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Initiating a Dialogue Through 'the Global Community on your Bookshelf'

Narrative Representations of 'Islamic Fundamentalism' in Selected Novels from the 1990s to the Present
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Publisher:
 2018
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Summary

Nina Liewald analyses literary representations of so-called 'Islamic fundamentalism' by contemporary authors whose cultural background and approach to the subject matter differs substantially: Hanif Kureishi, Sebastian Faulks, Mohsin Hamid and Yasmina Khadra. The author focuses on the narrative depiction of this complex phenomenon and its economic, religious and sociopolitical framework in selected contemporary novels. The interdisciplinary study is offering contextualised readings and combining narratology, literary and cultural studies with approaches from political science. It explores the potential functions of literature in a highly politicised context and specifically the potential of literature to shed light on radicalisation processes and to promote public discourse and intercultural understanding.

Bibliographic data

Edition
1/2018
Copyright Year
2018
ISBN-Print
978-3-8288-4072-0
ISBN-Online
978-3-8288-6902-8
Publisher
Tectum, Baden-Baden
Series
Wissenschaftliche Beiträge aus dem Tectum Verlag: Anglistik
Volume
8
Language
German
Pages
412
Product Type
Monograph

Table of contents

ChapterPages
  1. Titelei/Inhaltsverzeichnis Partial access I - XII Download chapter (PDF)
    1. 1.1) Topic and aim of this study No access
    2. 1.2) Theoretical framework, methodology and structure No access
    3. 1.3) On the choice of works and central terms No access
    1. 2.1) Point of departure No access
      1. 2.2.1) Findings of interdisciplinary research projects No access
      2. 2.2.2) Family resemblances between different forms of religious fundamentalism No access
      3. 2.2.3) Reasons for the emergence of Islamic fundamentalism No access
    3. 2.3) Literary studies on the interrelationship between literature and fundamentalism No access
      1. 2.4.1) A ‘Clash of Civilizations’? No access
      2. 2.4.2) Fundamentalist Islam against Western secularisation? No access
    5. 2.5) Migration, integration and identity No access
      1. 2.6.1) ‘Orientalism’ and ‘Occidentalism’ No access
      2. 2.6.2) ‘Western liberalism’ as point of criticism No access
      3. 2.6.3) Stereotypes and fears No access
    1. 3.1) Ethics No access
    2. 3.2) Aesthetics No access
    3. 3.3) A turn towards the ethical in literature and a “turn to the literary within ethics” No access
    4. 3.4) Main tendencies in ethical criticism No access
    5. 3.5) Man as “a story-telling animal” No access
    6. 3.6) Towards a humanist approach: Martha Nussbaum’s Love’s Knowledge No access
    7. 3.7) Towards a political approach: Issues of identity, hybridity and multiculturalism No access
      1. 3.8.1) The ‘intentional fallacy’ and author vs. reader-oriented criticism No access
      2. 3.8.2) The authors’ background: Khadra, Hamid, Kureishi, Faulks No access
      1. 4.1.1) Cultural and historical context No access
      2. 4.1.2) Literature as ‘cultural ecology’ No access
    2. 4.2) Current trends in narrative theory No access
    3. 4.3) Cultural and postcolonial narratology No access
    4. 4.4) Genette’s typology as a toolbox for a cultural interpretation No access
      1. 4.5.1) Point of view/perspective and multiperspectivity No access
      2. 4.5.2) Relationships of contrast and correspondence and the use of irony No access
      3. 4.5.3) Directing the readers’ sympathy No access
      1. 5.1.1) The representation of ‘Islamic fundamentalism’ No access
      2. 5.1.2) Economic libertarianism as fundamentalist phenomenon No access
      3. 5.1.3) Directing the sympathy of the reader No access
      4. 5.1.4) A Week in December in the light of ethical criticism and ‘literature as cultural ecology’: the power of literature to change our perspective No access
      1. 5.2.1) Fundamentalism as a bulwark against “drug-inspired debris” and “banal fantasies”? No access
      2. 5.2.2) “Everybody’s free to feel good”: Consumerism and the pleasure principle No access
      3. 5.2.3) “[T]he world was swirling, its compasses spinning”: Identity formation and crisis No access
      4. 5.2.4): “[T]here must be more to living than swallowing one old book”: The Black Album in the light of ethical criticism and literature as ‘cultural ecology’ No access
      1. 5.3.1) Islamic fundamentalism, the subversion of stereotypes and the creation of narrative ambiguity No access
      2. 5.3.2) American nostalgia, Christianity and capitalism No access
      3. 5.3.3) A “modern-day janissary” who refuses to “focus on the fundamentals”: identity and ‘fundamentalism’ No access
      4. 5.3.4) The Reluctant Fundamentalist in the light of ethical criticism and literature as cultural ecology No access
      1. 5.4.1) “The sirens echoed in the silence of the night”: The lure of Islamic fundamentalism No access
      2. 5.4.2) A war against “dim-witted cowboys”: Bedouin traditions vs. U.S. politics No access
      3. 5.4.3) The protagonist’s turn to fundamentalist ideas No access
      4. 5.4.4) The Sirens of Baghdad in the light of ethical criticism and literature as cultural ecology No access
    1. 6.1) Islamic fundamentalism and its antipoles No access
    2. 6.2) Explaining fundamentalism: the role of identity in radicalisation processes No access
    3. 6.3) Ethical criticism and the importance of literature, art and the intellectual No access
    4. 6.4) Potential functions as culture-critical metadiscourse, counter-discourse or reintegrative interdiscourse No access
  8. 7) Conclusion No access 337 - 352
    1. Primary sources (cited) No access
    2. Primary sources (referred to) No access
    3. Secondary sources No access
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