Afro-Cuban Religions and the Arts: A Dog Has Four Legs but Takes Only One Path

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1. Contents No access
2. Acknowledgments No access
Introduction No access Pages 1 - 28
Chapter 1: Don’t Mess with the Saints: Afro-Cuban Religions and Popular Music, from María Teresa Vera to Hip-Hop No access Pages 29 - 54
Chapter 2: “A River That Never Rests”: Omar Sosa No access Pages 55 - 72
Chapter 3: Whistling into the Future with the Orishas: Life Is to Whistle No access Pages 73 - 104
Chapter 4: Water, Crossroads, and Diaspora: Maria Magdalena Campos-Pons No access Pages 105 - 124
Chapter 5: Crossroads of History and the Spirits: The Art of José Bedia No access Pages 125 - 150
Chapter 6: All That’s Ideology Melts into Flesh: “Juan of the Dead” and Palero Resilience No access Pages 151 - 182
Chapter 7: The Haitian Revolution and Vodou: Myth, Muses, and History No access Pages 183 - 218
Postscript: A Dialogue with the Dead No access Pages 219 - 234
Appendix A: Regla De Ocha or Santeria No access Pages 235 - 238
Appendix B: Reglas De Palo No access Pages 239 - 242
Appendix C: The Abakuá No access Pages 243 - 246
Appendix D: Vodou No access Pages 247 - 250
Appendix E: Chart of Comparative Pantheons (Ocha-Palo-Abakuá-Catholic-Greek) No access Pages 251 - 252
Appendix F: Vodou Pantheon with Catholic Syncretisms No access Pages 253 - 254
Appendix G: Afro-Cuban Religious and Vodou Glossary of Terms No access Pages 255 - 260
Bibliography No access Pages 261 - 274
Index No access Pages 275 - 280
About the Author No access Pages 281 - 282