»PostHeimat« – Inquiries into Migration, Theatre, and Networked Solidarity

Jonas Tinius; Ruba Totah

doi:10.14361/9783839462515

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Bibliographic data

Edition: 1/2025
Copyright year: 2025
ISBN-Print: 978-3-8376-6251-1
ISBN-Online: 978-3-8394-6251-5
Publisher: transcript, Bielefeld
Series: Theater
Volume: 147
Language: German
Pages: 232
Product type: Edited Book

FrontmatterPages 1 - 4
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ContentsPages 5 - 8
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IntroductionPages 9 - 21
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The RUHRORTER groupPages 25 - 28
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OPEN BORDER ENSEMBLEPages 29 - 32
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Collective Ma''louba (founded 2017)Pages 33 - 38
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Eine Beschreibung von HAJUSOM – Zentrum für transnationale Künste, des Ensembles „Hajusom“ und der Geschichte mit PostHeimatPages 39 - 44
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Das Exil Ensemble am Maxim Gorki TheaterPages 45 - 52
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Boat People ProjectPages 53 - 60
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Cultural Policy Working GroupPages 71 - 78
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Research Working GroupPages 79 - 83
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Hardcore ConfrontationsPages 87 - 92
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Encounter#2Pages 93 - 98
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Between Sprachlosigkeit and constant screaming: Some thoughts on working post HeimatPages 99 - 102
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A reflectionPages 103 - 106
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Colonial Neighbours – on how to boil rice with a pot full of air/on the wickedness of imaginationPages 107 - 115
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A Conversation with Azadeh Sharifi by Ruba Totah and Jonas TiniusPages 119 - 126
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Transnational Theatre Encounters: Reflections on Mediation and PowerPages 127 - 138
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A theatre practice-based exercise in doing and undoing diversity: The Open Border Ensemble (2017–2020) experiment at the Münchner KammerspielePages 139 - 154
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Thinking Diversity Anew for Equal Rights in Performing ArtsPages 155 - 170
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(EN)COUNTERING THE FUTURE: Notes on intersectional-diverse dramaturgical approachesPages 171 - 178
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Language between world theatre and theatre in exile: From the impossible collective understanding to the possible collective imaginationPages 179 - 188
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Das Post-Heimat-Netzwerk als Contact ZonePages 189 - 212
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WITNESSING A NEW STAGE IN GERMAN THEATREPages 213 - 224
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ContributorsPages 227 - 232
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