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Montažstroj's Emancipatory Performance Politics
Never Mind the Score
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Publisher:
2022
Summary
This book deals with the broader theoretical and philosophical context of performance art in former Yugoslavia, focusing on more than three decades of politically engaged performance activity of the Montažstroj group. Their activity is only a starting point for a deeper analysis of some of the key notions of contemporary “art-ivism” in a much broader post-political and globalized context before, during, and after Yugoslavia and its Socialist paradigm collapsed. The author analyzes and sets notions of agonism, engagement, terrorism, post-war trauma, political populism, social Darwinism, participation and publicness, and the public sphere into different theoretical matrixes.
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Bibliographic data
Copyright year
2022
ISBN-Print
978-1-6669-2117-5
ISBN-Online
978-1-6669-2118-2
Publisher
Lexington, Lanham
Language
English
Pages
302
Product type
Book Titles
Table of contents
ChapterPages
Contents No access
Acknowledgments No access
Chapter One Preamble Performance as Revolt, and the Scums of History No access Pages 1 - 24
Chapter Two Perpetual Dynamism of Labored Bodies From the Intrusion into the Institution No access Pages 25 - 52
Chapter Three Meyerhold Bound, and the Barbaric Discipline of the Machine No access Pages 53 - 70
Chapter Four Topography of Excess, or the Profanation of Performative Risk No access Pages 71 - 96
Chapter Five Messianic Time, and Decay of the Post-Yugoslav Idea No access Pages 97 - 118
Chapter Six Queer Immanence, and Technocentric Utopia of the Master and the Slave No access Pages 119 - 140
Chapter Seven On Emancipation Politics Public Sphere between Irruption and Institution No access Pages 141 - 162
Chapter Eight Emancipate, Participate, or Else Not Every Performance Is a Democratic Regime No access Pages 163 - 188
Chapter Nine On Obstinacy, Minoritarianism, and the Performance Gaze No access Pages 189 - 222
Chapter Ten Performance of/or Debt The Economy’s Frank Face No access Pages 223 - 244
Chapter Eleven Terror of Acceptance Mass Murders and Political Dystopia No access Pages 245 - 262
