With the transition from analog to digital in the practice of architectural design, it isn't just the tools that have changed: the methodological repertoire of design has also undergone a profound transformation. If traditional architectural drafting, in its immediacy and figurality, was constitutive of the idea of the architect as autonomous creator of designs, algorhythmic, rule-based or self-generative processes of production have proved to be indifferent towards the concept of authorship. While the operative side of this development is already being intensively discussed, the contributions in this anthology focus on the consequences for architects themselves.
Die Systematisierung der Sensation des Raumes No access Pages 31 - 48
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Die Zeichnung als Entwurfswerkzeug No access Pages 49 - 74
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Vom Werk zur Idee No access Pages 75 - 100
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Initiator, Geburtshelfer, Regisseur No access Pages 103 - 138
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Die Applikation des Computers als » Denkzeug « in parametrischen Entwurfsprozessen, basierend auf Horst Ritteis Design Methodologien No access Pages 139 - 156
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Analoger Blob vs. Digitale Box? No access Pages 157 - 174
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Standardisierung 4.0 in der Architektur? No access Pages 175 - 192
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Notation und Autorenschaft No access Pages 195 - 212
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Design Paradigm - Konzept und Zeitlichkeit in der modernen Architektur No access Pages 213 - 230
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Abbildungen No access Pages 231 - 236
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Autorinnen und Autoren No access Pages 237 - 239
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Backmatter No access Pages 240 - 242
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