - 404Authors:
- «It was never like this in my day». Wege, Umwege und Irrwege der Annäherung an die Alte Musik No access Pages 405 - 416Authors:
- Abstracts und Kurzbiographien No access Pages 417 - 440
