&quot;diu liebe und diu leide diu wellen mich beide vürdern hin ze grabe&quot;

Julius Dünninger B.A.

doi:10.5771/9783689000738

Summary

Heinrich von Morungen is one of the central figures of German-language minnesong. His work, which is committed to the so-called "Minneparadox", proves to be extremely virtuoso and intricately crafted, permeated by the metaphor of light and borne by the pain of the unattainability of the vrouwe. As in Gottfried von Strasbourg's Tristan, a deep connection between love and suffering appears here, which in its dialectical reference structure ultimately reveals a dark background foil: the imminent death of the singer's ego. The author analyzes and interprets this connection using a coarse and a fine-meshed approach.

Keywords

Search publication

Bibliographic data

Copyright year: 2024
ISBN-Print: 978-3-68900-072-1
ISBN-Online: 978-3-68900-073-8
Publisher: Tectum, Baden-Baden
Series: Young Academics: Germanistik
Volume: 1
Language: German
Pages: 110
Product type: Book Titles

Titelei/Inhaltsverzeichnis No access Pages I - X
Einleitung No access Pages 1 - 8
1. Vorbetrachtungen: Der Liebe-Leid-Tod-Komplex No access Pages 9 - 20
1. 2.1. Von befangenen Lobekstasen No access
2. 2.2. Die Leiden des Minnekranken No access
3. 2.3. Minnekrieg und Paranoia No access
4. 2.4. Leidbewältigungsstrategien No access
5. 2.5. Vom Sterben No access
1. 3.1. Die tödliche Magie der Minne (MF 126,8) No access
2. 3.2. Erfüllung der Minne am Lebensabend? (MF 134,14) No access
3. 3.3. Minne und Transzendenz? (MF 147,4) No access
4. 3.4. Ich tuon sam der swan, der singet, swenne er stirbet (MF 138,17) No access
5. 3.5. Begehren bis zum Tod und der Glaube an die eigene Fiktion (MF 145,1) No access
Fazit No access Pages 95 - 98
Literaturverzeichnis No access Pages 99 - 110