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Border Visions

Identity and Diaspora in Film
Editors:
Publisher:
 2013

Summary

Over the last several decades, the boundaries of languages and national and ethnic identities have been shifting, altering the notion of borders around the world. Borderland areas, such as East and West Europe, the US/Mexican frontera, and the Middle East, serve as places of cultural transfer and exchange, as well as arenas of violent conflict and segregation. As communities around the world merge across national borders, new multi-ethnic and multicultural countries have become ever more common.

Border Visions: Identity and Diaspora in Film offers an overview of global cinema that addresses borders as spaces of hybridity and change. In this collection of essays, contributors examine how cinema portrays conceptions of borderlands informed by knowledge, politics, art, memory, and lived experience, and how these constructions contribute to a changing global community. These essays analyze a variety of international feature films and documentaries that focus on the lives, cultures, and politics of borderlands. The essays discuss the ways in which conflicts and their resolutions occur in borderlands and how they are portrayed on film. The volume pays special attention to contemporary Europe, where the topic of shifting border identities is one of the main driving forces in the processes of European unification.

Among the filmmakers whose work is discussed in this volume are Fatih Akin, Montxo Armendàriz, Cary Fukunaga, Christoph Hochhäusler, Holger Jancke, Emir Kusturica, Laila Pakalnina, Alex Rivera, Larissa Shepitko, Andrea Staka, Elia Suleiman, and István Szabó. A significant contribution to the dialogue on global cinema, Border Visions will be of interest to students and scholars of film, but also to scholars in border studies, gender studies, sociology, and political science.



Bibliographic data

Copyright year
2013
ISBN-Print
978-0-8108-9050-3
ISBN-Online
978-0-8108-9051-0
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
276
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Foreword: On Love-On Borders No access
    3. Acknowledgments No access
    4. Introduction No access
    1. Chapter 1. Imaginal Border Crossings and Silence as Negative Mimesis in Elia Suleiman’s Divine Intervention (2002) No access
    2. Chapter 2. Underground Bridges: Tunnels in the Films of Emir Kusturica—Underground (1995) and Life Is a Miracle (2004) No access
    3. Chapter 3. Aquaterrorists and Cybraceros: The Dystopian Borderlands of Alex Rivera’s Sleep Dealer (2008) No access
    1. Chapter 4. An Empire of Borders: Central European Boundaries in István Szabó’s Colonel Redl (1985) No access
    2. Chapter 5. Icons, Landscape, and the Boundaries of Good and Evil: Larisa Shepitko’s The Ascent (1977) No access
    3. Chapter 6. Negotiating a New Europe: Laila Pakalnin,a’s The Bus (2004) and Transnational Landscapes No access
    1. Chapter 7. Zurich Roses: Andrea Staka’s Das Fräulein (2006) No access
    2. Chapter 8. A Scar That Vanished: Recollections of the Inner-German Border in German Nonfiction Film No access
    3. Chapter 9. The Use of Music in Turkish-German Diasporic Cinema No access
    1. Chapter 10. Heating Up: Border Crossing and Identity Formation in Fatih Akin’s In July (2000) No access
    2. Chapter 11. Lost Children: Images of Childhood on the German-Polish Border in Christoph Hochhäusler’s This Very Moment (2003) and Robert Glin´ski’s Piggies (2009) No access
    3. Chapter 12. Orphans, Violence, and Identity: Transnational Travel in Cary Fukunaga’s Sin Nombre (2009), Denis Villeneuve’s Incendies (2010), and François Dupeyron’s Monsieur Ibrahim (2003) No access
    1. Chapter 13. What the Images Cannot Show: The Letters in Montxo Armendáriz’s Letters from Alou (1990) No access
    2. Chapter 14. Reflections on China and Border Crossings in Jia Zhang-ke’s Unknown Pleasures (2002) and Still Life (2006) No access
    3. Chapter 15. Border Imaging: Revealing the Gaps between the Reality, the Representation, and the Experience of the Border No access
  1. Index No access Pages 259 - 270
  2. About the Editors and Contributors No access Pages 271 - 276

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