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Soviet Influence on Cuban Culture, 1961-1987
When the Soviets Came to Stay
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Publisher:
2019
Summary
This book examines the ways in which the Cuban-Soviet relationship was expressed in the cultural sphere between 1961 and 1987. It specifically focuses on the theater and the visual arts to analyze the ways in which the culture became a means of asserting the Cuban Revolution’s independence.
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Bibliographic data
Edition
1/2019
Copyright Year
2019
ISBN-Print
978-1-4985-8011-3
ISBN-Online
978-1-4985-8012-0
Publisher
Lexington, Lanham
Language
English
Pages
232
Product Type
Monograph
Table of contents
ChapterPages
Contents No access
Acknowledgements No access
Introduction No access
“Kuba” and the “URSS” No access
1970s No access
1980s No access
Los Bolos No access
Notes No access
The Bolshevik Revolution No access
Unifying Term No access
Dogmatization No access
Thaw(s) No access
Stagnation (1964–1986) No access
Socialist, Realist, and International(ist) No access
Notes No access
Organizational Poles and Orientation No access
Establishing an Organizational Tradition No access
Defending the New Man No access
Culture of the Masses, for the Masses: Redefining Mass Culture No access
Artistic Forms and Local Norms No access
The Great Appropriation No access
Notes No access
Cuban culture in “our” America No access
Culture Is not a Luxury No access
Notes No access
Pre-Rebellion Theater No access
(Amateur) Theater: A Key Tool of Social and Political Change No access
1968—Artists Become Men and Women of Action No access
Quinquenio Gris (1971–1975/6) No access
1976: Redefining the Soviet-Cuban Relationship and Institutionalizing Post-Quinquenio Gris No access
