Fingerpicking / Fingerstyle

Anita Mellmer

doi:10.5771/9783968218014

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Bibliographic data

Copyright year: 2022
ISBN-Print: 978-3-96821-800-7
ISBN-Online: 978-3-96821-801-4
Publisher: Rombach Wissenschaft, Baden-Baden
Series: Klang-Reden. Schriften zur Musikalischen Rezeptions- und Interpretationsgeschichte
Volume: 26
Language: German
Pages: 422
Product type: Book Titles

Titelei/Inhaltsverzeichnis No access Pages 1 - 12
Einführung No access Pages 13 - 14
1. 1. Methode und Methodenwahl No access Pages 17 - 20
2. 2. Fingerpicking / Fingerstyle: Versuch einer Begriffsdefinition No access Pages 21 - 26
3. 1. 1. 3.1.1 Country Ragtime und Urban Ragtime No access
    2. 3.1.2 City-Ragtime oder Klassischer Ragtime No access
    3. 1. Der Coon Song No access
      2. Der Cakewalk No access
    4. 3.1.4 Der Ragtime in der Praxis No access
  2. 1. 1. Delta Blues No access
      2. Piedmont Blues No access
      3. Texas Blues No access
    2. 3.2.2 Zusammenfassung No access
  3. 3.3 Die Country Music No access
4. 1. 4.1 Versuch einer Begriffsdefinition von Folk und Folk Music No access
  2. 4.2 Geschichtlicher Hintergrund No access
  3. 1. 1. Das Newport Folk Festival No access
  4. 4.4 Die Wiederentdeckung des Fingerpickings No access
5. 1. 5.1 Kopf und Hals No access
  2. 1. 0-Concert, 00-Grand Concert und 000-Auditorium No access
    2. Dreadnought No access
    3. Orchestra-Modell OM No access
    4. Jumbo- und Mini-Jumbo-Modelle No access
    5. Parlor-Modelle No access
    6. Der Cutaway in venezianischer, florentinischer und Maccaferri-Form No access
    7. Die häufigsten Formvariationen bei Akustikgitarren im Fingerpicking-Genre No access
    8. Die 12-saitige Gitarre No access
    9. Selmer- und Maccaferri-Gitarren No access
    10. Baritongitarren No access
    11. Terz- und Tenorgitarren No access
    12. Die 7-saitige Gitarre No access
    13. Die Harfengitarre No access
  3. 1. Bracings oder Beleistungen No access
  4. 5.4 Die Stahlsaiten No access
  5. 1. Das Plektrum oder Pick No access
    2. Thumbpick und Fingerpicks No access
  6. 1. Slide-Bar/Slider oder Bottleneck No access
    2. Kapodaster No access
6. 6. Exkurs: Christian Friedrich Martin und der Weg zur ›Dreadnought‹-Gitarre No access Pages 117 - 122
7. 1. 1. Tremolo No access
    2. Grace Notes/Appoggiatura No access
    3. Turn No access
    4. Trill No access
    5. Barré No access
    6. Snap No access
    7. Verschiedene Stimmungen No access
    8. Slur No access
    9. Pull No access
    10. Slide No access
    11. Tie/Bind No access
    12. Shake No access
    13. Roll No access
    14. Pattern No access
    15. Drum Chords No access
    16. Rascando No access
    17. Harmonics No access
    18. Harp Chords No access
    19. Arpeggios No access
  2. 1. Basic Strum No access
    2. Chords No access
    3. Hammer-on No access
    4. Pulling-off (später: Pull-off) No access
    5. Double Thumbing No access
    6. Frailing oder Clawhammer No access
    7. Three finger picking oder Scruggs style No access
    8. Andere Fingerpicking-Stile No access
    9. Whamming No access
  3. 1. Tapping No access
    2. Perkussiv-Elemente No access
    3. Perkussiv angeschlagene »Slap Harmonics« No access
  4. 7.4 Zusammenfassung No access
8. 1. 1. 1. Elizabeth Cotten No access
      2. Blind Blake No access
      3. Reverend Gary Davis No access
    2. 1. Charlie Patton No access
      2. ›Mississippi‹ John Hurt No access
      3. Elizabeth Douglas alias ›Memphis Minnie‹ No access
    3. 1. Leadbelly No access
      2. Blind Lemon Jefferson No access
      3. Samuel ›Lightning‹ Hopkins No access
  2. 1. Merle Travis No access
    2. 1. Was ist Flatpicking? No access
    3. Chet Atkins No access
  3. 1. Bert Jansch No access
    2. John Fahey No access
    3. 1. Autobiografischer Bericht von John Renbourn, Ort und Datum unbekannt No access
    4. 1. Schriftliches Interview mit Leo Kottke, eingelangt am 17. Januar 2015 No access
      2. Part A – Personal matters No access
      3. Part B – General questions about fingerpicking No access
      4. Part C – Questions about your technique No access
    5. Stefan Grossman No access
    6. Davey Graham No access
  4. 1. 1. Interview mit Al Cookerhalten am 24. Januar 2017 No access
      2. Teil A – Persönliches No access
      3. Teil B – Allgemeines über Fingerpicking No access
      4. Teil C – Fragen zur Technik No access
    2. 1. Interview mit Ulli Bögershausen, erhalten am 20. August 2016 No access
      2. Teil A – Persönliches No access
      3. Teil B – Allgemeines über Fingerpicking No access
      4. Teil C – Fragen zur Technik des Künstlers No access
    3. 1. Interview mit Peter Finger, erhalten am 13. März 2018 No access
      2. Teil A – Persönliches No access
      3. Teil B – Allgemeines über Fingerpicking No access
      4. Teil C – Fragen zur Technik No access
    4. 1. Interview mit Peter Ratzenbeck, geführt am 16. April 2014 in St. Georgen am Walde No access
  5. 1. Michael Hedges No access
    2. 1. Interview mit Tommy Emmanuel am 15. März 2014 im Brucknerhaus Linz No access
    3. 1. Interview mit Don Ross am 15. Juni 2014 auf der Turracher Höhe No access
    4. 1. Interview mit Adam Rafferty am 10. September 2014 in Gallneukirchen/Oberösterreich No access
    5. 1. Interview mit Jon Gomm, erhalten am 20. Juni 2015 No access
      2. Part A – Personal matters No access
      3. Part B – General questions about fingerpicking No access
      4. Part C – Questions about your technique No access
    6. 1. Interview mit Thomas Leeb am 15. Juni 2014 auf der Turracher Höhe No access
    7. 1. Interview mit Andy McKee, eingereicht am 16. Dezember 2014 No access
      2. Part A – Personal matters No access
      3. Part B – General questions about fingerpicking No access
      4. Part C – Questions about your technique No access
    8. 1. Interview mit Antoine Dufour, eingereicht am 4. Dezember 2014 No access
      2. Part A – Personal matters No access
      3. Part B – General questions about fingerpicking No access
      4. Part C – Questions about your technique No access
  6. 1. Teil A – Persönliches No access
    2. Teil B – Allgemeines über Fingerpicking No access
    3. Teil C – Fragen zur Technik des Künstlers No access
1. Erläuterung der Tabellen und Kürzel No access Pages 329 - 330
2. 1. 1. Elizabeth Cotten No access
    2. Blind Blake No access
    3. Reverend Gary Davis No access
  2. 1. Charlie Patton No access
    2. ›Mississippi‹ John Hurt No access
    3. Memphis Minnie No access
  3. 1. Leadbelly No access
    2. Blind Lemon Jefferson No access
    3. Lightnin’ Hopkins No access
3. 1. Merle Travis No access
  2. Doc Watson No access
  3. Chet Atkins No access
4. 1. Bert Jansch No access
  2. John Fahey No access
  3. John Renbourn No access
  4. Leo Kottke No access
  5. Davey Graham No access
5. 1. Al Cook No access
  2. Ulli Bögershausen No access
  3. Peter Finger No access
  4. Peter Ratzenbeck No access
6. 1. Michael Hedges No access
  2. Tommy Emmanuel No access
  3. Don Ross No access
  4. Adam Rafferty No access
  5. Jon Gomm No access
  6. Thomas Leeb No access
  7. Andy McKee No access
  8. Antoine Dufour No access
7. 1. 1. 1.1. Fingerpicker des Piedmont Blues No access
    2. 1.2. Fingerpicker des Delta Blues No access
    3. 1.3. Fingerpicker des Texas Blues No access
  2. 2. Die Fingerpicker der Country-Tradition No access
  3. 3. Die Fingerpicker der amerikanischen und britischen Folk-Tradition No access
  4. 4. Deutscher und österreichischer Gitarren-Folk No access
  5. 5. Die Fingerpicker unserer Tage No access
1. 1. Reverend Gary Davis: Two Step Candyman No access Pages 389 - 390
2. 2. Merle Travis: Cannon Ball Rag No access Pages 391 - 394
3. 3. Leo Kottke: Fisherman No access Pages 395 - 398
4. 4. Peter Ratzenbeck: Broceliande No access Pages 399 - 400
5. 5. Andy McKee: Everybody Wants to Rule the World No access Pages 401 - 404
6. Fazit No access Pages 405 - 406
Rückblick und Ausblick No access Pages 407 - 410
1. 1. 1.1 Monografien No access
  2. 1.2 Beiträge in Sammelbänden und Zeitschriften No access
  3. 1.3 Artikel in Nachschlagewerken No access
2. 2. Diplomarbeiten No access Pages 417 - 417
3. 3. Unveröffentlichte Manuskripte No access Pages 417 - 417
4. 4. Sekundärzitate No access Pages 417 - 417
5. 5. Internet-Ressourcen und Elektronische Medien No access Pages 417 - 421
6. 6. Primärquellen, Notenausgaben No access Pages 422 - 422

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