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Communication Perspectives on Popular Culture
Authors:
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Publisher:
2016
Summary
Popular culture helps construct, define, and impact our everyday realities and must be taken seriously because popular culture is, simply, popular. Communication Perspectives on Popular Culture brings together communication experts with diverse backgrounds, from interpersonal communication, business and organizational communication, mass communication, media studies, narrative, rhetoric, gender studies, autoethnography, popular culture studies, and journalism. The contributors tackle such topics as music, broadcast and Netflix television shows, movies, the Internet, video games, and more, as they connect popular culture to personal concerns as well as larger political and societal issues. The variety of approaches in these chapters are simultaneously situated in the present while building a foundation for the future, as contributors explore new and emerging ways to approach popular culture. From case studies to emerging theories, the contributors examine how popular culture, media, and communication influence our everyday lives.
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Bibliographic data
Copyright year
2016
ISBN-Print
978-1-4985-2392-9
ISBN-Online
978-1-4985-2393-6
Publisher
Lexington, Lanham
Language
English
Pages
263
Product type
Book Titles
Table of contents
ChapterPages
Contents No access
Acknowledgments No access
Introduction No access
Chapter One: Queering Popular Culture No access Pages 1 - 12
Chapter Two: CultPopCulture No access Pages 13 - 24
Chapter Three: “Saving People. Hunting Things. The Family Business” No access Pages 25 - 36
Chapter Four: Who’s the Boss? No access Pages 37 - 48
Chapter Five: In Space . . . Our Worst Will Make Us Scream No access Pages 49 - 60
Chapter Six: Music’s Pervasive and Persuasive Role in Popular Culture No access Pages 61 - 76
Chapter Seven: Reflection and Deflection No access Pages 77 - 88
Chapter Eight: Public Relations Representations in Popular Culture No access Pages 89 - 100
Chapter Nine: Critical Rhetoric and Popular Culture No access Pages 101 - 114
Chapter Ten: “Prison is Bullshit” No access Pages 115 - 128
Chapter Eleven: Polymediating the Post No access Pages 129 - 140
Chapter Twelve: Thinking Conjuncturally about Countercultures No access Pages 141 - 152
Chapter Thirteen: Rethinking Studies of Relationships and Popular Culture No access Pages 153 - 166
Chapter Fourteen: Public Opponents Cooperating No access Pages 167 - 180
