Expanded Senses: Neue Sinnlichkeit und Sinnesarbeit in der Spätmoderne. New Conceptions of the Sensual, Sensorial and the Work of the Senses in Late Moder…

Bernd Kracke; Marc Ries

doi:10.14361/9783839433621

Summary

This book responds to the »expansion of the senses« – which is so often mentioned in the context of the new moving images in cinema/TV/online/art – with a cautious double movement. To begin with, it is essential to recognize – through a precise interrogation of the cinema's constitutive, »cinaesthetic« experience in the perception of film (Vivian Sobchak) – an offer of sensuous (self) blurring and transgression of borders, which is always already inscribed in media. Subsequently, in the interplay of concrete moving images from the production sites of new media – with philosophical, socio-theoretical and neurobiologically motivated theories and models – the transformation of our sensuous and mental capacities through techniques of modulation, simulation, prosthetics, networking and digital cartography are mapped out.

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Bibliographic data

Edition: 1/2015
Copyright Year: 2015
ISBN-Print: 978-3-8376-3362-7
ISBN-Online: 978-3-8394-3362-1
Publisher: transcript, Bielefeld
Series: Edition Kulturwissenschaft
Volume: 92
Language: German
Pages: 432
Product Type: Edited Book

Frontmatter Full access Pages 1 - 4
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Inhalt Full access Pages 5 - 6
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Vladimir Nabokov No access Pages 7 - 8
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Wahrnehmung ist die Alltagsutopie der Befriedigung. Eine Einführung No access Pages 9 - 22
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René Fülöp-Miller No access Pages 23 - 24
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Phantasiemaschinen. Ein Exkurs zur technoimaginären Organisation mediatisierter Sinnlichkeit mit Hinweisen auf den vergessenen Autor René Fülöp-Miller No access Pages 25 - 39
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Antonin Artaud No access Pages 40 - 42
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Was Meine Finger Wussten. Das kinästhetische Subjekt oder die Wahrnehmung im Fleisch No access Pages 43 - 87
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Theodor W. Adorno No access Pages 88 - 88
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Mimikry und Berührung. Über Prothesen und Grimassen No access Pages 89 - 103
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Achille Mbembe No access Pages 104 - 104
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Corporate Cannibal No access Pages 105 - 135
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Gilles Deleuze No access Pages 136 - 136
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Dexters Plastisch Esgehirn. Empathie im Film durch Mentalisierung und Spiegelung No access Pages 137 - 155
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Béla Balázs No access Pages 156 - 156
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Der Körper am Werk. Sensorisch-motorische und emotionale Partituren im Film No access Pages 157 - 172
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Judith Butler No access Pages 173 - 174
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The Woman in the Blue Bra. Dem Video folgen No access Pages 175 - 191
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John Brian Harley No access Pages 192 - 194
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Die Karte als Aktionsraum. Digitale Weltbilder zwischen Logo-, Ethno- und Egozentrismus No access Pages 195 - 221
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Hans Blumenberg No access Pages 222 - 222
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Front Matter 2 No access Pages 223 - 244
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Contents No access Pages 245 - 246
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Vladimir Nabokov No access Pages 247 - 248
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Perception is the everyday utopian dream of satisfaction. An Introduction No access Pages 249 - 260
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René Fülöp-Miller No access Pages 261 - 262
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Phantasy Machines. A discourse on the techno-imaginary organization of mediatized sensibility in view of the forgotten author René Fülöp-Miller No access Pages 263 - 275
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Antonin Artaud No access Pages 276 - 278
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What my Fingers Knew. The Cinesthetic Subject, or Vision in the Flesh No access Pages 279 - 313
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Theodor W. Adorno No access Pages 314 - 314
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Mimicry and Touch. On Prosthetics and Grimaces No access Pages 315 - 327
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Achille Mbembe No access Pages 328 - 328
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Corporate Cannibal No access Pages 329 - 353
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Gilles Deleuze No access Pages 354 - 354
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Dexter''s Plastic Brain. Mentalizing and Mirroring in Cinematic Empathy No access Pages 355 - 369
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Béla Balázs No access Pages 370 - 370
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The Body at Work: Sensory-Motoric and Emotional Partitions of Film No access Pages 371 - 384
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Judith Butler No access Pages 385 - 386
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The Woman in the Blue Bra. Follow the Video No access Pages 387 - 402
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John Brian Harley No access Pages 403 - 404
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The Map as Home Range. Digital Worldviews between Logocentrism, Ethnocentrism and Egocentrism No access Pages 405 - 429
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Hans Blumenberg No access Pages 430 - 430
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Corporate Cannibal No access Pages 431 - 432
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