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Non-Normative Sexualities in US Latinx and Latin American Literature Through a Capitalist Lens

Editors:
Publisher:
 2023

Summary

Non-Normative Sexualities in US Latinx and Latin American Literature Through a Capitalist Lens studies how Latin American and Latinx authors represent non-normative sexualities through a capitalist lens. In our society, heterosexuality manifests as privilege and has been normalized to such an extent that any sexuality that is perceived as different from the dominant cis-gendered, heteropatriarchal norm is considered deviant. Non-normative sexualities continue to be viewed by society as detrimental to the health of the nation. Consequently, how one is perceived by the dominant culture continues to limit one’s ability to thrive. Each chapter serves to analyze how one’s perceived gender identity or sexuality can block access to economic opportunity. Queer, trans, spatial and intersectional theories form the base of the literary analyses. One of the contributors’ goals is to present capitalism as it is intersectionally present in life, identity, and society. The authors studied in this collection come from the USA, Puerto Rico, Mexico, and the Southern Cone of Latin America.

Keywords



Bibliographic data

Copyright year
2023
ISBN-Print
978-1-6669-3374-1
ISBN-Online
978-1-6669-3375-8
Publisher
Lexington, Lanham
Language
English
Pages
240
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
      1. Chapter 1: “The Haunting of Queer Latinidad in the Memoirs of Myriam Gurba and Carmen Maria Machado,” by Alexander Lalama No access
      2. Chapter 2: “Interrogating the Heteronormative Landscapes of Judith Ortiz Cofer’s The Line of the Sun and The Meaning of Consuelo,” by Marci L. Carrasquillo No access
      3. Chapter 3: “Economic Trans/actions and Space in Camila Sosa Villada’s Las malas and Fernanda Melchor’s Tiempo de huracanes,” by J. Agustín Pastén B. No access
      4. Chapter 4: “The Contested Travesti Bodies of Las malas and Tesis sobre una domesticación,” by John Kenneth Gibson No access
      5. Chapter 5: “The House of Forgetting: Control, Confinement, and the Desire for Liberation,” by Michele Shaul No access
      6. Chapter 6: “Capitalism, Heteropatriarchy, and the Birth of the U.S.–Mexico Border: Contesting the Imperial Script in Texas: La Gran Ladronería en el Lejano Norte (2013) by Carmen Boullosa,” by Joshua D. Martin No access
      7. Chapter 7: “Heteropatriarchal Capitalism and Southern Cone Oppression in Carolina De Robertis’ Cantoras and The Gods of Tango,” by Kathryn Quinn-Sánchez No access
      8. Chapter 8: “Success and Failure of ‘la Loca’: Neoliberalism, Terrorist Drag, and Representational Strategies in Pedro Lemebel’s Loco afán. Crónicas de sidario, and Ángel Lozada’s No quiero quedarme sola y vacía,” by Hector Iglesias Pascual No access
      9. “Conclusion,” by Kathryn Quinn-Sánchez No access
    1. Bibliography No access
  1. Chapter 1: The Haunting of Queer Latinidad in the Memoirs of Myriam Gurba and Carmen Maria Machado No access Pages 13 - 32
  2. Chapter 2: Interrogating the Heteronormative Landscapes of Judith Ortiz Cofer’s The Line of the Sun and The Meaning of Consuelo No access Pages 33 - 66
  3. Chapter 3: Economic Trans/actions and Space in Camila Sosa Villada’s Las malas and Fernanda Melchor’s Tiempo de huracanes No access Pages 67 - 88
  4. Chapter 4: The Contested Travesti Bodies of Las malas and Tesis sobre una domesticación No access Pages 89 - 132
  5. Chapter 5: The House of Forgetting: Control, Confinement, and the Desire for Liberation No access Pages 133 - 154
  6. Chapter 6: Capitalism, Heteropatriarchy, and the Birth of the U.S.–Mexico Border: Contesting the Imperial Script in Texas: La Gran Ladronería en el Lejano Norte (2013) by Carmen Boullosa No access Pages 155 - 178
  7. Chapter 7: Heteropatriarchal Capitalism and Southern Cone Oppression in Carolina De Robertis’ Cantoras and The Gods of Tango No access Pages 179 - 206
  8. Chapter 8: Success and Failure of “la Loca”: Neoliberalism, Terrorist Drag, and Representational Strategies in Pedro Lemebel’s Loco Afán. Crónicas de Sidario, and Ángel Lozada’s No quiero quedarme sola y vacía No access Pages 207 - 226
  9. Conclusion No access Pages 227 - 232
  10. Index No access Pages 233 - 236
  11. About the Contributors No access Pages 237 - 240

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