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Edited Book No access
Genre Hybridisation: Global Cinematic Flows
- Editors:
- Series:
- Marburger Schriften zur Medienforschung, Volume 44
- Publisher:
- 01.01.2013
Summary
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Bibliographic data
- Copyright year
- 2013
- Publication date
- 01.01.2013
- ISBN-Print
- 978-3-89472-863-2
- ISBN-Online
- 978-3-7410-0041-6
- Publisher
- Schüren, Marburg
- Series
- Marburger Schriften zur Medienforschung
- Volume
- 44
- Language
- English
- Pages
- 371
- Product type
- Edited Book
Table of contents
ChapterPages
- Titelei/Inhaltsverzeichnis No access Pages 1 - 8
- Genre Hybridisation No access Pages 9 - 36
- Transnational Genre Hybridity No access Pages 37 - 55
- Spectacular Bodies and Funfair Attractions No access Pages 56 - 71
- Sons of Cain No access Pages 72 - 80
- Towards a Generic Understanding of the Giallo No access Pages 81 - 92
- The Films of Jules Dassin No access Pages 93 - 114
- Sudden Death(s) No access Pages 115 - 141
- Cinematic Citizenship in the Liminal Zone Between Palestine and Israel No access Pages 142 - 160
- «Extremely Useful, Extremely Adaptable» No access Pages 161 - 176
- The Melodrama No access Pages 177 - 196
- «You Can’t Stop What’s Coming» No access Pages 197 - 214
- Mexicanidad Meets Americanism No access Pages 215 - 236
- African Francophone Cineastes Going ‹Genres› No access Pages 237 - 249
- Global Horror Meets Local Spirits No access Pages 250 - 264
- Strange Hybrids from a Hong Kong Studio No access Pages 265 - 280
- From Hollywood to Russia: New Russian Action Cinema No access Pages 281 - 294
- Documentary Variations On a Hybrid Theme No access Pages 295 - 313
- Hybridising Documentary No access Pages 314 - 336
- The Socialist Hybrids No access Pages 337 - 350
- The Classical-Modern Hybrid and the Politics of Intermediality No access Pages 351 - 363
- Picture Credits No access Pages 364 - 366
- About the Authors No access Pages 367 - 371
