Makamsiz
Individualization of Traditional Music on the Eve of Kemalist Turkey- Authors:
- Series:
- Istanbuler Texte und Studien (ITS), Volume 39
- Publisher:
- 2017
Summary
The book describes the confusing, contradictory and individualized musicscape in Turkey around the turn of the twenty-first century, including its prehistory throughout the twentieth century and sometimes beyond. Its focus lies on the recent tendency towards a disintegration of musical traditions into internationalism and multiple musical hybrids which might be described as a process of individualization. The category of individual as used here includes individual musicians, individual music pieces, individual life experiences, identities and approaches to music, individual musical projects, individual CDs and concerts, even individual concepts of music theory, conferences or research projects. Several factors lead to this development: A growing rate and importance of migration and international mobility; the increase of cross-cultural encounters and experiences; the availability of almost all Ottoman-Turkish, Anatolian and global musical styles, instruments and other musical elements via media; the opening up of identity discourses. A final chapter is intended as a reflection on the question of how this unprecedented musical expansion could have happened within an authoritarian state and society such as the Republic of Turkey.
Search publication
Bibliographic data
- Edition
- 1/2017
- Copyright Year
- 2017
- ISBN-Print
- 978-3-95650-278-1
- ISBN-Online
- 978-3-95650-371-9
- Publisher
- Ergon, Baden-Baden
- Series
- Istanbuler Texte und Studien (ITS)
- Volume
- 39
- Language
- English
- Pages
- Product Type
- Monograph
Table of contents
- Titelei/Inhaltsverzeichnis No access Pages 1 - 6
- Acknowledgements No access
- Istanbul – the Global Music City No access
- The Emergence of Public Music Life No access
- The Turkish Diaspora No access
- Old Neighbors No access
- New Markets: “World Music” No access
- Conclusion No access
- Musicians of the Past No access
- Relics from the Past No access
- Historisation of Past and Present No access
- Reconstructions and Revivals No access
- Kurdish Music No access
- Alevism and its Music No access
- Music from Dersim No access
- Conclusion No access
- Instruments in Flux No access
- Western Harmony No access
- New Ensembles for Traditional Music No access
- Melting Traditions No access
- Conclusion No access
- The Impact of Kemalism No access
- Education and Transmission No access
- Conclusion No access
- VI References No access Pages 271 -
Bibliography (812 entries)
No match found. Try another term.
- Pohlit, Stefan, 2010a, “Musical Life and Westernization in the Republic of Turkey. Schismogenesis and Cultural Revisioning in Contemporary Music”, Paper presented at the conference “Europe in Opera – Musical Compositions of an Identity” at Casa de Mateus (Porto / Portugal). Open Google Scholar DOI: 10.5771/9783956503719
- Pohlit, Stefan 2010b, “Dialog mit der Türkei. Interkulturalität in Neuer Musik”, Neue Zeitschrift für Musik, 5, pp. 58-61. Open Google Scholar DOI: 10.5771/9783956503719
- Pohlit, Stefan 2011, Julien Jalâl ed-Dine Weiss – A New Qanun System: Its Application in the Performance Practice of the Ensemble “Al-Kindi” and in Contemporary Western Music, Ph.D. Thesis, Istanbul Technical University. Open Google Scholar DOI: 10.5771/9783956503719
- Pries, Ludger, 2010, Transnationalisierung. Theorie und Emperie grenzübergreifender Vergesellschaftung, Wiesbaden, VS-Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia, 1973, Dimitrie Cantemir, Cartea ştiinței muzicii, Bukarest, Editura musicalã a uniunii compozitorilor (Prince Dimitrie Cantemir, Istanbul, Pan, 2000). Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 1981, Studies in Oreintal Arts, Pittsburgh, Pennsylvania, pp. 99-170. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 1996, “Trends in Musical Notation”, Popescu-Judetz, Eugenia, Meanings in Turkish Music, Istanbul, Pan, pp. 11-48. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 1998, XVIII. Yüzyıl Musiki Yazmalarından Kevserî Mecmuası Üstüne Karşılastırmalı bir İnceleme (Turkish translation by Bülent Aksoy), Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 1999, Prince Dimitrie Cantemir, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 2002, Tanburî Kücük Artin. A Musical treatise of the eighteenth Century, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 2007a, A Summary Catalogue of the Turkish Makams, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 2007b, Beyond the Glory of the Sultans. Cantemir’s View of the Turks, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia 2010, Three Comparative Essays on Turkish Music, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia & Neubauer, 2004, Eckhard, Seydî’s Book on Music – A 15th Century Turkish Discourse, (The Science of Music in Islam – Volume 6), Frankfurt am Main, Institute for of Arabic-Islamic-Science. Open Google Scholar DOI: 10.5771/9783956503719
- Popescu-Judetz, Eugenia & Sirli, Adriana Ababi, 2001, Sources of 18th Century Music, Panayiotes Chalatzoglu and Kyrillos Marmarinos’ Comparativ Treatises on Secular Music, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Poulos, Panagiotis C., 2005, Apostolos Konstas’ın Nazariyat Kitabı, Ph.D. Thesis, İTÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Poulos, Panagiotis C. 2011, “Rethinking Orality in Turkish Classical Music: A Genealogy of Contemporary Musical Assemblages”, Middle East Journal of Culture and Communication 4, pp. 164-183. Open Google Scholar DOI: 10.5771/9783956503719
- Racy, Ali Jihad, 1977, Musical Change and Commercial Recording in Egypt, 1904-1932, PhD, University of Illinois, 1977. Open Google Scholar DOI: 10.5771/9783956503719
- Rasmussen, Anne, 1992, “An Evening in the Orient. The Middle Eastern Nightclub in America”, Asian Music, xxiii, 2, pp. 63-88. Open Google Scholar DOI: 10.5771/9783956503719
- Reents, Edo, 2006, “Der Sultan des Swing”, Tagesspigel, 15. December 2006. Open Google Scholar DOI: 10.5771/9783956503719
- Refiğ, Gülper, 1997, Atatürk ve Adnan Saygun. Özsoy Operası, Istanbul, Boyut Müzik. Open Google Scholar DOI: 10.5771/9783956503719
- Reigle, Robert, 2013, “A brief History of Kurdish Music Recordings in Turkey”, Hellenic Journal of Music, Education, and Culture, vol. 4, 2 (www.hejmec.eu). Open Google Scholar DOI: 10.5771/9783956503719
- Reigle, Robert & Whitehead, Paul (ed), 2008, Spectral World Music. Proceedings of the Istanbul Spectral Music Conference, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Reinhard, Kurt, 1972, “Grundlagen und Ergebnisse der Erforschung türkischer Musik”, Acta Musicologica, xliv, 266-280. Open Google Scholar DOI: 10.5771/9783956503719
- Reinhard, Kurt 1984, “Das Na’t des Itrî und seine Versionen”, Jahrbuch für musikalische Volks-und Völkerkunde, Vol. 2, pp. 9-30. Open Google Scholar DOI: 10.5771/9783956503719
- Reinhard, Ursula, 1987, “Türkische Musik. Ihre Interpreten in West-Berlin und in der Heimat. Ein Vergleich”, Jahrbuch für Volksliedforschung, pp. 81-92. Open Google Scholar DOI: 10.5771/9783956503719
- Reinhard, Ursula & Pinto, Tiago de Oliveira, 1989, Sänger und Poeten mit der Laute. Türkische Âşık und Ozan, Berlin, Staatliche Museen Preussischer Kulturbesitz. Museum für Völkerkunde Berlin. Open Google Scholar DOI: 10.5771/9783956503719
- Robertson, Roland (ed.), “Glocalization: Time-Space and Homogenity-Heterogenity”, Featherstone, Mike, Lash, Scott & Robertson, Roland (eds.), Global Modernities, London, pp. 25-44. Open Google Scholar DOI: 10.5771/9783956503719
- Roda, Frank, 1985, Wir singen zusammen. Neue Lieder für türkische und deutsche Kinder, Berlin, Express. Open Google Scholar DOI: 10.5771/9783956503719
- Rona, Mustafa, 1962, 50 Yıllık Türk Musikisi, Istanbul 1960. Open Google Scholar DOI: 10.5771/9783956503719
- Rona, Mustafa 1970, 20. Yüzyıl Türk Musikisi, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Ruskin, Jesse D. & Rice, Timothy, 2002, “The Individual in Musical Ethnography”, Ethnomusicology, vol. 56, no. 2 (spring / summer 2012), pp. 299-327. Open Google Scholar DOI: 10.5771/9783956503719
- Ryker, Harrison, 1991, New Music in the Orient. Essays on Composition in Asia since World War II, Buren. Open Google Scholar DOI: 10.5771/9783956503719
- Sağ, Arif & Erzincan, Erdal, 2009, Bağlama Metodu / Bağlama Method, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Sağlam, Hande, 2017, “Musikalische Vermittlungsmöglichkeiten der MigrantInnen aus der Türkei in Österreich/Wien”, Çiftçi & Greve 2017. Open Google Scholar DOI: 10.5771/9783956503719
- “Sahne Cağdas Sanatın”, Radikal, 24.11.2011: 42. Open Google Scholar DOI: 10.5771/9783956503719
- Salgar, M. Fatih, 2005, 50 Türk Müziği Bestekârı, Istanbul, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Salgar, M. Fatih 2008, The Music of Devine Love. Mevlevî Âyînlari, Istanbul, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Salgar, M. Fatih 2010, Dede Efendi, Hayatı, Sanatı, Eserleri, Istanbul, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Salgar, M. Fatih 2011a, Selim III. Hayatı, Sanatı, Eserleri, Istanbul, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Salgar, M. Fatih 2011b, Haci Arif Bey, Hayatı, Sanatı, Eserleri, Istanbul, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Salomoni, Fabio, 2014, “Just beyond the border: Azerbaijani and Armenian Migrants in Turkey”, Karacay, Ayşem Biris & Üstübici, Ayşen (eds.), Migration to and from Turkey: Changing Patterns and Shifting Policies, Istanbul, Isis Press, pp. 121-170. Open Google Scholar DOI: 10.5771/9783956503719
- Sanal, Haydar, 1964, Mehter Musikisi, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Sanlıkol, Mehmet Ali, 2011, Çalıcı Mehterler, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Sarı, Mehmet Ali, 2013, Kur’ân-ı Kerîm ve Dinî Mûsıkî, Istanbul, Marmara Üniversitesi Fakültesi Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Sarı, Ayhan, 2012, Türk Müziği Çalgıları, Istanbul, Nota. Open Google Scholar DOI: 10.5771/9783956503719
- Sarı, Ayhan 2010, “‘Asrı Kemençe’ yazması ve ‘damla kemençe’ye geliştirme bakışı”, paper presented at the I. Cüneyt Orhon Kemençe Sempozyumu, 2010 at İTÜ TMDK, İstanbul (http://www.musikidergisi.net/?p=2408 accessed October 21, 2016). Open Google Scholar DOI: 10.5771/9783956503719
- Sarı, Ayhan 2012a, “Geleneksel Türk Müziginde ile ‘kanun’, ‘bağlama’, ‘ney’ Koncertoları”, Musîki Dergisi, www.musikidergisi.net/?p=2122 (accessed 1 December, 2012). Open Google Scholar DOI: 10.5771/9783956503719
- Sarı, Ayhan 2015, II. Kanun Sempozyumu ve Festivali ardından, Musiki Dergisi = http://www.musikidergisi.com/yazar-94 ii._kanun_sempozyumu_ve_festivali_ardindan....html (accessed 2 November, 2016). Open Google Scholar DOI: 10.5771/9783956503719
- Sarı, Özgür, 2010, Tourism as a Tool for Development: The Case of Mawlana Tourism in Konya, unpublished Ph.D. Thesis Middle East Technical University. Open Google Scholar DOI: 10.5771/9783956503719
- Sarısözen, Muzaffer, 1952, Yurttan Sesler, Ankara, Akın. Open Google Scholar DOI: 10.5771/9783956503719
- Sarısözen, Muzaffer 1962, Türk Halk Müziğinde Usulleri, Ankara, Resimli Posta Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Saritas, B. Siynem Ezgi, 2010, Articulation of Kurdish Identity through politicized Music of Komas, Master Thesis, Ankara, Middle Eastern Technical University. Open Google Scholar DOI: 10.5771/9783956503719
- Say, Ahmed, 1985, Müzik Ansiklopedesi, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Say, Ahmed 1995, The Music Makers in Turkey, Ankara, Music Encyclopedia Publication. Open Google Scholar DOI: 10.5771/9783956503719
- Say, Ahmed 2014, “Türkiye’de Müzik Eğitimi Kurumlarına Genel Bir Bakış”, Say, Ahmet: Müzik Yazıları. Ankara, Müzik Ansiklopedisi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Saygun, Ahmet Adnan, 1936, Türk Halk Mûsıkîsinde Pentatonizm, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Saygun, Ahmet Adnan 1937, Rıze, Artvin ve Kars Havalisi Türkü, Saz Oyunları hakkında bazı Malûmat. Open Google Scholar DOI: 10.5771/9783956503719
- Saygun, Ahmet Adnan 1951, “Authenticity in Folk Music”, International Folk Music Journal, vol. 3, 7-10. Open Google Scholar DOI: 10.5771/9783956503719
- Saygun, Ahmet Adnan 1955, Sivas Düz Halayı, Ankara, Devlet Konservatuvarı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Saygun, Ahmet Adnan 1981 (1987), Atatürk ve Musıki, Ankara, Sevda – Cenap And Müzik Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Schedtler, Susanne, 1999, Das Eigene in der Fremde. Einwanderer-Musikkulturen in Hamburg, Münster, Lit. Open Google Scholar DOI: 10.5771/9783956503719
- Schneider, Albrecht, 1976, Musikwissenschaft und Kulturkreislehre. Zur Methodik und Geschichte der Vergleichenden Musikwissenschaft, Bonn-Bad Godesberg, Verlag für systematische Musikwissenschaft. Open Google Scholar DOI: 10.5771/9783956503719
- Seeman, Sonia Tamar, 2002, ‘You’re Roman!’ Music and Identity in Tukrish Roman Communities, Ph.D. Thesis, UCLA. Open Google Scholar DOI: 10.5771/9783956503719
- Sefarad Kültürü Araştırma Derneği, 2009, Türk Sefarad Sinagog Ilahileri / Turkish-Sephardic Synagogue Hymns / Kantas de Sinagoga Turko-Sefardi, Istanbul: Sefarad Kültürü Araştırma Derneği 2009. Open Google Scholar DOI: 10.5771/9783956503719
- Sels, Liselotte, 2014, Türkü and Halay Between Ghent and Turkey. An Ethnographic Study of Turkish Folk Music in a Transnational Context, Unpublished Ph.D. Thesis, University Ghent. Open Google Scholar DOI: 10.5771/9783956503719
- Senay, Banu, 2014, “The Fall and Rise of the Ney: From the Sufi Lodge to the World Stage”, Ethnomusicology Forum, Vol. 23, 3, pp. 405-424. Open Google Scholar DOI: 10.5771/9783956503719
- Senay, Banu 2015a, “Artists, Antagonisms and the ney in the popularization of ‘Sufi Music’ in Turkey”, European Journal of Cultural Studies, Vol. 18, 1, pp. 52-69. Open Google Scholar DOI: 10.5771/9783956503719
- Senay, Banu 2015b, Masterful Words: Musicianship and Ethics in Learning the Ney, Journal of the Royal Anthropological Institute (N.S.), 21, pp. 524-541. Open Google Scholar DOI: 10.5771/9783956503719
- Seroussi, Edwin, 1989, Mizmirat Qedem: The Live and Music of Rabi Isaac Algazi from Turkey, Jerusalem, „Renanot“, The Institute for Jewish Music. Open Google Scholar DOI: 10.5771/9783956503719
- Sezen, Armağan, 1992, Türk Müziğinde Nota Yayıncılığı (1875-1928), Master thesis İTÜ 1992. Open Google Scholar DOI: 10.5771/9783956503719
- Shamilly, Gultekin, 1992, “Mirza-Bey’s ‘Treatise on Music’”, Turkish Music Quaterly, 5,2/3, pp. 1-11. Open Google Scholar DOI: 10.5771/9783956503719
- Shannon, Jonathan H., 2003, “Sultans of Spin: Syrian Sacred Music on the World Stage”, American Anthropologist, 105, 2, pp. 266-277. Open Google Scholar DOI: 10.5771/9783956503719
- Siebert, Daniel, 2015, Musik im Zeitalter der Globalisierung. Prozesse – Perspektiven – Stile, Bielefeld, Transcript. Open Google Scholar DOI: 10.5771/9783956503719
- Signell, Karl, 1977, Makam: Modal Practice in Turkish Art Music, Seattle, Asian Muic Publishing. Open Google Scholar DOI: 10.5771/9783956503719
- Skalla, Eva & Amiri, Jemima, 1999, “Kurdish Music. Songs of the Stateless”. Broughton, Ellingham, & Trillo 1999, vol. 1, pp. 378-384. Open Google Scholar DOI: 10.5771/9783956503719
- Skoog, Gabriel, 2012, On Strange Shepherds, Golden Microphones, and Electric Guitars: Genre, Scene, and the Rise of Anadolu Pop in the Republic of Turkey, Ph.D. Thesis, University of Washington. Open Google Scholar DOI: 10.5771/9783956503719
- Slobin, Mark, 1992, Micromusics of the West: A Comparative Approach, Ethnomusicology, pp. 1-85. Open Google Scholar DOI: 10.5771/9783956503719
- Solmaz, Metin, 1996, Türkiye’de Pop Müzik. Dünü ve Bügünü ile bir Infilak Masalı, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Solomon, Thomas, 2005, “‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey”, Popular Music, vol 24, 1, pp. 1-20. Open Google Scholar DOI: 10.5771/9783956503719
- Solomon, Thomas 2005, “‘Listening to Istanbul’. Imaging Place in Turkish Rap Music”, Studia Musicologica Norvegica, vol 31, pp. 46-67. Open Google Scholar DOI: 10.5771/9783956503719
- Solomon, Thomas 2006, “Hardcore Muslims: Islamic Themes in Turkish Rap in Diaspora and in the Homeland”, Yearbook for Traditional Music, 38, pp. 59-78. Open Google Scholar DOI: 10.5771/9783956503719
- Solomon, Thomas 2007, “Articulation the historical moment: Turkey, Europe, and Eurovision 2003”, Raykoff, Ivan & Tobin, Robert (eds.), A Song for Europe: Popular Music and Politics in the Eurovision Song Contest, Aldershot, Ashgate, pp. 135-145. Open Google Scholar DOI: 10.5771/9783956503719
- Solomon, Thomas 2015, “Theorising Diaspora, Hybridity and Music”, Solomon, Thomas (ed.), African Musics in Context: Institutions, Culture, Identity, Kampala, Fountain Publishers, pp. 319-360. Open Google Scholar DOI: 10.5771/9783956503719
- Soydaş, Emin, 2007, Osmanlı Sarayında Çalgılar, Ph.D. Thesis, İTÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Soydaş, Emin & Beşiroğlu, Şehvar Ş., 2007, Osmanlı Saray Müziğinde Yaylı Çalgılar, İTÜ Dergisi/b, vol. 4, No. 1, pp. 3-12. Open Google Scholar DOI: 10.5771/9783956503719
- Sözer, Vural, 1964 / 1986, Müzik ve Müsisyenler Ansiklopedisi, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Spinetti, Federico (ed.), 2010, Guiseppe Donizetti Pasha. Music and Historical Trajectories between Italy and Turkey, Bergamo, Fondazione Donizetti. Open Google Scholar DOI: 10.5771/9783956503719
- Steering Committee for Culture, Heritage and Landscape (CDCPP) (ed.), 2013, Cultural Policy in Turkey – National Report, Council of Europe, Strasbourg. Open Google Scholar DOI: 10.5771/9783956503719
- Steuerwald, Karl, 1963, Untersuchungen zur Türkischen Sprache der Gegenwart. Teil I Die Türkische Sprachpolitik seit 1928, Berlin, Langenscheidt. Open Google Scholar DOI: 10.5771/9783956503719
- Stock, Jonathan, 2001, “Ethnomusicology and the Individual”, The World of Music, vol. 43,1. Open Google Scholar DOI: 10.5771/9783956503719
- Stokes, Martin, 1992, The Arabesk Debate. Music and Musicians in Modern Turkey, Oxford, Clarendon. Open Google Scholar DOI: 10.5771/9783956503719
- Stokes, Martin 1996, “History, Memory, and Nostalgia in contemporary Turkish Musicology” www.umbc.edu/MA/index/number1/stokes1/st1.htm (1.November 2013). Open Google Scholar DOI: 10.5771/9783956503719
- Stokes, Martin 1999, “Turkey: Sounds of Anatolia”, Broughton, Ellingham & Trillo 1999: 396-410. Open Google Scholar DOI: 10.5771/9783956503719
- Stokes, Martin 2010, The Republic of Love. Cultural Intimacy in Turkish Popular Music, Chicago Studies in Ethnomusicology, Chicago, The University of Chicago Press. Open Google Scholar DOI: 10.5771/9783956503719
- Stokes, Martin 2013, “New Islamist popular culture in Turkey”, Salhi, Kamal (ed.), Music, Culture and Identity in the Muslim World, Abingdon, Routledge, pp. 15-34. Open Google Scholar DOI: 10.5771/9783956503719
- Strassberger, Katinka, 1984, “Frischer Wind aus dem Orient. Ein Gespräch mit dem türki¬schen Schlagzeuger Okay Temiz”, Fachblatt Musikmagazin, 5, pp. 90-95. Open Google Scholar DOI: 10.5771/9783956503719
- Strötbaum, Hugo, 1992, “Seventy-eight Revolutions per Minute in the Levant. Discography of Favorite’s Oriental Recordings”. De Turcicis Aliisque Rebus Commentarii Henry Hofman dedicati , Utrecht, Institut voor Oosterse Talen en Culturen, pp. 149-189. Open Google Scholar DOI: 10.5771/9783956503719
- Strötbaum, Hugo 2008, “Favorite Revisited: An Update”. 9. Diskographentag, Utrecht. Open Google Scholar DOI: 10.5771/9783956503719
- Strötbaum, Hugo 2012, “Goulash, Wiener Schnitzel and Şiş Kebap: Premier Record”, Gesellschaft für historische Tonträger: Lindström Projekt, Vol. 4, pp. 1-38. Open Google Scholar DOI: 10.5771/9783956503719
- Stubbs, Frederick W., 1994, The Art and Science of Taksim: An Empirical Analysis of Traditional Improvisation from 20th Century Istanbul, Ph.D. Thesis Wesleyan University. Open Google Scholar DOI: 10.5771/9783956503719
- Su, Ruhi, 1985, Ezgili Yürek. Şiirler Yazılar Konuşmalar, Istanbul, Adam. Open Google Scholar DOI: 10.5771/9783956503719
- Sürelsan, Ismail Baha, 1971, “Istanbul Konservatuvarina dair I-IV”, Musiki ve Nota, year 2, 1971, Vol. 16 (p.4-6), 19 (p.26-29), 22 (p.4-5), 23 (p.4-5). Open Google Scholar DOI: 10.5771/9783956503719
- Sürelsan, Ismail Baha 1972, “Rauf Yektâ Bey’in ‘1932 Kahire Şark Musıkîsi Kongresi’ne dair Notları”, Musıki ve Nota, 3, p. 28. Open Google Scholar DOI: 10.5771/9783956503719
- Sun, Sinemiş Adige, 2011, Muammer Sun’a Armağan, Ankara, Sevda-Cenap And Müzik Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Sun, Muammer, 2008, Çoksesli Halk Türküleri, Sun. Open Google Scholar DOI: 10.5771/9783956503719
- Sungurluoğlu, İ., 1961, Harput Yollarında, Ankara, Elazığ Kültür ve Tanıtma Vakfı Ya¬yın¬ları, no. 2, vol. 3. Open Google Scholar DOI: 10.5771/9783956503719
- Şahin, Nevin, 2009, Contested Belongings; Understanding the Meaning of Turkish Classical Music among Young Women in Germany, MA Thesis, Ankara, Middle East Technical University. Open Google Scholar DOI: 10.5771/9783956503719
- Şahin, Ahmed & Kemiksiz, Mehmet, 2010, Ramazan: Enderûn Terâvihi ve Cumhur Müezzinliği, http://www.enderunteravihi.com/, accessed November 22, 2016. Open Google Scholar DOI: 10.5771/9783956503719
- Şarman, Kansu, 2005, Türk Promethe’ler. Cumhurriyet’in Öğrencileri Avrupa’da (1925–1945), İstanbul, Türkiye İş Bankası Kültür Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Şen, Besime, 2016, Devlet, Piyasa, Parti. Nizamettin Ariç ve Kürt Müziği, Istanbul, Avesta. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman, 1994, Trabzon Bölgesi Halk Musikisine Giris, Istanbul, Anadolu Sanat Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 1997, Kastamonulu Aşık Yorgansız Hakki Çavuş, Istanbul, Zafer Matbaasi. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 1995, Sadi Yaver Ataman, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 1999, “Cumhuriyet Dönemi’nde Türk Halk Müziği Araştırmaları”, Folklor / Edebiyat Vol 17, pp. 99-128. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 2000 (ed.), “Béla Bartók’un Türk Halk Müziği Çalışmaları İçindeki Yeri”, Şenel, Süleyman (ed.), Türkiye’ye Gelişin 60. Yıldönümü Anısına. Béla Bartók Paneli Bildirileri, Istanbul, pp. 26-36. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 2009a, Kastamonu’da Âşık Fasılları, Kastamonu, Kastamonu Valiliği. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 2009b (ed.), Adnan Ataman, Bu Toprağın Sesi, İstanbul Büyükşehir Belediyesi. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 2009c (ed.), Adnan Ataman: Safranbolu Türküleri ve Oyun Havaları, Istanbul, Safranbolu Kaymakamlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 2010, Istanbul Cevresi Alan Araştırmaları, Istanbul, Istanbul Avrupa Kültür Başkenti. Open Google Scholar DOI: 10.5771/9783956503719
- Şenel, Süleyman 2015, Ottoman Türkü, Greve 2015: 195-209. Open Google Scholar DOI: 10.5771/9783956503719
- Şehsuvaroğlu, Bedi N., 1974, Halil Can, Istanbul, Hüsnütbiat Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Şekeryan, Aris (ed), 2012, Kemani Sarkis Efendi Suciyan. Hayatı ve Eserleri, Istanbul, Aras. Open Google Scholar DOI: 10.5771/9783956503719
- Sener, Halil Ibrahim & Sari, Mehmet Ali, 1979-1980, “Muradname, Transliterated & Comments”, Musiki Mecmuası, pp. 362-364, 370-371. Open Google Scholar DOI: 10.5771/9783956503719
- Tambar, Kabir, 2010, “The Aesthetics of Public Visibility: Alevi Semah and the Paradoxes of Pluralism in Turkey”, Comparative Studies in Society and History, 52(3), pp. 652-679. Open Google Scholar DOI: 10.5771/9783956503719
- Tan, Ali & Çıpan, Mustafa, 2014, Ney..., Konya, Konya Valiliği İl Kültür ve Turizm Müdürlüğü. Open Google Scholar DOI: 10.5771/9783956503719
- Tanrıkorur, Çinuçen, 1998, “Ezikliğimiz Soruyor: ‘Sizin Konserlerinize Yabancılar Geliyormuş’”, Tanrıkorur, Çinuçen (ed.), Müzik Kimliğimiz üzerine Düşünceler, Istanbul, Ötüken, pp 161-175. Open Google Scholar DOI: 10.5771/9783956503719
- Tanrıkorur, Çinuçen 2001, “Bir Yarışma, Bir Cevap”, Tanrıkorur, Çinuçen, Biraz da Müzik, Istanbul, Zaman Kitab, pp. 60-62. Open Google Scholar DOI: 10.5771/9783956503719
- Tansuğ, Feza, 1991, “Ahmed Adnan Saygun (1907-1991), The Loss of a Pioneer”, Turkish Music Quaterly 4,2, pp. 9-11. Open Google Scholar DOI: 10.5771/9783956503719
- de Tapia, Stèphane, 1995, Turcs d’Europe et d’Ailleurs, Paris, Institut National des Langues et Civilisations Orientales. Open Google Scholar DOI: 10.5771/9783956503719
- Taşkın, Nilüfer, 2016, Bu bir İsyan Şarkısı Değil! Lazlar, Kimlik, Müzik, Istanbul, İletişim. Open Google Scholar DOI: 10.5771/9783956503719
- Tekelioğlu, Orhan, 1996, “The Rise of a Spontaneous Synthesis: The Historical Background of Turkish Popular Music”, Middle Eastern Studies, Vol. 32, 2, pp. 195-215. Open Google Scholar DOI: 10.5771/9783956503719
- Tekelioğlu, Orhan 2001, “The Inner History of ‘Turkish Music Revolution’ – Demise of a Music Magazine”, Hammarlund, Anders, Olsson, Tord & Ozdalga, Elisabeth (ed.), Sufism Music and Society in Turkey and the Middle East, Istanbul, Swedish Research Institute in Istanbul, pp. 111-116. Open Google Scholar DOI: 10.5771/9783956503719
- Tekelioğlu, Orhan 2011, “1940’li Yıllardan Itibaren Istanbul’un Caz Mekânları”, Aytar & Parmaksızoğlu, pp. 105-126. Open Google Scholar DOI: 10.5771/9783956503719
- Tekin, Gönül Alpay, 1992, Cengnâme, Ahmed-i Daî: Inceleme, Tenkidli Metin, Cambridge, Harvard University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Tel, Mes’du Cemil, 1975 / 2002, Tanbûrî Cemil’in Hayâtı (1947), Istanbul, Kubealtı Nesriyâtı. Open Google Scholar DOI: 10.5771/9783956503719
- Terzet, Ahmet Şevket, 1975, Klâsik Türk Musikisi Antolojisi, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Terzi, Cihangir, 2015, Türk Halk Müziğinde Metrik Yapı. Nota Örnekleriyle Ölçüler ve Düzüm Sistematiği, Istanbul, İstanbul Teknik Üniversitesi Türk Musikisi Devlet Konservatuvarı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Terzi, Cihangir 2017, “Klassifizierung der in Anatolien gespielten Bağlama-Familie in terminologischer, typologischer und tonräumlicher Hinsicht”, Çiftçi & Greve 2017. Open Google Scholar DOI: 10.5771/9783956503719
- Tkachenko, Paul Steven, 2009, “The Musical Activities of the Young Turkish – Speaking Community in London: Identity and Nationalism”, Kucukcan, T & V Gungor (eds)., Turks in Europe: Culture, Identity, Integration, Amsterdam, Türkevi Research Centre. Open Google Scholar DOI: 10.5771/9783956503719
- Tohumcu, Z. Gonca Girgin, 2006, Müziği Yazmak. Müzik Notasyonunun Tarih içinde Yolculuğu, Istanbul, Nota Yayıncılık. Open Google Scholar DOI: 10.5771/9783956503719
- Toptaş, Barış, 2016, Türk Müziği Etütleri, 2 Vols. Open Google Scholar DOI: 10.5771/9783956503719
- Torun, Mutlu, 1996, Ud Metodu: “Gelenekten Geleceğe”, Istanbul, Çağlar Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Toumajan, Mihran, 1972ff, Hayreni Yerg ou Ban, Yerevan. Open Google Scholar DOI: 10.5771/9783956503719
- Tuğlaci, Pars, 1986, Mehterhane’den Bando’ya / Turkish Bands of Past and Present, Istanbul, Cem Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Tura, Yalçın, 1976 / 2001 (ed.), Kantemiroğlu (Dimitrie Cantemir), Kitab-i ‘Ilmul-Musiki ‘ala vechi’l-Hurufat, Istanbul, Yapı Kredi Yayaınları. Open Google Scholar DOI: 10.5771/9783956503719
- Tura, Yalçın 1988, Türk Mûsıkîsinin Mes’eleleri, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Tura, Yalçın 2006, Tedkîk ü Tahkîk. Inceleme ve Gerçeği Araştırma, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Tura, Yalçın, Aksoy, Bülent, Behar, Cem, Ayangil, Ruhi & Beşiroğlu, Şehvar, 2001, “Kantemioğlu ve Osmanlı Müziğinde Yorum Sorunu Üstüne”, Sanat Dünyamiz, 79, pp. 69-85. Open Google Scholar DOI: 10.5771/9783956503719
- Turabi, Ahmet Hakkı, 2005, Gevrekzâde Hâfız Hasan Efendi ve Mûsikî Risâlesi, Istanbul, Ragbet Ya¬yın-ları. Open Google Scholar DOI: 10.5771/9783956503719
- Tüfekçi, Neriman & Nida, 1964, Memleket Türküleri, Istanbul, Hakan. Open Google Scholar DOI: 10.5771/9783956503719
- Tüfekçioğlu, Zeynep, 2016, “Contemporary Literary Depictions of the Ottoman Past: Neo-Ottomanism or Ottomania?” Paper presented at the Turkologentag 2016, 16 September, 2016 in Hamburg. Open Google Scholar DOI: 10.5771/9783956503719
- TÜIK, 2006, http://www.turkstat.gov.tr/icerikgetir.do?istab_id=171. Open Google Scholar DOI: 10.5771/9783956503719
- Türk Musikisinin Araştırma ve Uygulama Grubu, 1985, Tarih içinde Türk Musikisi, Istanbul, Istanbul Üniversitesi Güzel Sanatlar Bölümü. Open Google Scholar DOI: 10.5771/9783956503719
- Ulu, Esin, 2014, Kültürlerarası Hümanizmanın Müzikteki Simgesi. Çağdaş iki oratoryo: A. Adnan Saygun’un Yunus Emre ve Michael Tippett’in Zamanımızın Çocuğu Oratoryolarının Yapı, Stil ve İçerik Yönlerinden Karşılaştırmalı İncelemesi, Ankara, Gece Kitaplığı. Open Google Scholar DOI: 10.5771/9783956503719
- Unbehaun, Horst, 1995, “Migration Professionelle des Turcs vers le Proche-Orient, la Russie et L’Asie Centrale”, de Tapia 1995: 279-309. Open Google Scholar DOI: 10.5771/9783956503719
- Uluçay, Çağatay, 1948, “Mecmûa-i Sâz ü Söz”, Türk Musıki Dergisi, 14. Open Google Scholar DOI: 10.5771/9783956503719
- Uludemir, Muammer, 1989, Mecmua-i Saz u Söz: Bildiriler, Izmir, Bornova. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep, 1999, “Osmanlılarda Batı Musikisi Teorisi Eserleri”, Orkestra, 307, 41-53. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2001, Mehmet Hafid Efendi ve Musiki, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2006, Müzikoloji ve Kaynakları, Istanbul, İTÜ Vakfı. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2007, Fatih Döneminde Musiki ve Semsi-i Rûmî’nin Mecmûa-i Güfte’si, Istanbul, İstanbul Fetih Cemiyeti. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2008, “Müzik Tarihi Açısından Es’ad Efendi’nin Atrabü’l Âsâri”, Musikisinas, 10, pp. 192-233. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2009 / 2014, A Violinist in Ottoman Court: Saraydaki Kemancı, Istanbul / Ankara 2014 (www.academia.edu). Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2010, Selçuklu Topraklarında Müzik, Konya, Konya Valiliği Kültür İşleri. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2015a, Meragi’den II. Murad’a Müziğin Maksatları. Makâsidu’l-Elhân, Ankara, Atatürk Kültür Merkezi Başkanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep 2015b, “Is an Echo of Seljuk Music Audible? A Methodological Research”, Greve, 2015: 241-246. Open Google Scholar DOI: 10.5771/9783956503719
- Uslu, Recep & Dogrusöz Disiacik, Nilgün, 2009, Abdülbâki Nâsir Dede’nin Müzik Yazısı ‘Tahrîriye’, Türk Musikisi Devlet Konservatuarı Ya¬yın¬ları, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Utz, Chrstian, 2002, Neue Musik und Interkulturalität von John Cage bis Tan Dun, (Beihefte zum Archiv für Musikwissenschaft), Stuttgart. Open Google Scholar DOI: 10.5771/9783956503719
- Utz, Chrstian 2014, Komponieren im Kontext der Globalisierung, Bielefeld, Transcript. Open Google Scholar DOI: 10.5771/9783956503719
- Utz, Chrstian 2015, “Verflechtungen und Reflexionen. Transnationale Tendenzen neuer Musik seit 1945”, Hiekel, Jörk Peter & Utz, Christian (eds.), Lexikon Neue Musik, Stuttgart, Metzler/Bärenreiter, pp. 135-154. Open Google Scholar DOI: 10.5771/9783956503719
- Uysal, Sabri, 2001, Zum Musikleben der Türken in Nordrhein-Westfalen, Gräfelfing, Gräfelfing Buchverlag. Open Google Scholar DOI: 10.5771/9783956503719
- Uyar, Yaprak Melike, 2016, Jazz in Turkey: Cultural Connotation and the Process of Localization, Ph.D. Thesis IÜT Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Uyar, Yaprak Melike & Beşiroğlu, Ş. Şehvar, 2012, “Recent Representations of the Music of the Mevlevi Order of Sufism”, Journal of Interdisciplinary Music Studies, Vol. 6, 2, pp. 137-150. Open Google Scholar DOI: 10.5771/9783956503719
- Uz, Kazim, 1894 /1964, Musiki Istilahatı, Oransay, Gültekin (ed.), Ankara, Küğ Yayını. Open Google Scholar DOI: 10.5771/9783956503719
- Uzcan, Nihat (ed.), 1978, Başlangıçtan Günümüze Kadar Türk Bestekârları Ansiklopedisi. Şarkı Güfteleri ve Türküler, Istanbul, İtimat Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Uzdilek, S.M., 1944, Ilim ve Musiki ve Türk Musikisi üzerinde Etüdler, Istan¬bul. Open Google Scholar DOI: 10.5771/9783956503719
- Uzunçarşılı, Ismail Hakkı, 1977, “Osmanlılar Zamanında Saraylarda Musiki Hayatı”, Belleten, xli. Open Google Scholar DOI: 10.5771/9783956503719
- Uzunçarşılı, Ismail Hakkı 1986, “Osmanli Sarayinda Ehl-i Hiref (sanatkârlar) defteri”, Türk Tarih Kurumu – Belgeler Dergisi, vol. xi, 15, pp. 23-77. Open Google Scholar DOI: 10.5771/9783956503719
- Ünal, Fehamet, 2000, Emin Ongan. Ömrünü Musıkiye Adayan İnsan, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Üngör, Etem, 1965, Türk Marşları, Ankara, Türk Kültür Araştırma Enstitüsü Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Üngör, Etem 1981, Türk Mûsikîsi Güfteler Antolojisi, Istanbul, Erenler Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Üngör, Ugur Ümit, 2011, The Making of Modern Turkey. Nation and State in Eastern Anatolia 1913-1959, Oxford, Oxford University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Ünkan, Emin, Bedia & Hakan, 1984, Türk Sanat Musiki¬sinde Temel Bilgiler, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Ünlü, Cemal, 2004, Git Zaman Gel Zaman. Fonograf – Gramofon – Taş plak, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Ülkütaşır, M.Şakir (ed..), 1973, Türkiye’de Folklor ve Etnografya Çalışmaları, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Üniter, Fatos, 1989, Kemençe’nin Tarihi Gelişime. Kemençe üzerine araştırma ve düşünceler, Master thesis ITÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Ünver, O. Can, 2015, “Azerbaycan Türkleri Örneğinde Avrasya Coğrafyasından Türkiye’ye Yönelik Yüksek Nitelikli İnsan Göçü”, Erdoğan, M. Murat & Kaya, Ayhan (eds.), Türkiye’nin Göç Tarihi: 14. Yüzyıldan 21. Yüzyıla Türkiye’ye Göçler, Istanbul, Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Üzel, Nezih, 2006, Radyoda bir Gün, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Vansina, Jan, 1985, Oral Tradition as History, Madison. Open Google Scholar DOI: 10.5771/9783956503719
- Väth, Gerhard, 1993, “Zur Diskussion über das Alevitentum”, Zeitschrift für Türkeistudien, 2, pp. 211-222. Open Google Scholar DOI: 10.5771/9783956503719
- Verlan, Sascha & Loh, Hannes, 2000, 20 Jahre Hiphop in Deutschland, Höfen, Hannibal. Open Google Scholar DOI: 10.5771/9783956503719
- Verband deutscher Musikschulen, 2012, Lehrplan Bağlama, Kassel, Gustav Bosse Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Vervelde, Leo & Greve, Martin, 2008, “The World in Sounds. The Academy for World Music”, Musikforum, 2, p.48-50. Open Google Scholar DOI: 10.5771/9783956503719
- Vicente, Victor A., 2007, The Aesthetics of Motion in Musics for the Mevlana Celal Ed-din Rumi, unpublished PhD dissertation, University of Maryland. Open Google Scholar DOI: 10.5771/9783956503719
- Vikár, Laszlo & Saygun, A. Adnan, 1976, Béla Bartók’s Folk Music Research in Turkey, Budapest. Open Google Scholar DOI: 10.5771/9783956503719
- Vorhoff, Karin, 1995, Zwischen Glaube, Nation und neuer Gemeinschaft: Alevitische Identität in der Türkei der Gegenwart, Berlin, Klaus Schwarz. Open Google Scholar DOI: 10.5771/9783956503719
- Vural, Feyzan Göher, 2011, Islamiyet’ten önce Türklerde Kültür ve Müzik. Hun, Kök Türk ve Uygur Devletleri, Istanbul, Cizgi. Open Google Scholar DOI: 10.5771/9783956503719
- Waltron, Jeremy F., “Practices of Neo-Ottomanism: Making Space and Place in Istanbul”, Göktürk, Soysal & Türeli 2010: 88-103. Open Google Scholar DOI: 10.5771/9783956503719
- Weich-Shahak, Susanna (ed), 2014, Judeo-Spanish Songs for the Life Cycle in the Eastern Mediterranean, (Anthology of Music Traditons in Israel), The Hebrew University of Jerusalem. Jewish Music Research Center. Open Google Scholar DOI: 10.5771/9783956503719
- Welsch, Wolfgang, 1992, “Transkulturalität. Lebensformen nach der Auflösung der Kulturen”, Informative Philosophie 2, pp. 5-20. Open Google Scholar DOI: 10.5771/9783956503719
- Woodard, Kathryn, 1999, Creating a national music in Turkey: The solo piano works of Ahmed Adnan Saygun, ProQuest Dissertations & Theses (PQDT). Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen, 1988, “Aspects of Historical Change in the Turkish Classical Repertoire”, Musica Asiatica 5, pp. 1-108. Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen 1992a (ed), Demetrie Cantemir. The Collection of Notations, London 1992 / 2000, London: Ashgate, Aldershot. Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen 1992b, Words Without Songs, London. Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen 1994, “17. ve 18. Yuzyıllardaki Yapısal Değişimler”, Dünden Bugüne Istanbul Ansiklopedisi, vol. 5. Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen 1994/1995, “Abd al Qadir al-Maraghi and Ali B. Muhammad Bina’i: Two Fifteenth-century Examples of Notation”, Bulletin of the School of Oriental and African Studies, vol. 57, pp. 475-515, vol. 58, pp. 17-39. Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen 1996a, “Middle Eastern Song-Text Colletions”, Early Music, 24, pp 454-469. Open Google Scholar DOI: 10.5771/9783956503719
- Wright, Owen 1996b, “On the Concept of a ‘Timurid’ Music”, Oriente Moderno, 15 (74), 2. Open Google Scholar DOI: 10.5771/9783956503719
- Wurm, Maria, 2006, Musik in der Migration. Beobachtungen zur Kulturellen Artikulation Türkischer Jugendlicher in Deutschland, Bielefeld. Open Google Scholar DOI: 10.5771/9783956503719
- Yahya Kaçar, Gülçin, 2011, Gülzâr-ı Mûsikî, Ankara: Maya Akademi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Wurm, Maria 2012 (2009), Türk Mûsikîsi Rehberi, Ankara, Maya Akademi. . Open Google Scholar DOI: 10.5771/9783956503719
- Wurm, Maria 2012, Türk Mûsikîsi Üzerine Görüşler (Analiz ve Yorumlar), Ankara, Maya Akademi. Open Google Scholar DOI: 10.5771/9783956503719
- Yalçın, Gökhan, 2016, Hâşim Bey Mecmuası, Ankara, Atatürk Kültür Merkezi. Open Google Scholar DOI: 10.5771/9783956503719
- Yalgin, Mahmet (ed.), 2009, Biraz Hayat Biraz Sanat Kemençeci bir Avukat, Nihat Doğu Kitabi, Izmir, Ege Üniversitesi Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Yarman, Ozan, 2007, 79-Tuning & Theory for Turkish Maqam Music. As A Solution to the Non-Conformance Between Current Model And Practice, Ph.D. Thesis ITÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Yarman, Ozan 2010, „Alaturka Müziğinin Yasaklanmasında Atatürk: Belgeler Zemininde bir Çözümleme”, https://www.academia.edu (acessed 17 June, 2017). Open Google Scholar DOI: 10.5771/9783956503719
- Yavasca, Alâeddin, 2002, Türk Mûsikîsi’nde Kompozisyon ve Beste Biçimleri, Istanbul, Türk Kültürüne Hizmet Vakfı. Open Google Scholar DOI: 10.5771/9783956503719
- Yavuz, Elif Damla, 2014, Communities Within Individual in a Transcultural Work: Ali Baba und die 40 Räuber, Unpublished Ph.D. Thesis, Istanbul Technical University. Open Google Scholar DOI: 10.5771/9783956503719
- Yavuzoğlu, Nail, 2008/2010, 21. Yüzyılda Türk Müziği Teorisi, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Yavuzoğlu, Nail 2011, Türk Müziğinde Makamlar ve Seyir Özellilleri, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Yavuzoğlu, Nail 2013, Türk Makam Müziği ve Yani Notasyon, Istanbul, İnkilâp. Open Google Scholar DOI: 10.5771/9783956503719
- Yazıcı, Ümit, 2011, Tanbûri Ali Efendi. Hayatı ve Eserleri, İzmir, Dokuz Eylül Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Yazıcıoğlu, E. Taçlı, 2010, “Contesting the Global Consumption Ethos: Reterritorialization of Rock in Turkey”, Journal of Macromarketing, 30, 3, pp. 238-253. Open Google Scholar DOI: 10.5771/9783956503719
- Yedig, Serhan, 2007, “Erdal Erzincan’ı, Yo-Yo Ma’ya İpekyolu projesi için önereceğim. Interview with Kayhan Kalhor”, January 2007, http://www.muziksoylesileri.net/cms/index.php?option=com_content&task=view&id=177&Itemid=43 (accessed 25 August, 2015). Open Google Scholar DOI: 10.5771/9783956503719
- Rauf Yekta, 1318/1902, 2000, Esâtîz-i Elhân, Hâce Abdülkadir el-Merâgî, İstanbul, Mahmud Bey Matbaası, Nuri Akbayar (ed.), Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Yedig, Serhan 1915 “Eski Türk Musikisine Dair Tetebbu’lar”, Milli Metebbular Mecmuası, 3. Open Google Scholar DOI: 10.5771/9783956503719
- Yedig, Serhan 1924, Şark Mûsikîsi Tarihi, Istanbul, Mahmud Bey Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Yedig, Serhan 1913-1922, “La Musique Turque”, Lavignac (ed.), Encyclopédie de la Musique, vol. V, pp. 2945-3064. Open Google Scholar DOI: 10.5771/9783956503719
- Yiangou, Christiana, 2005, Smyrna and Asia Minor Revolution: The Birth of the Rembetiko Song, Master Thesis, California State University Dominguez-Hills. Open Google Scholar DOI: 10.5771/9783956503719
- Yıldırım, Imam, 2013, Bağlama, Band 1, Jedem Kind ein Instrument, Mainz, Schott. Open Google Scholar DOI: 10.5771/9783956503719
- Yıldız, Burcu, 2016, Experiencing Armenian Music in Turkey: An Ethnography of Musicultural Memory, Würzburg, Ergon. Open Google Scholar DOI: 10.5771/9783956503719
- Yılmaz, Altuğ & Kerovpyan, Aram, 2011, Klasik Osmanlı Müziği ve Ermeniler, İstanbul, Avrupa Kültür Başkent. Open Google Scholar DOI: 10.5771/9783956503719
- Yılmaz, Niyazi, 1996, Türk Halk Müziğinin Kurucu Hocası Muzaffer Sarısözen, Ankara, Ocak. Open Google Scholar DOI: 10.5771/9783956503719
- Yılmaz, Zeki, 1988 (1973) Türk Musikisi Dersleri, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Yöre, Seyit, 2015, The European Innovations in Ottoman Music Culture in the Context of Musical Composition, Uyanık (et. al. eds), International Conference on the Changing World and Social Research I, Vienna 2015, Proceedings Book, Konya: Palet. Open Google Scholar DOI: 10.5771/9783956503719
- Yöre, Seyit 2011, “Kültürleşmenin bir Parçası olarak Osmanlı’da Opera’nın Görünümü”, Zeitschrift für die Welt der Türken, Vol. 3,2, pp.53-69. Open Google Scholar DOI: 10.5771/9783956503719
- Yurdatapan, Sanar, 2016, “Turkey: Censorship Past and Present”, Freemuse 2016: 22-29. Open Google Scholar DOI: 10.5771/9783956503719
- Yücel, Clémence Scalbert, 2009, “The Invention of a Tradition: Diyarbakirs’s dengbêj Project”. European Journal of Turkish Studies, 10, http://ejts//revues.org/index4055.html. Open Google Scholar DOI: 10.5771/9783956503719
- Yücesoy, Eda Ünlü, 2011, Istanbul’da Medya. Çoğrafi Dağılım ve Üretim, İstanbul Bilgi Üniversitesi Ya-yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Yüksel, Metin, 2011, Dengbêj, Mullah, Intelligentsia: The Survival and Revival ot the Kurdish-Kurmanji Language in the Middle East, 1925–1960. Ph.D. Thesis Chicago, Illinois. Open Google Scholar DOI: 10.5771/9783956503719
- Yürür, Ahmet, 1995, “Processes in New Music in Turkey”, http://www.turkishmusic.org/cgi-bin/d?processes_7.htm (accessed October 25, 2016). Open Google Scholar DOI: 10.5771/9783956503719
- Zelepos, Ioannis, 2010, “Städte als Projektionsflöchen im griechischen Popularlied des 20. Jahrhunderts am Beispiel Istanbul, Izmirs und Thessalonikis”, Tischler, Ulrike & Zelepos, Ioannis (ed.), Bilderwelten – Weltenbilder. Die Gegenwart der Vergangenheit in postosmanischen Metropolen Südosteuropas: Thessaloniki, Istanbul, Izmir, Frankfurt, Peter Lang, pp. 63-99. Open Google Scholar DOI: 10.5771/9783956503719
- Zeren, M.Ayhan, 1978, Müzikte Ses Sistemleri: Genel Diziler, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Zırh, Besım Can, 2008, “Euro-Alevis: From Gastarbeiter to Transnational Communiy”, Anghel, Remus Gabriel, Gerharz, Eva, Rescher, Gilberto & Salzbrunn, Monika (ed.), The Making of World Society. Perspectives from Transnational Research, Bielefeld, Transcript, pp. 103-131. Open Google Scholar DOI: 10.5771/9783956503719
- Zimmermann-Kalyoncu, Cornelia, 1985, Deutsche Musiker in der Türkei im 20. Jahrhundert, Frankfurt a.M. Peter Lang Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- De Zorzi, Giovanni, 2008. “Learning the ney flute in Italy. A seven years “field” experience”, Hemetek & Sağlam 2008, 107-118. Open Google Scholar DOI: 10.5771/9783956503719
- Zimmermann-Kalyoncu, Cornelia 2010, Musiche di Turchia, Mailand, Ricordi. Open Google Scholar DOI: 10.5771/9783956503719
- Zümrüt, Mehmet Emin, 2000, “Türk Musikisi’nde Batı Etkisi ve Batı Musikisi Aletlerinin Kullanılması – II”, Musikişinas, 2000, Vol. 4, pp. 41-51. Open Google Scholar DOI: 10.5771/9783956503719
- Abacı, Tahir, 2000, Harput / Elazığ Türküleri, Istanbul, Pan Yayıncılık. Open Google Scholar DOI: 10.5771/9783956503719
- Abtuman, Elif 2012, “Talkin Drums”, The New Yorker, 9 July 2012 (http://www.newyorker.com/culture/culture-desk/talking-drums (24 October 2015). Open Google Scholar DOI: 10.5771/9783956503719
- Abu-Lughod, Lila 1991, “Writing against Culture”, Recapturing Anthropology, ed. Fox, R.G, Santa Fe, New Mexico, pp. 137-162. Open Google Scholar DOI: 10.5771/9783956503719
- Serhan Ada (ed) 2011, Istanbul’un Festivalleri, Istanbul, Istanbul Bilgi Üniversitesi Yayınları. Open Google Scholar DOI: 10.5771/9783956503719
- Abu-Lughod, Lila 1991 2009, “Bir Yeni Kültür Politikası için”, Ada & İnce 2009: 81-109. Open Google Scholar DOI: 10.5771/9783956503719
- Ada, Serhan & İnce, H.Ayca (ed.), 2009, Türkiye’de Kültür Politikalarına Giriş, Istanbul, Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Agayeva, Sureya, 1995, “Ortaçağ Görsel Sanatlarında Nefesli Çalgılar Örnekleri”, Musiki Mecmuası, CDL. Open Google Scholar DOI: 10.5771/9783956503719
- Agayeva, Sureya 1999, “Türk Musikisinde Edvar”, Musiki Mecmuası, CDLXIII. Open Google Scholar DOI: 10.5771/9783956503719
- Agayeva, Sureya 2000, “Abdülkadir Meragi’de Türk Çalgıları”, Musiki Mecmuası, CDLXVII. Open Google Scholar DOI: 10.5771/9783956503719
- Agayeva, Sureya 2006, “Osmanlı Saraylarında Azerbaycan bilgin ve müzisyenleri”, Osmanli Dönem Türk Musikî Sempozyumu. Open Google Scholar DOI: 10.5771/9783956503719
- Agayeva, Sureya & Uslu, Recep 2009, Ruhperver, 2009, Vol. 1, Ankara: Ürün Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Akbıyık, Abuzer, 2006, Şanlıurfa Sıra Gecesi, Şanlıurfa, Elif Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Açın, Cafer, 2000, Bağlama Yapım Sanatı ve Sanatçıları. İstanbul, Emek Basımevi. Open Google Scholar DOI: 10.5771/9783956503719
- Akçay, Ismail, 1993, “Musiki Tarihinden Belgeler (1): Musiki Encümeni ve Dar-ül-Elhan Talimatı Suretidir, Musiki Mecmuası, No. 437, pp. 13-24. Open Google Scholar DOI: 10.5771/9783956503719
- Akçura, Gökhan, 2002, Gramofon Çağı, Istanbul: Om Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Akdağ, Ali Kazım, 2017, “Strukturprobleme der Bağlama-Ausbildung in der Türkei und Bağlama-Lehrbücher im Rahmen der Lehrplan-Entwicklung”, Çiftçi & Greve, forthcoming. Open Google Scholar DOI: 10.5771/9783956503719
- Akdemir, Hayrettin, 1991, Die neue türkische Musik, Berlin, Hitit. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğan, Bayram 1996, “Hüccetü’s-Semâ’ adli Musikî Risâlesi ve Ankaravî Ismail B. Ahmed’in Mûsikî Anlayışı”, Ankara Üniversitesi İlahiyat Fakültesi: Ankara Dergisi, 35, 477-505. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğan, Bayram 1996 1999, “15. Yüzyıl Osmanlı Dönemininde Türk Mûsikîsi”; Diyanet Ilmi Dergi, vol. 35, 1, 135-170. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğan, Bayram 1996 2008, “Türk Din Musikisi Tarihine bir Bakiş”, Ankarana Üniversitesi Ilahiyat Fakültesi Dergisi, 1, 151-190. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğan, Bayram 1996 2009, Fethullah Şirvânî ve Mûsikî Risâlesi (Mecelletun Fi’l-Mûsîka), Ankara, Bilge Ajans ve Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğan, Bayram 1996 2009, İsmâil-i Ankaravî ve Mûsıkî Risâlesi, İstanbul, Rağbet. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğu, Onur 1989a, Türk Müzigi Bibliografyası (9.yy – 1928), Izmir, E.Ü. Devlet Türk Musikisi Konservatuvarı Ya¬yın¬ları No. 89. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğu, Onur 1989a 1989b, Taksim Nedir Nasıl Yapılır, Izmir. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğu, Onur 1989a 1990, Tarihçi Müzikolog Yılmaz Öztuna, Izmir, Reform Matbaasi. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğu, Onur 1989a 1990, Lemi Atli, Hayati ve Eserleri, Ankara, Kültür Bakanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğu, Onur 1989a (ed.) 1992, Nâyî Osman Dede ve Rabt-i Tâbirât-i Mûsikî, Izmir. Open Google Scholar DOI: 10.5771/9783956503719
- Akdoğu, Onur 1989a 1994, Türk Müziğinde Perdeler, İzmir. Open Google Scholar DOI: 10.5771/9783956503719
- Akgün, Fehmi 1993, Yıllar Boyunca Tango 1865-1993, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Akkaş, Salih, 2015, Türkiye’de Cumhuriyet Dönemi Kültür ve Müzik Politikaları (1923–2000), Ankara, Son Çağ. Open Google Scholar DOI: 10.5771/9783956503719
- Akkaya, Ayhan, Özer, Diler, Çelik, Fehmiye & Uncu, Ülker (ed.) 2008, Kardeş Türküler 15 Yılın Öyküsü, Istanbul, bgst Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Asu, 2009, “Zihinsel Değişim? AKP Iktidarı ve Kültür Politikası”, Ada & Ince, pp. 179-198. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent, 1985, “Tanzi¬mat’tan Cumhuriyet’e Musiki ve Batılılaşma”, Tanzimat’tan Cumhuriyet’e Türkiye Ansiklopedisi, vol. 5, Belge, Murat (ed.), Istanbul, 1211-1236. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 1989, “Is the Question of the Origin of Turkish Music not redundant?”, Turkish Musical Quarterly, 2, 4. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent (ed.), 1992, Sermüezzin Rifat Bey’in Ferahnak Mevlevî Ayını, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 1997, “Sultan III. Selim’in Öldürülmeden bir gece önce bestelediği Şarkı”, Türklük Arastırmaları Dergisi 8, Istanbul, Marmara Üniversitesi Fen-Edebiyat Fakültesi, Türk Tarihi Kurumu Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2000, Makam Tanıma Doğru, Musikişinas, Vol. 4, pp. 71-87. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2005, CD Kemençe, liner notes, Kalan 2005. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2008a, Avrupalı Gezginlerin Gözüyle Osmanlılarda Musiki, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2008b, Geçmişin Musıki Mirasına Bakışlar, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2009, Cüneyd Orhon anlatıyor: Radyo Günlerim, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2010, “Musical Relationships between Italy and Turkey through Turkish Eyes”, Spinetti 2010, 61-77. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent n.d., „Ottoman Music within the Makam Traditions of Middle-Easter art Music: An Overview”, (http://www.bulentsavas.com/english/althtml/ottomanmusicwithin.htm (accessed 15 September 2016). Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent 2015, “Prelimınary Notes on the Possibility (or Impossibility) of Writing Ottoman Music History”, Greve (ed.), 2015: 16-31. Open Google Scholar DOI: 10.5771/9783956503719
- Aksoy, Bülent, et al., 1994, “Musiki Hayatı”, Dünden Bugüne Istanbul Ansiklopedisi, vol. 5, Istanbul, Kültür Bakanlığı ve Tarih Vakfı Ortak Ya¬yın¬ları, pp. 521-540. Open Google Scholar DOI: 10.5771/9783956503719
- Aksu, Sema, 1990, Türk Musikisinde Rebab üzerine bir Araştırma, thesis, İstanbul, İTÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Aksüt, Sadun 1983, Musikisi Güfteleri, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Aksüt, Sadun 1983 1967, 500 Yıllık Türk Musiki¬si Antolojisi, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Aksüt, Sadun 1983 1993, Türk Musikisinin 100 Bestekârları, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Aksüt, Sadun 1983 1994, Tanbur Metodu, Istanbul, Inkilâp Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Aksüt, Sadun 1983 (ed.) 2011, Şevkı Bey. Yâdigârı Şevk (Mahsûbi Tabiat), Istanbul, ITÜ TMDK Yayınları. Open Google Scholar DOI: 10.5771/9783956503719
- Akyol, Taner, 2017, “Bağlama und Zeitgenössische Klassische Musik”, Çiftçi & Greve (eds.), 2017. Open Google Scholar DOI: 10.5771/9783956503719
- Alaner, Bülent, 1986, Music Publications from Ottoman Empire Up Today, 1876-1986, Osmanlı İmperatorluğu’ndan Günümüze Belgelerle Müzik Yayıncılığı (1876-1986), Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Alaner, Bülent 2017 (a) “Osmanlı İmparatorluğu’nda Çok Sesli Müziğin Gelişimi”, Tarih Tarih Yayınevi, https://www.tarihtarih.com/?Syf=26&Syz=353046 (accessed 14 June 2017). Open Google Scholar DOI: 10.5771/9783956503719
- Alaner, Bülent 2017 (b), “Cumhuriyet Döneminde Çok Sesli Müzik”, Tarih Tarih Yayınevi, https://www.tarihtarih.com/?Syf=26&Syz=353046 (accessed 14 June 2017). Open Google Scholar DOI: 10.5771/9783956503719
- Ali, Filiz, 1983, “Türkiye Cumhuriyeti’nde Kon¬servatuvarlar”, Belge, Murat (ed.), Cuhuriyet Dönemi Türkiye Ansiklopedisi, Istanbul, pp. 1531-1534. Open Google Scholar DOI: 10.5771/9783956503719
- Ali, Filiz 2002, Bülent Arel. Elektronik Müziğin Öncüsü, Istanbul, Türkiye İş Bankası Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Alimdar, Selçuk, 2016, Osmanlı’da Batı Müziği, Istanbul, İş Bankası Kültür Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Almanya Alevi Birlikleri Federasyonu (ed.), 2000, Bin Yılın Türküsü. Das Epos des Jahrtausends. Saga of the Millenium, Köln AABF. Open Google Scholar DOI: 10.5771/9783956503719
- Alp, Sedat, 1999, Hititlerde Şarkı, Müzik ve Dans, Hitit Çağında Anadolu’da Üzüm ve Şarap, Ankara, Kavaklıdere Kültür Ya¬yın¬ları No: 6. Open Google Scholar DOI: 10.5771/9783956503719
- Alp, Sedat 2000, Song, Music, and Dance of Hittites (trans. Yaprak Eran), Ankara, Kavaklıdere Cultural Publications. Open Google Scholar DOI: 10.5771/9783956503719
- Altan, Ali , Doğrusöz, Nilgün & Uslu, Recep, 2012, Itri Izleri, Istanbul, Balat Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Altan, Sinem 2013, Beni bağlama – don’t bind me. Konzert für Bağlama und Orchester, Berlin, Ries & Erler. Open Google Scholar DOI: 10.5771/9783956503719
- Altar, Cevad Memduh, 1989, Opera Tarihi, vol. 4, Istanbul, Kültür Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Altınay, Reyhan, 2004, Cumhurriyet Döneminde Türk Halk Müziği. Kitaplar, Makaleler, Nota Ya¬yın¬ları, Meta Basım, Izmir. Open Google Scholar DOI: 10.5771/9783956503719
- Altınay, Yeşim, 2010, Turkish Music Instruments, Istanbul, İstanbul Avrupa Kültür Baskenti Ajansi. Open Google Scholar DOI: 10.5771/9783956503719
- Altschiller, Donald, 1995, “Turkish Americans”, Galens, Judy, Sheets, Anna & Young, Robyn V. (ed.), Gale Encyclopedia of Multicultural America, vol. 2, New York, Gale Research, pp. 364-1373. Open Google Scholar DOI: 10.5771/9783956503719
- Ambros, A.W., 1968, Geschichte der Musik, vol. 1, (Leipzig 1862-1878), Hildesheim. Open Google Scholar DOI: 10.5771/9783956503719
- And, Metin, 2004, Başlangıcından 1983’e: Türk Tiyatro Tarihi, Istanbul, İletişim Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- And, Metin 1976, A Pictorial History of Turkish Dancing: From Folk Dancing to Whirling Dervishes-Belly Dancing to Ballett, Ankara, Dost 1976. Open Google Scholar DOI: 10.5771/9783956503719
- And, Metin 1982, Osmanlı Şenliklerinde Türk Sanatları, Ankara, Kültür ve Turizm Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- And, Metin 1989, Türkiye’de Italyan Sahnesi, Italyan Sahnesinde Türkiye, Istanbul, Metis. Open Google Scholar DOI: 10.5771/9783956503719
- Anıl, Avni & Zakoğlu, Bünbey, 1979, Güfteler, Türk Sanat Musikisi Sözlü Eserler, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Andrews, Peter Alford, 1989, Ethnic Groups of Turkey, Wiesbaden, Reichert, pp. 142-147. Open Google Scholar DOI: 10.5771/9783956503719
- Anhegger, Robert, 1982, “Die Deutschlanderfahrung der Türken im Spiegel ihrer Lieder. Eine Einstimmung”, Birkenfeld, H. (ed.), Gastarbeiterkinder aus der Türkei. Zwischen Eingliederung und Rückkehr, München, Beck. Open Google Scholar DOI: 10.5771/9783956503719
- Apostolopoulos, Thomas, 2005, “The Socio-Cultural Context”, Feldman, Walter, Guettat, M., Kalaitzides, Kyriakos (eds.), Music in the Mediterranean, Volume I History, Thessaloniki, En Chordais, Project MediMuses in the context of European Union programme Euromed Heritage II., pp.477-484. Open Google Scholar DOI: 10.5771/9783956503719
- Apostolopoulos, Thomas & Kalaitzidis, Kyriakos, 2015, “Konstantinopolis’in Bizans öncesi ve Bizans sonrası Müzik Mirası”, Yılmaz, Coşkun (ed.), Büyük İstanbul Tarihi, Istanbul, İSAM, 20-35. Open Google Scholar DOI: 10.5771/9783956503719
- Aracı, Emre, 2001, Ahmed Adnan Saygun. Doğu-Batı Arası Müzik Köprüsü, Istanbul, YKY. Open Google Scholar DOI: 10.5771/9783956503719
- Aracı, Emre 2006, Donizetti Paşa. Osmanlı Sarayının İtalyan Maestrosu, Istanbul YKY. Open Google Scholar DOI: 10.5771/9783956503719
- Aracı, Emre 2010a, “From Napoleon to Mahmud: The Chequered Career of the Other Donizetti”, Spinetti 2010: 3-16. Open Google Scholar DOI: 10.5771/9783956503719
- Aracı, Emre 2010b, Naum Tiyatrosu. 19. Yüzyıl İstanbulu’nun İtalyan Operası. Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Arel, Hüseyin Sadeddin, 1951, “300 Küsur Senelik Nota Mecmuası Hakkında”, Musıki Mecmuası, No 45. Open Google Scholar DOI: 10.5771/9783956503719
- Arel, Hüseyin Sadeddin 1969 (1939/49), Türk Musikisi Kimindir, Türk Musikisi Araştırma ve Değerlendirme Komisyonu Ya-yın¬ları 1, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Arel, Hüseyin Sadeddin 1991, Türk Musikisi Nazariyatı Dersleri, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Arna, Sibel, 2006, “Ermeni sanatçı konuşuyor, Azeri meslektaşı tercüme ediyor”, Interview with Ilyas Mirzayev, Hürriyet, 1 July 2006, http://www.hurriyet.com.tr/cumartesi/4637746.asp (accessed 25 August, 2015). Open Google Scholar DOI: 10.5771/9783956503719
- Arnaud-Demir, Françoise, 1996, Littérature Populaire: En Suivant les Âşık, Montreuil, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Arseven, Veysel, 1957, “Türk Halk Müziğinde Metrik Sistem”, Türk Folklor Araştırmaları Dergisi 100/101, 1590. Open Google Scholar DOI: 10.5771/9783956503719
- Arslan, Fazli, 2001, “Qur’ân’s Tacwîd at Qutb Al-Dîn al Shirâzî’s Music Notation”, International Journal of Humanities and Social Science, vol. 1, No. 10; 209-216. Open Google Scholar DOI: 10.5771/9783956503719
- Arslan, Fazli 2005, “Safiyyüddîn Abdülmümin el-Urmevî’nin er-Risâletü’ş-Şerefiyye’sinde Mûsikî Matematiği”, AÜIFD XLVI (2005), No II, 267-304. Open Google Scholar DOI: 10.5771/9783956503719
- Arslan, Fazli 2009, “Müzik Kuramcısı ve Efsanevi Kişilik olarak Safiyyüddîn-i Urmevî”, Sosyal Bilimler Dergisi, no. 26, 165-179. Open Google Scholar DOI: 10.5771/9783956503719
- Arsunar, Ferruh, 1937a, Anadolu’nun Pentatonik Melodileri Hakkında Birkaç Not, Istanbul, Numune Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Arsunar, Ferruh 1937b, Tunceli-Dersim Halk Türküleri ve Pentatonik, Istanbul, Resimli Ay Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Artun, Erman 2014, Aşıklık Geleneği ve Aşık Edebiyati, Istanbul, Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Arzruni, Şahan, 2001, USA, European Traditional Music, Armenian, Sadie, Stanley (ed.), The New Grove Dictionary of Music and Musicians, Vol. 26, London, MacMillan. Open Google Scholar DOI: 10.5771/9783956503719
- Aşkın, Cihat, 2010, “Murat Bardakcı’nın bir Yazışı Üzerine Çeşitlemeler”, Yeşilgazete, 11 November 2010. Open Google Scholar DOI: 10.5771/9783956503719
- Aslan, Üzeyir, (ed) 2007, Molla Cami – Hoca Neş’et: Ney’in Feryadı, Istanbul, Sufi Kitap. Open Google Scholar DOI: 10.5771/9783956503719
- Assmann, Jan, (1997) 2011, Cultural Memory and Early Civilization.Writing, Remembrance, and Political Imagination, Cambridge, Cambridge University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Atagür, Zeki, 2013, Bağlama Egzersizleri, Ankara, Sonsöz Gazetecilik Matbaacılık. Open Google Scholar DOI: 10.5771/9783956503719
- Atalay, Adnan, 1984, “Müzik Yazısı”, Say, Ahmet (ed.), Müzik Ansiklopedisi, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Ataman, Ahmet Muhtar 1928, Musiki Tarihi, Istanbul, Develt Matbaasi. Open Google Scholar DOI: 10.5771/9783956503719
- Ataman, Sadi Yaver, 1991, Atatürk ve Türk Musıkisi, Atatürk Dizisi 31, Ankara, Kültür Bakanlığı Ya¬yın-ları 1291. Open Google Scholar DOI: 10.5771/9783956503719
- Atilgan, Halil, 1992, “Halk Müziğimizde Anonimlik ve Beste Meselesi”, Turhan, Salih (ed.), Türk Halk Musikîsinde Çeşitli Görüşler, Ankara, Kültür Bakanlığı, pp.163-173. Open Google Scholar DOI: 10.5771/9783956503719
- Avrupa Kültür Başkenti, 2010, Klasik Türk Müziği. Program Kitapçığı, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Ayan, Dursun, 2011, Béla Bartók’un Türk Halk Müziği Derlemeleri üzerine Çalışmaları, Istanbul: Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Ayangil, Ruhi, 2008, “Western Notation in Turkish Music”, Journal of the Royal Asiatic Society, Vol. 18, 4, pp. 401-447. Open Google Scholar DOI: 10.5771/9783956503719
- Ayangil, Ruhi 2010, “Western Notation: A Debatable Matter in Turkish Makam Music Contributed by Guiseppe Donizetti Pasha”, Spinetti 2010: 39-57. Open Google Scholar DOI: 10.5771/9783956503719
- Ayas, Güneş, 2014, Mûsiki İnkılâbı’nın Sosyolojisi. Klasik Türk Müziği Geleneğinde Süreklilik ve Değişim, Istanbul, Doğu Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Ayas, Güneş 2015, Müzik Sosyolojisi. Sorunlar, Yaklaşımlar, Tartışmalar, Istanbul, Doğu Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Aydin, Yılmaz, 2003, Türkiye’de Avrupa ile Müzik İlişkileri Işığında Türk Beşleri, Ankara, Müzik Ansiklopedisi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Aydemir, Murat, 2010, Turkish Music Makam Guide (translated by Erman Dirikcan), Istanbul: Pan; (Greek translation by S. Kompotiati, Athens, Fagotto books 2012). Open Google Scholar DOI: 10.5771/9783956503719
- Aydın, Yılmaz, Türk Beşleri, Ankara, Müzik Ansiklopedisi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Aytar, Volkan & Parmaksızoğlu, Kübra, 2010, Istanbul’da Eğlence, Istanbul, Istanbul Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Bachir-Loopuyt, Talia, 2013, Une Musique du Monde faite en Allemagne? Les compétitions Creole et l’idéale société plurielle dans l’Allemagne d’aujourd’hui, Ph.D. Thesis EHESS Paris. Open Google Scholar DOI: 10.5771/9783956503719
- Bakbaşa, Ceyda, 2011, “Istanbul’da Sanat Fuarları”, Ada 2011: 115-129. Open Google Scholar DOI: 10.5771/9783956503719
- Balkılıç, Özgür, 2009, Cumhuriyet, Halk ve Müzik, Ankara, Tan. Open Google Scholar DOI: 10.5771/9783956503719
- Balkır, Canan & Kaiser, Bianca, 2015, “Türkiye’de Avrupa Birliği Vatandaşları”, Erdoğan & Kaya, 2015, 223-241. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat, 1986, Maragali Abdulkadir, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 1993, Fener Beyleri’ne Türk Şarkıları, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 1995, Refik Fersan ve Hatıraları, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 1997, Sultanî Besteler. Osmanoğulları’nın son Padişahı Mehmed Vahideddin’in. Eserleri, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 2000, “Derviş es-Seyyid Mehmed Efendi’in Tanbur Perdeleri Risalesi”, Musikişinas, p. 6-39. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 2010, “Musiki Inkılâbi ve Başarısızlık”, Habertürk, 8 November 2010. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 2012a, “Itrî Yılı”, Habertürk, 1 February 2012. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 2012b, 25 Yıla 25 Besteci, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Bardakçı, Murat 2012c, The Treatise of Ahmed Oglı Şükru’llah and Theory of Oriental Music in the 15th Century, Harvard (Doğu Dilleri ve Edebiyatlarının Kaynakları 51. Türkçe Kaynaklar XLIV). Open Google Scholar DOI: 10.5771/9783956503719
- Bartók, Béla, 1976, Turkish Folk Music from Asia Minor, ed. Benjamin Suchoff, Princeton. Open Google Scholar DOI: 10.5771/9783956503719
- Bartsch, Patrick, 2012, Musikpolitik im Kemalismus. Die Zeitschrift Radyo zwischen 1941 und 1949, Bamberg, University of Bamberg Press. Open Google Scholar DOI: 10.5771/9783956503719
- Başeğmezler, Nejat, 1992, Necil Kâzım Akses’e Armağan, Ankara, Sevda-Cenap And Müzik Vakfı Ya¬yın-ları. Open Google Scholar DOI: 10.5771/9783956503719
- Basgöz, Ilhan, 1979 (1994), Âsik Ali Izzet Özkan, Istanbul, Indiana Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Basgöz, Ilhan 2002, “Turkish Folk Literature”, Inalcık, Halil & Renda, Güncel (eds.), Ottoman Civilization, Ankara, Ministery of Culture, pp. 597-623. Open Google Scholar DOI: 10.5771/9783956503719
- Beşikçi, Ismail, 1977, Türk-Tarih Tezi ve Kürd Sorunu, Ankara, Komal. Open Google Scholar DOI: 10.5771/9783956503719
- Bates, Eliot, 2008, Social Interaction, Musical Arrangements, and the Production of Digital Autio in Istanbul Recording Studios, PhD Dissertation University of California, Berkeley. Open Google Scholar DOI: 10.5771/9783956503719
- Bates, Eliot 2011, Music in Turkey. Experienting Music, Expressing Culture, Oxford, Oxford University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Baumann, Max Peter (ed), 1985, Musik der Türken in Westberlin, Kassel, Yvonne Landec. Open Google Scholar DOI: 10.5771/9783956503719
- Baydar, Evren Kutlay, 2010, Osmanlı’nın Avrupalı Müzisyenleri, Istanbul, Kapı. Open Google Scholar DOI: 10.5771/9783956503719
- Bayley, Amanda, (forthcoming), “Cross-cultural Collaborations with the Kronos Quartet”, Clarke, E. and Doffman, M., eds. Creativity, Improvisation and Collaboration: Perspectives on the Performance of Contemporary Music. Oxford and New York: Oxford University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Bayraktar, Ertuğrul, 1993, “An Outline of Kemal Ilerici Harmonic System”, Say, Ahmet (ed.), The Music Makers in Turkey, Ankara, pp. 51-54. Open Google Scholar DOI: 10.5771/9783956503719
- Beck, Ulrich, 1983, “Jenseits von Stand und Klasse”, R. Krechel (ed.), Soziale Ungleichheiten, Göttingen, Schwarz Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Begian, Harry, 1964, Gomitas Vartabed: His Life and Importance to Armenian Music, Ph.D. Thesis, University of Michigan. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Büsra Ersanlı, 1992, Iktidar ve Tarih: Türkiye’de ‘Resmi tarih’ Tezinin Oluşumu. (1929-1937), Istanbul, AFA. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem, 1987a, 18. Yüzyılında Türk Müziği, Charles Fonton, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 1987b, Klasik Türk Musıkisi üzerinde Denemeler, Istanbul, Bağlam. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 1990, Ali Ufkî ve Mezmurlar, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 1997, “Manol of the Ud, Baron of the Kemençe: Turkish Musical Instruments and Makers”; Music & Art, Vol 7. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2001, “The Technical Modernization of Turkish Music: The Case of the Durak”. Hammarlund, Olsson & Özdalga 2001, pp. 97-109. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2005, Musıkiden Müziğe, Osmanlı / Türk Müziği: Gelenek ve Modernlik, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2006, “The Ottoman Musical Tradition”, The Cambridge History of Turkey, Vol. 3 (The Later Ottoman Empire, 1603–1839), Cambridge, Cambridge University Press, 393-408. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2008, Saklı Mecmua. Ali Ufkî’nin Bibliotheque Nationale de France’taki (Turc 292) Yazması, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2010, Şeyhülilâm’in Müziği. 18. Yüzyılda Osmanlı/Türk Musikisi ve Şeyhülislâm Es’ad Efendi’nin Atrabü’l-Âsâr’i, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2012 (1998), Aşk Olmayınca Meşk Olmaz. Geleneksel Osmanlı / Türk Müziğinde Öğretim ve İntikal, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2013a, “Dede Efendi’nin Eserlerine Tarih Koymak”, Musikişinas 11, pp. 20-50. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2013b, “Text and Memory in Ottoman/Turkish Musical Tradition”, Pennanen et.el. 2013: 3-11. Open Google Scholar DOI: 10.5771/9783956503719
- Behar, Cem 2015, Osmanlı / Türk Musıkisinin Kısa Tarihi, İstanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Beken, Münir Nurettin, 1998, Musicians, Audience and Power: The Changing Aesthetics in the Music at the Maksim Gazino of Istanbul, PhD Theis University of Maryland. Open Google Scholar DOI: 10.5771/9783956503719
- Benjamin, Walter, (1935) 1939, “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit”, Schöttker, Detlev (ed.), Walter Benjamin. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. Kommentar. Frankfurt a.M., Suhrkamp Verlag, 2002: 7-50. Open Google Scholar DOI: 10.5771/9783956503719
- Berkman, Esra, 2012, Kanun Virtüözü, Besteci ve Eğititci Haçatur Avetisyan (1926-1996) ve Kanun Çalgısı özelinde Ermenistan Sovyet Sosyalist Cumhuriyet’inde (1920-1991) Müziğin Dönüşümü, Ph.D. thesis Yıldız Teknik Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Berliner Institut für Vergleichende Sozialforschung, 2005, Türkische TV-Sender in Deutschland, Berlin. Open Google Scholar DOI: 10.5771/9783956503719
- Berthier, Stephanos & Annie (ed.), Topkapı Sarayı’nda Yasam. Albertus Bobovius ya da Santuri Ali Ufki Bey’in Anıları. (1669), translated bz Ali Berktay, Istanbul, Kitab Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Beşiroğlu, Şehvar (ed.), 2008, III Selim, Istanbul, ITÜ Türk Musikisi Devlet Konservatuvarı Ya¬yın¬ları, ITÜ Bestekârlar Serisi 3. Open Google Scholar DOI: 10.5771/9783956503719
- Beşiroğlu, Şehvar & Ergur, Ali, 2009, “Modern Disappearance and Postmodern Rebirth of the Ceng”, CIM, 09, 2009 (http://cim09.lam.jussieu.fr/CIM09fr/Actes_files/Besiroglu-Ergur.pdf, accessed 3 December, 2013). Open Google Scholar DOI: 10.5771/9783956503719
- Beşiroğlu, Şehvar & Celasin, Cenk, 2006, “Hitit Medeniyeti Müzik Kültürünün Analizinde Arkeolojik Verileri Rolü”, İTÜ Dergisi, 2006, Vol. 3, 2, pp. 35-46. Open Google Scholar DOI: 10.5771/9783956503719
- Beşiroğlu, Şehvar, Çolakoğlu, Gözde, Tohumcu, Z. Gonca & Küçükaksoy, F. Merve (ed.), Prof. Ercüment Berker ve Yazıları, İTÜ Türk Musikisi Devlet Konservatuarı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Betzwieser, Thomas, 1993, Exotismus und “Türkenoper” in der französischen Musik des Ancien Régime, Neue Heidelberger Schriften zur Musikwissenschaft, Vol. 21, Laaber. Open Google Scholar DOI: 10.5771/9783956503719
- Bhabha, Homi K., 1990, “The Third Space”, Rutherford, J. (ed.), Identity: Community, Culture, Difference, London, Lawrence & Wishard. Open Google Scholar DOI: 10.5771/9783956503719
- Bilal, Melissa, 2013, Thou Need’st not Weep, for I have wept full score: An Affective Genealogy of the Armenian Lullaby in Turkey, Ph D Thesis, Chicago, Illinois. Open Google Scholar DOI: 10.5771/9783956503719
- Birdoğan, Nejat, 1992, “Halk Ezgilerimizdeki Söz Sakatlıkları”, Turhan, Salih (ed.), Türk Halk Musikîsinde Çeşitli Görüşler, Ankara, Kültür Bakanliği, pp. 174-191. Open Google Scholar DOI: 10.5771/9783956503719
- Bithell, Carole & Hill, Juniper, 2014a, “An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change”, Bithell & Hill 2014b, pp. 3-42. Open Google Scholar DOI: 10.5771/9783956503719
- Bithell, Carole & Hill 2014b, (eds.), The Oxford Handbook of Music Revival, Oxford University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Bohlmann, Philip V., 1987, “The European Discovery of Music in the Islamic World and the “Non-Western" in the 19th-Century Music History”, The Journal of Musicology, Vol. V, 2, pp. 147-163. Open Google Scholar DOI: 10.5771/9783956503719
- Bohlmann, Philip V. 1988, The Study of Folk Music in the Modern World, Bloomington, Indiana University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Bohlmann, Philip V. 2013, Cambridge History of World Music, Cambridge University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Bora, Emine, 2010, Klasik Osmanlı Müziğinde Ermeni Bestekârlar, Istanbul, Avrupa Kültür Baskenti. Open Google Scholar DOI: 10.5771/9783956503719
- Borrel, Eugene , 1928, “Contribution à la Bibliographie de la Musique Turque au XXe Siècle”, Revue des Etudes Islamiques, pp. 513-527. Open Google Scholar DOI: 10.5771/9783956503719
- Bozkurt, Barış, Yarman, Ozan, Karaosmanoğlu, M. Kemal, Akkoç, Can, 2009, „Weighing Diverse Theoretical Models on Turkish Maqam Music against Pitch Measurments: A Comparison of Peaks Automatically Derived from Frequency Histograms with Proposed Scale Tones“, Journal of New Music Research, Vol. 38, No. 1, pp. 45-70. Open Google Scholar DOI: 10.5771/9783956503719
- Brandl, Rudolf Maria, 1989, “Konstantinopolitanische Makamen des 19. Jahrhunderts in Neumen: Die Musik der Fanarioten”, Jürgen Elsner (ed), Maqam, Raga, Zeilenmelodik. Konzeptionen und Prinzipien der Musikproduktion. Materialien der 1. Arbeitstagung der Study Group „maqâm“ beim Internationalen Council for Traditional Music, Berlin, ppç 156-169. Open Google Scholar DOI: 10.5771/9783956503719
- Broughton, Simon, Ellingham, Mark & Trillo, Richard (ed.), 1999, World Music. The Rough Guide, London, Rough Guides. Open Google Scholar DOI: 10.5771/9783956503719
- Budak, Ogün Attilla, 2000 / 2006, Türk Müziğinin Kökeni-Gelişimi, Ankara, Phoenix. Open Google Scholar DOI: 10.5771/9783956503719
- Bunzl, John, 1989, Juden im Orient: Jüdische Gemeinschaften in der islamischen Welt und orientalische Juden in Israel, Wien, Junius. Open Google Scholar DOI: 10.5771/9783956503719
- Burada, Teodor T, 1911, Scrierile Muzicale ale lui Dimitrie Cantemir, Bukarest. Open Google Scholar DOI: 10.5771/9783956503719
- Caner, Yusuf, 2009, Benim Bağlama / Meine Bağlama, Duisburg, Verlag Hubert Nogatz. Open Google Scholar DOI: 10.5771/9783956503719
- Castles, Stephan & Miller, Mark J., 1993, The Age of Migration. International Population Movements in the Modern World, New York, The Guilford Press. Open Google Scholar DOI: 10.5771/9783956503719
- Celasin, Cenk, 2007, Orta Tunç Çağı’ndan Roma Dönemi’ne Anadolu Müzik Kültürünün Analizi, Ph.D. thesis, İTÜ, Istambul. Open Google Scholar DOI: 10.5771/9783956503719
- Cengiz, Halil Erdoğan (ed.), 1993, Yaşanmış Olaylarla Atatürk ve Müzik. Riyâset-i Cumhûr İnce Saz Hey’eti Şefi Binbaşı Hâfız Yaşar Okur’un Anıları (1924–1938), Ankara, Müzik Ansiklopedisi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Cevher. M. Hakan, 1993, Şerif Muhiddin Targan. Hayatı – Besteciliği – Eserleri, Izmir. Open Google Scholar DOI: 10.5771/9783956503719
- Cengiz, Halil Erdoğan (ed.) 2003, (ed.), Hâzâ mecmûa-i sâz ü söz, Izmir 2003. Open Google Scholar DOI: 10.5771/9783956503719
- Cengiz, Halil Erdoğan (ed.) 2004, Rûh-Perver. İnceleme, Günümüz Türkçesi, Çeviriyazım, Esas Metin, Istanbul, Saade. Open Google Scholar DOI: 10.5771/9783956503719
- Ceyhan, Adem, 1997, Bedr-i Dilsad’in Murâd-nâmesi, Ankara, Milli Eğitim Bakanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Chiannis, Sotirios & Brandl, Rudolf M., 2001, “Greece, §IV: Traditional Music”, Sadie, Stanley & Tyrell, John (eds.), The New Grove Dictionary of Music and Musicians, 2nd edition, London, Macmillan, Vol. 10, pp. 353-9. Open Google Scholar DOI: 10.5771/9783956503719
- Coggins, Peter, 1995, “The Experience of Turkish and Turkish Cypriot Life in the United Kingdom”, de Tapia, 1995, pp. 125-145. Open Google Scholar DOI: 10.5771/9783956503719
- Cohen, Judith, 1999, “Jewish Music, Sephardic”, Broughton, Ellingham & Trillo, 1999, vol. 1, pp. 370-377. Open Google Scholar DOI: 10.5771/9783956503719
- Coplan, David B., 1993, “Ethnomusicology and the Meaning of Tradition”, Blum, Stephen, Bohlman, Philip V. & Neuman, Daniel M. (eds.), Ethnomusicology and Modern Music History, pp.35-48. Open Google Scholar DOI: 10.5771/9783956503719
- Çoşkun, Zeki, 1999, “Azınlık Sesleri”, Pacacı, Gönül (ed.), Cumhuriyet’in Sesleri, Istanbul, Tarih Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Çağlar, Ayşe, 1998, “Verordnete Rebellion: Deutsch-türkischer Rap und türkischer Pop in Berlin”. Mayer, Ruth, Terkessidis, Mark (ed). Global Kolorit. Multikulturalismus und Populärkultur. St. Andrä/Wördern: Hannibal. Open Google Scholar DOI: 10.5771/9783956503719
- Raha Çamuroğlu 1998, “Alevi Revivalism in Turkey”, in T. Olsson, E. Özdalga & E. Raudvere (Hrsg.), Alevi Identity: Cultural Religious and Social Perspectives, Swedish Research Institute in Berlin, Istanbul, pp. 79-84. Open Google Scholar DOI: 10.5771/9783956503719
- Celik, Ece, 2013, “Yaptığım Müzik Hikâyelerden Etkileniyor”; Interview with Yinon Muallem, Radikal, 4 July 2013. Open Google Scholar DOI: 10.5771/9783956503719
- Çevik, Mehmet, 2013, Türkü ve Algı. Türkü Kültüründe Değişim Süreci, Ankara, Ürün Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Çiftçi, Nevzat, 2011, “Vom Nomadeninstrument zum Weltinstrument: Die Emanzipation der türkischen Langhalslaute Bağlama (Saz)”, unpublished paper read at the Conference of the German National Comitee of the ICTM, February 11-12, 2011 in Hildesheim (Germany). Open Google Scholar DOI: 10.5771/9783956503719
- Çiftçi, Nevzat 2017, “Zur Geschichte der Baglama in Europa”, Çiftçi & Greve 2017. Open Google Scholar DOI: 10.5771/9783956503719
- Çiftçi, Nevzat & Greve, Martin &, forthcomming 2017, Das Erste Baglama Symposium in Deutschland, Berlin, Ries & Erler. Open Google Scholar DOI: 10.5771/9783956503719
- Çine, Hamit, 1997, “Boğaz Havaları ve Üçtelli Bağlama”, V. Milletlerarası Türk Halk Kültürü Kongresi. Halk Müziği, Oyun Tiyatro, Ankara 1997, pp. 100-103. Open Google Scholar DOI: 10.5771/9783956503719
- Çolakoğlu Sarı, Gözde, 2015, 1. Müzikoloji Bölümleri Çalıştayı, Istanbul, İstanbul Teknik Üniversitesi Türk Musikisi Devlet Konservatuvarı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Çine, Hamit 2016, Anadolu’dan Balkanlara Kemençe, Saarbrücken, Türkiye Alim Kitapları. Open Google Scholar DOI: 10.5771/9783956503719
- Dahlhaus, Carl, 1977, Grundlagen der Musikgeschichte, Köln, Gerig (Foundations of Music History, Cambridge University Press 1983). Open Google Scholar DOI: 10.5771/9783956503719
- Daniszâde, Sevket Gavsi, 1914, “Tarih-i Musik-i Sultan Selim”, Peyam Dergisi. Open Google Scholar DOI: 10.5771/9783956503719
- Dawe, Kevin & Eroğlu, Sinan Cem, 2013, “The Guitar in Turkey: Erkan Ogur and the Istanbul Guitarszene”, Ethnomusicology Forum, 22, 1, pp. 49-70. Open Google Scholar DOI: 10.5771/9783956503719
- Değirmenci, Koray, 2013, Creating Global Music in Turkey, Lanham, Lexington Books. Open Google Scholar DOI: 10.5771/9783956503719
- Deleon, Jak, 1986, Bale Tarihi, Istanbul, Imge. Open Google Scholar DOI: 10.5771/9783956503719
- Deleon, Jak 1988, Os¬manlı’dan Cumhuriyete Türk Balesi, Istan¬bul, Dönemli. Open Google Scholar DOI: 10.5771/9783956503719
- Deleon, Jak 1996, The White Russians in Istanbul, Istanbul, Remzi Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Deniz, Ünsal, 2015, Millî Mûsiki ve Türk Beşleri. Türk Beşleri tarafından Çokseslendirilmiş Olan Türkülerin Armoni Anlayışı Bakımdan İncelenmesi, Malatya, Gece. Open Google Scholar DOI: 10.5771/9783956503719
- Nur Derviş, 1989, “Cinuçen Tanrıkorur et la Tradition du Ud Turque”, Cahiers de Musique traditionel¬les 2, 255-262. Open Google Scholar DOI: 10.5771/9783956503719
- De Zeeuw, Hans, 2009, De Turkse Langhalsluit of Bağlama, Amsterdam, self publishing. Open Google Scholar DOI: 10.5771/9783956503719
- Díaz-Mas, Paloma, Pedrosa, José Manuel & Romero, Elena (ed), 1995, Alberto Hemsi: Cancionero Sefardí, Jerusalem, The Jewish Music Research Centre, The Hebrew University of Jerusalem. Open Google Scholar DOI: 10.5771/9783956503719
- Dietrich, Eberhard, 1987, Das Rebetiko. Eine Studie zur Städti¬schen Musik Griechenlands, (Beiträge zur Ethnomusikologie 17), Hamburg, Wagner. Open Google Scholar DOI: 10.5771/9783956503719
- Dinç, Kemal, 2012, Bağlama icin Denemeler, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Dinç, Kemal 2014, Kelebek in Konzert. Rhythmische Übungen für die Musikpraxis mit Kindern, Düsseldorf, Ministerium für Familie, Kinder, Jugend, Kultur und Sport NRW. Open Google Scholar DOI: 10.5771/9783956503719
- Djani-Zade, Tamila, 1998, “Music of Azerbaijan”, Nettl, Bruno, Danielson, Virjinia, Stone, Ruth M., Porter, James & Rice, Timothy (eds.), The Garland Encyclopedia to World Music, Garland Publ., pp. 921-933. Open Google Scholar DOI: 10.5771/9783956503719
- Dikmen, Mustafa Dogan & Türk Musikisi Vakfi, 2010, Dârü’l-Elhân Külliyâti, Istanbul Avrupa Kültür Baskenti. Open Google Scholar DOI: 10.5771/9783956503719
- Dogrusöz, Nilgün, 1993, Hâfiz Post Güfte Mecmuası (Türkçe Güfteler), Yayınlanmamış Yüksek Lisans Tezi, Istanbul Teknik Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Dogrusöz, Nilgün 2007, Harîrî bin Muhammed’in Kirsehrî Edvari üzerine bir İnceleme, Ph.D. Thesis, Istanbul Teknik Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Dogrusöz, Nilgün 2008, “The Architecture of Turkish Vocal Music: Münir Nurettin Selcuk”, Reagle & Whitehead, 2008, pp. 149-165. Open Google Scholar DOI: 10.5771/9783956503719
- Dogrusöz, Nilgün 2012, Mûsikî Risâleleri (Ankara Milli Kütüphane, 131 Numaralı Yazma), Istanbul, Bilim Kültür ve Sanat Derneği. Open Google Scholar DOI: 10.5771/9783956503719
- Dogrusöz, Nilgün 2015, “From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsır Dede: An Evaluation of the History of Ottoman/Turkish Music Theory”, Greve 2015: 77-86. Open Google Scholar DOI: 10.5771/9783956503719
- Doğuduyal, Meliha, 2016, Müzikten Söze, İstanbul, Bağlam. Open Google Scholar DOI: 10.5771/9783956503719
- Dorn, Pamela J., 1991, Change and Ideology: The Ethnomusicology of Turkish Jewry, Ph.D. Thesis Indiana University, Ann Arbour, UMI. Open Google Scholar DOI: 10.5771/9783956503719
- Dönmez, Banu Mustan, 2014, Alevi Müzik Uyanışı, Istanbul, Gece Kitaplığı. Open Google Scholar DOI: 10.5771/9783956503719
- Duygulu, Melih, 1995, Gaziantep Türküleri, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Duygulu, Melih 1997, Alevî-Bektaşi Müziğinde Deyişler, İstanbul, Sistem Ofset. Open Google Scholar DOI: 10.5771/9783956503719
- Duygulu, Melih 2006, Türkiye’de Çingene Müziği, Istanbul: Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Duygulu, Melih 2014, Türk Halk Müziği Sözlüğü, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Dündar, Fuat, 2008, Modern Türkiye’nin Şifresi: İttihat ve Terakki’nin Etnisite Mühendisliği (1913-1918), Istanbul, İletişim. Open Google Scholar DOI: 10.5771/9783956503719
- Dündar, Fuat 2014, “Deportation Demos, Militarizing Natios: Forced Migration and Conflicts in the Ottoman Empire and Modern Turkey (1908-1947)”, Karaçay, Aysem Biriz & Üstübici, Aysem (ed.), Migration to and from Turkey: Changing Patterns and Shifting Policies, Istanbul, The Isis Press, pp. 39-72. Open Google Scholar DOI: 10.5771/9783956503719
- Ederer, Eric Bernard, 2007, The Cümbüş as Instrument of “the Other” in Modern Turkey, MA Thesis, University of California, Santa Barbara. Open Google Scholar DOI: 10.5771/9783956503719
- Ederer, Eric Bernard 2015, Makam and Beyond. A Progressive Approach to Near Eastern Music Theory, Santa Barbara, Plum Loco Publishing. Open Google Scholar DOI: 10.5771/9783956503719
- Ediboğlu, B.S., 1962, Ünlü Türk Bestekarları, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Moritz Eggert, 2011, Interview with Stefan Pohlit, http://blogs.nmz.de/badblog/2011/02/25/in-der-fremde-1-stefan-pohlit/, (25.2.2011). Open Google Scholar DOI: 10.5771/9783956503719
- Eker, Süer, 2010, “The Place of Dimitri Kantemiroglu’s Turkish in 18th Century Ottoman Turkish”, Bibliothèque Métropolitaine Bucarest, ed., Travaux de Symposium International le Livre. LaRoumanie. L’Europe 2010, Vol. IV, Bucarest, 69-78. Open Google Scholar DOI: 10.5771/9783956503719
- Ekici, Savaş, 2001, “Ramazan Güngör’ün Türk Halk Müzigi Içerisindeki Yeri ve Önemi”, Toplumbilim 12, 65-68. Open Google Scholar DOI: 10.5771/9783956503719
- Ekinci, Mehmet Uğur, 2012, “The Kevserî Mecmûası Unveiled: Exploring an Eighteenth-Century Collection of Ottoman Music”, Journal of the Royal Asiatic Society (third Series), Vol. 22, 2, pp. 199-225. Open Google Scholar DOI: 10.5771/9783956503719
- Ekinci, Mehmet Uğur 2015a, “Kantemiroğlu Notalarının Bilinmeyen Bir Nüshası”, Musikişinas, Vol. 13, 75-125. Open Google Scholar DOI: 10.5771/9783956503719
- Ekinci, Mehmet Uğur 2015b, Kevserî Mecmuası. 18. Yüzyıl Saz Müziği Külliyatı, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Elçi, Armağan Coşkun, 1997, Muzaffer Sarısözen (Hayatı, Eserleri ve Çalışmaları), Ankara, T.C. Kültür Bakanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Elçin, Şükru, (ed.) 1976, Ali Ufki, Mecmua-i Saz u Söz, Kultur Bakanlığı Ya¬yın¬ları, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Elflein, Dietmar, “Vom neuen deutschen Sprechgesang zu Oriental Hip Hop – einigen Gedanken zur Geschichte von Hip Hop in der BRD”, Annette Kreutziger-Herr und Manfred Strack (ed.), Aus der Neuen Welt: Streifzüge durch die amerikani¬sche Musik des 20. Jahrhunderts, Hamburg, pp. 283-296. Open Google Scholar DOI: 10.5771/9783956503719
- Élias, Nicolas, 2012, Lavta, Étude pour un Lute d’Istanbul, (Les Cahiers du Bosphore LXVII), Istanbul, Les Editions Isis. Open Google Scholar DOI: 10.5771/9783956503719
- Élias, Nicolas 2015, L’Usage Communal des Sons Dans Les Montagnes Pontiques (Turquie), Ph.D. Thesis, l’Université Paris Ouest Nanteree La Défense. Open Google Scholar DOI: 10.5771/9783956503719
- Elschek, Oskár, 1985, “Die historische Erforschung mündlich, teilschriftlich und schriftlich überlieferter traditioneller Musikkulturen”, Beiträge zur Musikwissenschaft, Vol. 2, 103-109. Open Google Scholar DOI: 10.5771/9783956503719
- Emnalar, Atınç, 1992, Türk Müziğinde Koro, Izmir. Open Google Scholar DOI: 10.5771/9783956503719
- Emnalar, Atınç 1998, Tüm Yönleriyle Türk Halk Müziği ve Nazariyatı, İzmir. Open Google Scholar DOI: 10.5771/9783956503719
- Enlil, Zeynep & Evren, Yiğit, 2011, Yaratıcı İstanbul. Yaratıcı Sektörler ve Kent, Istanbul, Istanbul Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Erdener, Yıldıray, 1995, The Song Contests of Turkish Ministrels. Improvised Poetry Sung to Traditional Music, New York & London, Garland Publishing. Open Google Scholar DOI: 10.5771/9783956503719
- Erdoğan, M. Murat & Kaya, Ayhan, 2015, Türkiye’nin Göç Tarihi. 14. Yüzyılından 21. Yüzyıla Türkye’ye Göçler, Istanbul, Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Erdoğan, Esra Kaya 2011, “Hizmet, Girişim, Kültür Ekseninde Istanbul’da ilçe Festivalleri”, Ada 2011: 79-97. Open Google Scholar DOI: 10.5771/9783956503719
- Ergan, Mehmed Salih, 1994, Türkiye Müzik Bibliyografyası – Kitaplar, Notalar (1929-1993), Konya. Open Google Scholar DOI: 10.5771/9783956503719
- Ergin, Cafer 1968-1976, “Hazâ Mecmua-i Sâz ü Söz (Ali Ufkî Edvarı)”, Musiki Mecmuası, no. 233, 235-237, 239-243, 245-249, 250-259, 261-269, 270, 272-275, 277, 279-281. 285-289, 291-293, 296, 298, 300, 303, 308-309, 316, 318-320, 322-324. Open Google Scholar DOI: 10.5771/9783956503719
- Ergin, Nihat, 1999, Yıldız Sarayında Müzik, Ankara, T.C. Kültür Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Ergin, Osman, 1977, Türk Maarif Tarihi, Eser Kültür Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Ergun, Sadeddin Nüzhet, 1943, Türk Musikisi Antolojisi, Vol. 1, Dini Eserler, Istanbul, Rıza Koşkun Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Erguner, Kudsi, 2000, La Fontaine de la Sèparation. Voyages d’un Musicien Soufi, Aris, Le bois d’Orion. Open Google Scholar DOI: 10.5771/9783956503719
- Erguner, Süleyman, 1986 / 2002, Ney “Metod”, Istanbul, Ergüner Müzik. Open Google Scholar DOI: 10.5771/9783956503719
- Erguner, Süleyman 2003, Rauf Yektâ Bey. Neyzen – Müzikolog – Bestekâr, Istanbul, Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Erguner, Süleyman 2010, Şehrimini, Istanbul, Heyamola Yayınlar. Open Google Scholar DOI: 10.5771/9783956503719
- Ergür, Cumhur Enes, 2011, Salâhî Dede. Salâhaddîn Demirtaş, Hayatı ve Eserleri, Istanbul, Istanbul Kitabevi. Open Google Scholar DOI: 10.5771/9783956503719
- Erkan, Cağrıhan & Dinge, Ali, 2003, Piyano icin Saz Eserleri, Albüm 1, Izmir, Berke. Open Google Scholar DOI: 10.5771/9783956503719
- Erkan, Yusuf, 2014, Cumhuriyet Döneminde Teke Yöresi. Burdur Sanatçıları (Geleneksel Kuşak – Genç Kuşak), Istanbul; Narçiçeği Yayıncılık. Open Google Scholar DOI: 10.5771/9783956503719
- Eroğlu, Sinan Cem, 2009, Orta Asya’dan Anadolu’ya Kopuzun Gelişimi ve Türk Halk Müziği’ndeki Yeri ve Önemi, İstanbul MA Thesis İTÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Eroğlu, Sinan Cem 2017, “Die Stellung der kopuz in der Türkischen Volksmusik”, Çiftçi & Greve 2017. Open Google Scholar DOI: 10.5771/9783956503719
- Erol, Ayhan, 2012, “Music, Power and Symbolic Violence: The Turkish State’s Music Policies During the Early Republican Policies”, European Journal of Cultural Studies, 15, 1, pp. 35-52. Open Google Scholar DOI: 10.5771/9783956503719
- Erol, Merih, 2003, “Türkçe Matbu Nota ve Solfej Kitabı: Hacı Emin Efendi ve Nota Muallimi (1885)”, Müteferrika, No. 23. Open Google Scholar DOI: 10.5771/9783956503719
- Erol, Merih 2009, Cultural Identification of the Greek Orthodox Elite of Constantinople: Discourse on Music in the Nineteenth and Early Twentieth Centuries, Ph.D. Thesis, Boğaziçi University. Open Google Scholar DOI: 10.5771/9783956503719
- Erol, Merih 2015, Greek Orthodox Music in Ottoman Istanbul. Nation and Community in the Era of Reform, Indiana University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Erol, Merih 2017, “The Greek-Turkish Musical “Rapprochement” of the 2000s and Approaches to Ottoman Musical Heritage”, Turkish Journal of Sociology, 37 (forthcomming). Open Google Scholar DOI: 10.5771/9783956503719
- Ersanlı, Büşra 2003, İktidar ve Tarih. Türkiye’de ‘Resmî Tarih’ Tezinin Oluşumu (1929–1937), Istanbul, İletişim. Open Google Scholar DOI: 10.5771/9783956503719
- Ersoy, Özgür, 2013, Lehrbuch für Baglama, Berlin, Ries & Erler. Open Google Scholar DOI: 10.5771/9783956503719
- Ertan, Deniz 2007, “Cycles and Peripheries: An Ottoman Kitâb el Edvâr”, Asian Music, vol. 38, 1, 31-60. Open Google Scholar DOI: 10.5771/9783956503719
- Esen, Orhan, 2005, “Learning from Istanbul. Die Stadt Istanbul: Materielle Produktion und Produktion des Diskurses”, Esen, Orhan & Lanz, Stephan (ed.), Self Service City: Istanbul, Berlin, b books, pp. 33-52. Open Google Scholar DOI: 10.5771/9783956503719
- Ertaylan, I. 1958, Gazi Giray Han, Hayatı ve Eserleri, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Erten, Oğuz, 2010, “Sanat piyasasında modern, klasik geçti”, Radikal, 11.8. 2010: 20. Open Google Scholar DOI: 10.5771/9783956503719
- Erzincan, Erdal & Sağ, Arif, 2013, Bağlama Metodu / Bağlama Method, Istanbul: Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Erzincan, Mercan, 2006, Türk Halk Müziğinde Uyarlama Kavramı ve Bağlama Uyarlayan Dört Zeybek Ezgisi üzerinde Müzikal Analiz, MA Thesis, Istanbul, Haliç Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Ezgi, Suphi, 1933–1953, Türk Musikisi, Nazari ve Ameli, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Faist, Thomas, 2000, Transstaatliche Räume. Politik, Wirtschaft und Kultur in und zwischen Deutschland und der Türkei, Bielefeld, Transkript Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Farmer, Hanry George, 1937, “Turkish Instruments of Music in the Seventeenth Century”, Collection of Oriental Writers on Music, Glasgow, The Civic Press. Open Google Scholar DOI: 10.5771/9783956503719
- Featherstone, Mike, Lash, Scott, & Robertson, Roland (eds.), 1995, Global Modernities, London, Sage. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989, “Record Review: Classical Turkish Music in Greece”, Turkish Music Quarterly, pp. 8-10. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 1990 / 1991, “Cultural Authority and Authenticity in the Turkish Repertoire”, Asian Music, pp. 73-111. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 1993, “Ottoman Sources on the Development of the Taksîm”, Yearbook for Traditional Music, vol. 25, 1-28. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 1996, Music of the Ottoman Court: Makam, Composition and the early Ottoman Instrumental Repertoire (= Intercultural Music Studies 10), Berlin. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 2001, “Structure and Evolution of the Mevlevî Ayîn: The Case of the Third Selâm.” Hammarlund, Anders, Olsson, Tord & Ozdalga, Elisabeth (ed.), Sufism Music and Society in Turkey and the Middle East, Istanbul, Swedish Research Institute in Istanbul, pp. 49-59. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 2007, “Ottoman Music”, Oxford Music Online, Oxford University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 2015, “The Musical ‘Renaissance’ of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Material of Ali Ufkî (ca. 1610-1675), Hâfız Post (d. 1694) and the ‚Marâghî’ Repertoire’, Greve 2015: 87-138. Open Google Scholar DOI: 10.5771/9783956503719
- Feldman, Walter 1989 2017, “The Art of Melodic Extension Within and Beyond the Usûl”, Helvacı, Olley & Jäger 2017: 153-176. Open Google Scholar DOI: 10.5771/9783956503719
- Ferid, Rusen, 1933, Bestegâr – Sair Nazîm. Hayatı, Eserleri hakkında Tetkikat, Istanbul, Hilâl Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Filarmoni Derneği (ed.), 1982, Atatürk Türkiye’sinde Müzik Reformu Yılları. Opera, Bale, Senfonik Müzik, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Freemuse (ed.), 2016, The Freemuse Files: Turkey, Copenhagen, Freemuse. Open Google Scholar DOI: 10.5771/9783956503719
- Frith, Simon, 2000, “ The Discourse of World Music”, Born, Georgina & Desmondalgh, David (eds.), Western Music and its Others. Difference, Representation, and Appropriation in Music, University of California Press, pp. 305-323. Open Google Scholar DOI: 10.5771/9783956503719
- Fuchs, Martin & Rüpke, Jörg, 2015, “Religious Individualisation in Historical Perspective”, Religion, 45:3, 323-329, DOI: 10.1080/0048721X.2015.1041795. Open Google Scholar DOI: 10.5771/9783956503719
- Fuhrmann, Malte, 2009, “Down and Out the Quays of Izmir: ‘European’ Musicians, Innkeepers, and Prostitutes in the Ottoman Port-Cities”, Mediteranean Historical Review, Vol. 24,2, pp. 169-185. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis, 1937, The Music of the Sumerians. Open Google Scholar DOI: 10.5771/9783956503719
- [Gazimihal], Mahmut Ragıp 1927, “Aperçus préliminaires sur l’origine asia¬tique de quelques instru-ments turque”, Bilten Inst. za prousa¬vanje folklora sarajevo, Saraje¬vo. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1928, Anadolu Türküleri ve Musiki Istikbalımız, Marifet Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1929, Şarkî Anadolu Türküleri ve Oyunları. Istanbul Konservatuarı Folklôr Hey’eti’nin dördüncü Tetkik Seyahatı Münasebetiyle, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1939, Türkiye-Avrupa Musiki Münasebetleri: 1600-1875, Istanbul: Numune Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1955, Türk Askerî Muzikaları Tarihi, Istanbul, Maarif Basımevi. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1958, Asya ve Anadolu Kaynak¬larında Iklığ, Anka¬ra. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1958 / 1975 / 2001, Ülke¬lerde Kopuz ve Tezeneli Sazları¬mız, An¬kara, T.C. Kültür Bakanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Galpin, Francis 1961, Musıki Söz¬lüğü, Istanbul, Milli Eğitim Basımevi 1961. Open Google Scholar DOI: 10.5771/9783956503719
- Gedikli, Necati, 1987, “Müzik Araştırmacısı ve Folklorcu olarak Ahmet Adnan Saygun”, Göğüsö M. Tuğrup (ed.), Ahmed Adnan Saygun Semineri, Izmir, Mars. Open Google Scholar DOI: 10.5771/9783956503719
- Giray, Selim, 2002, Ahmed Adnan Saygun’un Keman Yapıtlari: Bir Kemancıya Rehber, Ankara: T.C. Kültür Bakanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Glick-Schiller, Nina et al., 1997, “From Immigrant to Transmigrant: Theorizing Transnational Migration”, Pries, Ludger (ed.), Transnationale Migration, (Soziale Welt, Sonderband 12), Baden-Baden, Nomos, pp. 121-140. Open Google Scholar DOI: 10.5771/9783956503719
- Gökalp, Ziya, 1923 (1968), Türkçülüğün Esâsları, Ankara; (English): The Principles of Turkism, Translated by Robret Devereux, Leiden. Open Google Scholar DOI: 10.5771/9783956503719
- Göktepe, Salâhattin, 1971, Büyük Müzisyenler Ansiklopedisi, Izmir. Open Google Scholar DOI: 10.5771/9783956503719
- Göktürk, Deniz, Soysal, Levent & Türeli, Ipek, 2009, Orienting Istanbul. Cultural Capital of Europe?, Oxfordshire, Routledge. Open Google Scholar DOI: 10.5771/9783956503719
- Gölcen, Ilhami, 2007, Rauf Yekta. Fransızca Musıki Yazıları (Fransızca Metinlerin Tıpkıbasımı ile), Ankara, Ürün. Open Google Scholar DOI: 10.5771/9783956503719
- Gölpınarlı, Abdülbâki, 1953, Mevlânadan Sonra Mevlevîlik, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Görgün, Ayten, 2000, “Kadınlar Mevlevileri böldü”, Hürriyet, 13.1.2000: 22. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin, 1995, Die Europäisierung Orientalischer Kunstmusik in der Türkei, Frankfurt a.M: P. Lang. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin 2003, Die Musik der imaginären Türkei. Musik und Musikleben im Kontext der Migration aus der Türkei in Deutschland, Stuttgart, Metzler. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin 2008, “Turkish Music in European Institutions”, Hemetek, Ursula & Sağlam, Hande (ed.), Music from Turkey in the Diaspora, Universität für Musik und Darstellende Kunst Wien (Klanglese 5, Institut für Volksliedforschung und Ethnomusikologie), pp. 89-95. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin (ed.) 2015, Writing the History of „Ottoman Music“, Würzburg, Ergon. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin (2002) 2016, “Writing against Europe: On the Necessary Decline of Ethnomusicology”, translated by Férdia J. Stone-Davis, Ethnomusicology Translations, https://scholarworks.iu.edu/journals/index.php/emt/article/view/22461. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin & Kaya, Ayhan, 2004, “Islamic Force, Takım 34 und andere. Identitätsmixturen türkischer Rapper in Berlin und Istanbul”, Kimminich, Eva (ed.), Rap: More than Words, Welt – Körper – Sprache, vol. 4, pp. 161-179. Open Google Scholar DOI: 10.5771/9783956503719
- Greve, Martin & Şahin, Özay, forthcomming 2017, The Sound of Dersim. Dersimli Müzisyen Anlatıyor, Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Gronow, Pekka, 1981, The Record Industry comes to the Orient, Ethnomuicology, pp. 251-284. Open Google Scholar DOI: 10.5771/9783956503719
- Gündogar, Sinan, 2005, Muhalif Müzik. Halk Şiirindeki Protesto Geleneğinden Günümüz Politik Şarkıları, İstanbul: Devin Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Güngör, Necati, 2006, Safiye Ayla’nın Anıları, Istanbul. Heyamola. Open Google Scholar DOI: 10.5771/9783956503719
- Güngör, Nazife, 1990, Arabesk. Sosyokültürel Açıdan Arabesk Müzik, Istanbul, Bilgi. Open Google Scholar DOI: 10.5771/9783956503719
- Güntekin, Mehmet, 2010, Istanbul’un 100 Musikisinasi, Istanbul’un Yüzleri Serisi 17, Istanbul, Istanbul Büyükşehir Belediyesi Kültür Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Güray, Cenk, 2012, Bin Yılın Mirası, Makam Var Eden Döngü: Edvar Geleneği, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Gürler, Mehmet, 2015, Islâmda Mûsikî ve Son Asır Osmanlı Musıkı-Şinasları, Istanbul, Sebil Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Hagopian, Harold, 1999, “Armenia: The Sorrow Sound”; Broughton, Ellingham & Trillo 1999, pp. 332-337. Open Google Scholar DOI: 10.5771/9783956503719
- Halbwachs, Maurice, 1967, Das kollektive Gedächtnis, Frankfurt. Open Google Scholar DOI: 10.5771/9783956503719
- Hall, Leslie, 1982, “Turkish Musical Culture in Toronto”, Canadian Folk Music Journal, 10, pp. 48-53. Open Google Scholar DOI: 10.5771/9783956503719
- Hammarlund, Anders, 1993, Yeni Sesler – Nya Stämmor. En väg till Musiken i det turkiska Sverige, Stockholm, Stockholm University. Open Google Scholar DOI: 10.5771/9783956503719
- Hamelink, Wendelmoet, 2016, The Sung Home. Narrative, Morality, and the Kurdish Nation, Leiden, Brill. Open Google Scholar DOI: 10.5771/9783956503719
- Hannerz, Ulf, 1987, “The World in Creolization”, Africa, 57, 4, pp. 546-559. Open Google Scholar DOI: 10.5771/9783956503719
- Hannerz, Ulf 1989, “Culture between Center and Periphery: Toward a Macroanthropology”, Ethnos, 54, 3-4, 200-216. Open Google Scholar DOI: 10.5771/9783956503719
- Hasgül, Necdet, 1996, “Türkiye popüler müzik tarihinde ‘Anadolu Pop’ akımının yeri, Folklore Doğru, Vol. 62, pp. 51-74. Open Google Scholar DOI: 10.5771/9783956503719
- Hassanpour, Amir, 1997, “MED-TV, Grossbritannien und der türkische Staat: Die Suche einer staatenlosen Nation nach Souveränität im Äther”. Borck, Carsten, Savelsberg, Eva & Hajo, Siamend (ed.): Ethnizität, Nationalismus, Religion und Politik in Kurdistan, Münster: Lit, vol 1, pp. 239-278. Open Google Scholar DOI: 10.5771/9783956503719
- Haug, Judith I., 2010, Der Genfer Psalter in den Niederlanden, Deutschland, England und dem Osmanischen Reich (16.–18. Jh), Tübinger Beiträge zur Musikwissenschaft, 30, Tutzing, Hans Schneider Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Haug, Judith I. 2017, “Representations of Usûl in Alî Ufukî’s Manuscrips”, Jäger, Olley & Helvacı (eds.), 2017: 91-107. Open Google Scholar DOI: 10.5771/9783956503719
- Hein, Carola, 2010, “The European Capital of Culture Programme and Istanbul 2010”, Göktürk, Soysal & Türeli, 2010: 253-266. Open Google Scholar DOI: 10.5771/9783956503719
- Helvacı, Zeynep, 2007, Lirin Tarihi: Eski ön Asya ve Yunan Uygarlıklarında kullanılan Lirlerin Karşılaştırılması, Ph.D. Thesis, Baskent Üniversitesi, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Helvacı, Zeynep, Jacob Olley & Jäger, Ralf Martin (eds.), 2017, Rhythmic Cycles and Structures in the Art Music of the Middle East, Würzburg, Ergon. Open Google Scholar DOI: 10.5771/9783956503719
- Hemetek, Ursula & Sağlam, Hande (eds.), 2008, Music from Turkey in the Diaspora (= Klanglese 5), Wien, Institut für Volksmusikforschung und Ethnomusikologie. Open Google Scholar DOI: 10.5771/9783956503719
- Heper, Sadettin (ed.), 1979, Mevlevî Âyinleri, Konya, Konya Turizm Derneği Yayını. Open Google Scholar DOI: 10.5771/9783956503719
- Hiçyılmaz, Ergun, 1999, İstanbul Geceleri ve Kantolar, Istanbul, Sabah Kitabları. Open Google Scholar DOI: 10.5771/9783956503719
- Hindemith, Paul, 2013, Vorschläge für den Aufbau des türkischen Musikleben, Düsseldorf, Staccato Verlag, (Turkish translation by Elif Damla Yavuz: Hindemith Raporları 1935/1936/1937, Ankara: Sevda-Cenap And Vakfı Ya¬yın¬ları 2013). Open Google Scholar DOI: 10.5771/9783956503719
- Hobsbawm, Eric & Ranger, Terence, 1983, The In¬vention of Tradition, Cambridge, Cambridge University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Hoffmann, Judith (ed.), 2007, Partnerschaft im Wachsen. Die deutsch-türkischen Kulturbeziehungen. Bestandsaufnahme und Empfehlungen, Stuttgart, IFA. Open Google Scholar DOI: 10.5771/9783956503719
- Holst, Gail, 1975/1979, Rebetika. Lieder einer griechischen Subkultur, Berlin, Gerhardt. Open Google Scholar DOI: 10.5771/9783956503719
- Hongur, G., 2014, Politics, Struggle, Violence, and the Transformation of Expressive Culture: An Ethnography of Kurds’ Musical Practices in Turkey, Ph.D. thesis, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Hough, Christina 2010, “Obscured Hybridity: The Kurdishness of Turkish Folk Music”, Pacific Review of Ethnomusicology, vol. 15. Open Google Scholar DOI: 10.5771/9783956503719
- İçduygu, Ahmet, 2015, “Türkiye’de Yönelen Düzensiz Göç Dalgaları İçinde ‘Transit Göç’”, Erdoğan & Kaya 2015: 279-294. Open Google Scholar DOI: 10.5771/9783956503719
- Idelsohn, A.Z., 1913, “Die Maqamen der arabischen Musik”, Sammelbände der inter¬nationalen Musikgesellschaft, 15, pp. 1-63. Open Google Scholar DOI: 10.5771/9783956503719
- İhsanoğlu, Ekmeleddin, Şeşen, Ramazan, Gündüz, Gülcan & M.Serdar Bekar (ed.), 2003, Osmanlı Mûsikî Literatürü Tarihi, Istanbul, Islam Tarihi, Sanat ve Kültür Araştırma Merkezi IRCICA. Open Google Scholar DOI: 10.5771/9783956503719
- Ilerici, Kemal, 1980 (1970), Bestecilik Bakımdan Türk Müziği ve Armonisi, Istanbul, Milli Eğitim Basımevi. Open Google Scholar DOI: 10.5771/9783956503719
- Ilyasoğlu, Evin, 1997, Cemal Reşit Rey. Müzikten ibaret bir Dünyada Gezintiler, Istanbul, Yapı Kredi Ya¬yın-ları. Open Google Scholar DOI: 10.5771/9783956503719
- Ilyasoğlu, Evin 2000, İlhan Usmanbaş. Ölümsüz Deniz Taşlarıydı, İstanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Ilyasoğlu, Evin 2006, Bülent Tarcan. Bir Hekimin Senfonik Öyküsü, Istanbul, Dünya. Open Google Scholar DOI: 10.5771/9783956503719
- Ilyasoğlu, Evin 2007, 71 Türk Bestecisi / 71 Turkish Composers, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Ilyasoğlu, Evin 2009, Mersin’den Yükselen Çağdaş Bir Ses: Nevit Kodallı, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- İnal, Ibnülemin Mahmut Kemal, 1958, Hoş Sadâ. Son Asır Türk Musikişinasları, Istanbul, Maarif Basimevi. Open Google Scholar DOI: 10.5771/9783956503719
- İnalcik, Halil, 2010, Has-Bağçede ‘ays u tarab. Nedîmler Sâirler Mutribler. Seçme Eserleri: III, Istanbul, Türkiye İş Bankası Kültür Ya¬yın¬ları 2010. Open Google Scholar DOI: 10.5771/9783956503719
- İnanç, Zeri, 2016, Erivan Radyosunda Kürt Sesi, Istanbul, İsmail Beşikçi Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- İnci, Ayça, 2011, “Cultural Policy in Turkey Today: İntroduction and Overview”, Ada, Serhat (ed.), Turkish Cultuar Policy Report. A Civil Perspective, İstanbul: Bilgi Üniversitesi Ya¬yın¬ları, pp. 191-200. Open Google Scholar DOI: 10.5771/9783956503719
- Independent Commision on Turkey, 2004, Turkey in Europe: Moore than a Promise. www.independentcommissiononturkey.org/report.html. Open Google Scholar DOI: 10.5771/9783956503719
- Istanbul 2010, 2010a, Program: Müzik Projeler, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- İnci, Ayça 2010b, Klasik Türk Müziği. Program Kitabcığı, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- İnci, Ayça 2010c, Ramadan Istanbul 2010, Istanbul Kültür Baskent. Open Google Scholar DOI: 10.5771/9783956503719
- Istanbul Belediyesi, 2010, Ramadan Istanbul 2010, Istanbul Kültür Baskent. Open Google Scholar DOI: 10.5771/9783956503719
- Ivanoff, Alexandra, 2013, “In Retrospect: Istanbul’s Classical Music Scene in 2013”, Today’s Zaman, 24 December 2013. Open Google Scholar DOI: 10.5771/9783956503719
- Jackson, Maureen, 2013, Mixing Musics. Turkish Jewry and the Urban Landscape of a Sacred Song, Stanford Studies in Jewish History and Culture, Stanford, California, Stanford University Press. Open Google Scholar DOI: 10.5771/9783956503719
- Jäger, Ralf Martin, 1996a, Türkische Kunstmusik und ihre handschriftlichen Quellen aus dem 19. Jahrhundert, Eisenach. Open Google Scholar DOI: 10.5771/9783956503719
- Jäger, Ralf Martin 1996b, Katalog der hamparsun-notası-Manuskripte im Archiv des Konservatoriums der Universität Istanbul, Eisenach. Open Google Scholar DOI: 10.5771/9783956503719
- Jäger, Ralf Martin 1997, “Die türkische Janitscharenmusik: Mehterhane”, in: Die Musik in Geschichte und Gegenwart, vol. 9, Kassel, Bärenrei¬ter, pp. 1318-1329. Open Google Scholar DOI: 10.5771/9783956503719
- Jäger, Ralf Martin 1997a, “Türkei“, “IX: Ausbildungsstätten, Bibliothe¬ken, Ensembles”, Die Musik in Geschichte und Gegenwart, vol. 9, Kassel, Bärenrei¬ter, pp. 1070-1076. Open Google Scholar DOI: 10.5771/9783956503719
- Jäger, Ralf Martin 2006, “Osmanische Musikkultur zwischen Orient und Okzident: Der Beginn der kompositorischen Auseinandersetzung mit Europa an der Schwelle zum 20. Jahrhundert”, Christ, Heidi (ed.), Musik verbindet uns. Festschrift für Marianne Bröcker (Veröffentlichungsreihe der Forschungsstelle für fränkische Volksmusik der Bezirke Mittel-, Ober- und Unterfranken 62), Uffenheim, pp. 51-62. Open Google Scholar DOI: 10.5771/9783956503719
- Jäger, Ralf Martin 2015, “Concepts of Western and Ottoman Music History”, Greve 2015: 33-50. Open Google Scholar DOI: 10.5771/9783956503719
- Kahramankaptan, Şefik, 1998, Ismet Inönü ve Hârika Çocuklar, Ankara: Ümit. Open Google Scholar DOI: 10.5771/9783956503719
- Kaiser, Bianco, 2013, Living in Turkey as a Foreigner: Insights from the Perspective of German”, Paper read at the Conference Perceptions of International Migration in Turkey, Istanbul Bilgi University, April 12, 2013. Open Google Scholar DOI: 10.5771/9783956503719
- Kalaitzidis, Kyriakos, 2005, – 2005, “Instrumentarium”, Feldman, W., Guettat, M., Kalaitzides, Kyriakos (eds.), Music in the Mediterranean, Volume II Theory, Thessaloniki, En Chordais, Project MediMuses in the context of European Union programme Euromed Heritage II, pp. 111-117. Open Google Scholar DOI: 10.5771/9783956503719
- Kalaitzidis, Kyriakos 2012, Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music 15th – 19th Century, Istanbuler Texte und Studien 28; Würzburg: Ergon Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Kalender, Ruhi, 1978, “Yüzyılımızın Başlarında İstanbul’un Musiki Hayatı”, Ankara Üniversitesi İlâhiyat Fakültesi Dergisi 23, Ankara, pp. 411-444. Open Google Scholar DOI: 10.5771/9783956503719
- Kaliviotis, Aristomenis, 2013 (original 2002), İzmir Rumalarının Müziği 1900–1922, Eğlence, Müzik Dükkanları, Plak Kayıtları, translated by Yılmaz Okyay, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Kalkan, Şenay (ed.), 2004, Muhalif Bağlama. „Arif Sağ Kitabi“, Istanbul, Türkiye İş Bankası Kültür Ya-yın¬ları 2004. Open Google Scholar DOI: 10.5771/9783956503719
- Kallimopoulou, Eleni, 2009, Paradosiaká: Music, Meaning and Identity in Modern Greece, Surrey, Ashgate. Open Google Scholar DOI: 10.5771/9783956503719
- Kalyoncu, Nesrin & Özata, Cemal, 2012, Instrument Teaching in the Context of Oral Tradition: A Field Study from Bolu, Turkey, Oral Tradition, 27/2, pp. 363-380. Open Google Scholar DOI: 10.5771/9783956503719
- Kaplan, Ayten, 2005, Kültürel Müzikoloji, Istanbul, Bağlam. Open Google Scholar DOI: 10.5771/9783956503719
- Karadağ, Burcu, 2013, Meşkte Ney Eğitimi. Teaching the Ney with the Mesk Method, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Karade¬niz, Ekrem, (1965) 1984, Türk Musikisinin Nazariye ve Esasları, Istanbul, İş Bankası Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Karahasanoğlu, Songül, 2008, Muş Türküleri ve Oyun Havaları, Istanbul, Yalın Yayıncılık. Open Google Scholar DOI: 10.5771/9783956503719
- Karahasanoğlu, Songül & Skoog, Gabriel, 2011, “Innovative Neglect: Contextual Divergence and the Development of the Mey in Turkey”, The Galphin Society Journal, LXIV, 2001-2008. Open Google Scholar DOI: 10.5771/9783956503719
- Karahasanoğlu, Songül & Yavuz, Elif Damla, 2015, Müzikte Araştırma Yöntemleri, İstanbul, İTÜ. Open Google Scholar DOI: 10.5771/9783956503719
- Karakaya, Fikret, 2010, Unutulmuş Osmanlı Sazları, Istanbul, Avrupa Kültür Başkent. Open Google Scholar DOI: 10.5771/9783956503719
- Karolewski, Janina, 2014, “Ritual Text and Music in Turkish Alevism. Dimensions of Transmission and Bearers of Knowledge”, Schulze, Henrik (ed.), Musical Text as Ritual Object, Turnhout. Open Google Scholar DOI: 10.5771/9783956503719
- Karomatov, F.M. , Meskeris, V.A. & Vyzgo, T.S., 1987, Mittelasien; Musikgeschichte in Bildern, vol. II: Musik des Altertums, Lieferung 9, Leipzig, Deutscher Verlag für Musik. Open Google Scholar DOI: 10.5771/9783956503719
- Karaosmanoğlu, Defne, 2009, “Eating the Past: Multiple Spaces, Multiple Times Performing „Ottomanness“ in Istanbul”, International Journal of Cultural Studies, 12, 339-358. Open Google Scholar DOI: 10.5771/9783956503719
- Karpat, Kemal H., 1995, “The Turks in America”, Tapia, Stéphane de (ed.), 1995, Turcs d’Europe et d’Ailleurs, Paris, Institut National des Langues et Civilisations Orienta¬les, pp. 231-252. Open Google Scholar DOI: 10.5771/9783956503719
- Kartomi, Margaret J., “The Process and Results of Musical Culture Contact: A Discussion of Terminology and Concepts”, Ethnomusicology, pp. 227-249. Open Google Scholar DOI: 10.5771/9783956503719
- Kartomi, Margret J. & Blum, Stephen, (ed.), 1994, Music-Cultures in Contact. Convergences and Collisions, Basel, Gordon and Breach. Open Google Scholar DOI: 10.5771/9783956503719
- Katoğlu, Murat, 2009, “Cumhuriyet Döneminde Yüksek Kültürün Kamu Hizmeti Olarak Kurumlaşması”, Ada & Ince (ed.), 2009: 25-79. Open Google Scholar DOI: 10.5771/9783956503719
- Kaya, Ayhan. 2000. ‘Sicher in Kreuzberg’ Berlin’deki Küçük Istanbul. Diyasporada Kimliğin Oluşumu, Istanbul, Büke. Open Google Scholar DOI: 10.5771/9783956503719
- Kaygısız, Mehmet, 2000, Türklerde Müzik, Istanbul, Kaynak Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Kaygusuz, Nermin, 2006, Muallim Ismail Hakki Bey ve Mûsikî Tekâmül Dersleri, Istanbul, ITÜ Vakfi Ya-yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Kehl-Bodrogi, Krisztina, 1992, Vom revolutionären Klassenkampf zum ‘wahren’ Is¬lam. Transformationsprozesse im Alevitentum in der Türkei nach 1980, Sozialanthropologische Arbeitspapiere Nr. 49, Berlin, Das Arabische Buch. Open Google Scholar DOI: 10.5771/9783956503719
- Kerovpyan, Aram & Yılmaz, Altuğ, 2010, Klasik Osmanli Müziği ve Ermeniler, Istanbul, Avrupa Kültür Başkenti. Open Google Scholar DOI: 10.5771/9783956503719
- Keskiner, Bora, 2006, “Risâle-I Edvâr: Kadı-zade Mehmed Tirevî (Süleymaniye Kütüphanesi / Reşid Efendi 1059/5“, Musikişinas, p. 33-46. Open Google Scholar DOI: 10.5771/9783956503719
- Keskiner, Bora 2009, Arap Harflı Türkçe Süreli Yayınlarda Türk Musikisi Teorisi Bibliyografyası, Türkiye Araştırmaları Literatür Dergisi 7/14, pp. 375-415. Open Google Scholar DOI: 10.5771/9783956503719
- Keupp, Heiner, et. al., 1999, Identitätskonstruktionen. Das Patchwork der Identitäten in der Spätmoderne, Reinbeck, Rohwolt. Open Google Scholar DOI: 10.5771/9783956503719
- Keyder, Çağlar (ed.), 1999a, Istanbul. Between the Global and the Local, Lanham, Rowman, Littlefield. Open Google Scholar DOI: 10.5771/9783956503719
- Keyder, Çağlar (ed.) 1999b, “The Setting”, Keyder (ed.) 1999, 3-28. Open Google Scholar DOI: 10.5771/9783956503719
- Keyder, Çağlar (ed.) 2010, “Istanbul into the Twenty-First Century”, Göktürk, Soysal & Türeli 2010. Open Google Scholar DOI: 10.5771/9783956503719
- Khalil, Alexander Konrad, 2009, Echoes of Constantinople: Oral and Written Tradition of the Psaltes of the Ecumenical Patriarchate of Constantinople, unpublished Ph. D. Thesis, University of California, San Diego. Open Google Scholar DOI: 10.5771/9783956503719
- Kip, Tarık (ed.), 1983, TRT Türk Sanat Musikisi Sözlü Eserler Repertuvarı, Ankara, TRT. Open Google Scholar DOI: 10.5771/9783956503719
- Kiesewetter, R.G., 1842 / 1968, Die Musik der Ara¬ber, Leipzig 1842, Reprint Wiesba¬den. Open Google Scholar DOI: 10.5771/9783956503719
- Kishibe, Shigeo, 1940, “The Origin of the Pipa”, Transactions of the Asiatic Society of Japan, 2nd series Vol. xiv: 259-303. Open Google Scholar DOI: 10.5771/9783956503719
- Kim, Jin-Ah, 2016, “Cross-Cultural Music Making: Conditions and Perspectives”, unpublished paper read at the Confernce “Integrative Approaches to Contemporary Cross-Culturall Music Making”, at the DHI Rome, Rome, 18-19 March, 2016. Open Google Scholar DOI: 10.5771/9783956503719
- Kim, Jin-Ah 2014, “Musik und Kulturtransfer. Ideen zu einem musikwissenschaftlichen Forschungsbereich”, Kim, Jin-Ah & Riva, Nepomuk (ed.), Entgrenzte Welt? Musik und Kulturtransfer, Berlin, Ries & Erler, 9-56. Open Google Scholar DOI: 10.5771/9783956503719
- Kişmir, Celâlettin, 1967, “Avrupa’da Mevlâna Sevgisi”, Mevlana Güldestesi, Konya, 26-31. Open Google Scholar DOI: 10.5771/9783956503719
- Klaser, Rajna, 2001, From an Imagined Paradise to an Imagined Nation: Interpreting Şarkı as a Cultural Play, unpublished Ph.D. Thesis, University of California, Berkeley. Open Google Scholar DOI: 10.5771/9783956503719
- Klebe, Dorit, 2008, “The Festival Türkgünü [Turkish Day] in Berlin and its Musical Forms of Expression”, Hemetek & Sağlam pp. 61-76. Open Google Scholar DOI: 10.5771/9783956503719
- Kocabaşoğlu, Uyğur, 1980, Şirket Telsizinden Devlet Radyosunaç TRT Öncesi Dönemde Radyonun Tarihsel Gelişimi ve Türk Siyasal Hayatı İçindeki Yeri, Ankara, Ankara Üniversitesi Siyasal Bilgiler Fakültesi Ya-yın¬ları No. 442, S.B.F. Basın ve Yayın Yüksek Okulu Basımevi. Open Google Scholar DOI: 10.5771/9783956503719
- Kolcu, Julia Aylin, 2009, Judeo-Spanische Musik vom Osmanischen Reich bis zur heutigen Musikpraxis in der Türkei. MA Thesis, Leuphana Universität Lüneburg. Open Google Scholar DOI: 10.5771/9783956503719
- Kolukırık, Kubilay, 2015, Türk Müzik Tarihinde Dârü’l-elhân ve Dârü’l-elhân Mecmuası, İstanbul, Barış Kitap. Open Google Scholar DOI: 10.5771/9783956503719
- Komische Oper Berlin (ed.), 2014, Selam Opera! Interkultur im Opernbetrieb, Leipzig, Henschel. Open Google Scholar DOI: 10.5771/9783956503719
- Korkmaz, Harun, 2015, The Catalog of Music Manuscripts in Istanbul University Library, Sources of Oriental Languages and Literatures 118, The Department of Near Eastern Languages and Civilizations, Harvard University. Open Google Scholar DOI: 10.5771/9783956503719
- Korkmaz, Zeynep, 1974, Cumhuriyet Döneminde Türk Dili, Ankara, Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Kosal, Vedat, 2003, Westliche Klassische Musik in dem Osmanischen Reich, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Kocabaşoğlu, Uygur, 1980, Şirket Telsizinden Devlet Radyosuna, Ankara, A. Ü. Siyasal Bilgiler Fakültesi Yayını. Open Google Scholar DOI: 10.5771/9783956503719
- Koç, Adnan, 2016a, “Teknolojik Gelişmeler ve Sosyokültürel Değişimler Sarmalında Günümüzde Bağlama İcracılığı”, Koç 2016 (b): 112-123. Open Google Scholar DOI: 10.5771/9783956503719
- Koç, Adnan, 2016b (ed.), 1. Uluslararası Nida Tüfekçi Bağlama Sempozyumu, Istanbul, İstanbul Teknik Üniversitesi Türk Musikisi Devlet Konservatuvarı. Open Google Scholar DOI: 10.5771/9783956503719
- Koz, M. Sabri 2012, “Cönk ve Mecmûa Zapraklarında Aşık Aramak”, Hatice Aynur et. al. (Eds.), Mecmûa: Osmanlı Edebiyatının Kırkambarı, Istanbul, Turkuaz 2012, pp. 157-200. Open Google Scholar DOI: 10.5771/9783956503719
- Kulin, Ayse, 1996, Bir Tatlı Huzur. Fotograflarla Münir Nurettin Selçuk’un Yaşam Öyküyü, Istanbul, Sel. Open Google Scholar DOI: 10.5771/9783956503719
- Köksal, Aykut, 2015, “Elliler Modernizmi ve İlhan Usmanbaş”, Köksal, Nemutlu & Şenürkmez 2015: 13-28. Open Google Scholar DOI: 10.5771/9783956503719
- Köksal, Aykut, Nemutlu, Mehmet & Şenürkmez, Kıvılcım Yıldız, 2015, Perpetuum Mobile. İlhan Usmanbaş’ın Yapıtı, İstanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Kozanoğlu, Cevdet, 1988, Radyo Hatıralarım, Ankara, TRT Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Kutluğ, Yakup Fikret, 2000, Türk Musikisinde Makamlar, Istanbul, Yapı Kredi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Kurt, Irfan, 1989, 1989, Bağlama Düzen ve Pozisyon, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Kuyumjian, Rita Soulahian, (2001) 2010, Deliliğin Arkeolojisi Gomidas. Bir Ermeni Ikonun Portresi, Istanbul, Birzaman. Open Google Scholar DOI: 10.5771/9783956503719
- Kütahyali, Önder, 1981, Çağdaş Müzik Tarihi, Ankara, Varol Matbaası. Open Google Scholar DOI: 10.5771/9783956503719
- Kütükçü, Tamer 2012, Radyoculuk Geleneğimiz ve Türk Musikisi, Istanbul, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Lo, Jasqueline, 2000, “Beyond Happy Hybridity: Performing Asian-Australian Identities”, Ang, Ien, Chalmers, Sharon, Law, Lisa & Thomas, Mandy (eds.), Alter/Asians: Asian-Australian identities in art, media and popular culture, Annandale, NSW, Australia, Pluto Press, pp. 152-168. Open Google Scholar DOI: 10.5771/9783956503719
- Levend, A.S., 1972, Türk Dilinde Gelişme ve Sadeleşme Evreleri, Ankara, Türk Dil Kurumu. Open Google Scholar DOI: 10.5771/9783956503719
- Lewis, Bernhard, 1961, The Emergence of Modern Turkey, London. Open Google Scholar DOI: 10.5771/9783956503719
- Livingston, Tamara E., 1999, “Music Revivals: Towards a General Theory”, Ethnomusicology, Vol. 43, No. 1, pp. 66-85. Open Google Scholar DOI: 10.5771/9783956503719
- Lucas, Ann E., 2012014, “Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology”, McCollum & Hebert 2015: 175-196. Open Google Scholar DOI: 10.5771/9783956503719
- Lundberg, Dan, 1994, Persikoträdgårdarnas musik, Stockholm Universitet. Open Google Scholar DOI: 10.5771/9783956503719
- Macar, Elçin, 2015, “Yunanistan’dan Anadolu’ya Göç: Nüfüs Mübadelesi”, Erdoğan & Kaya, pp. 173-190. Open Google Scholar DOI: 10.5771/9783956503719
- Mack, Dieter, 2004, Zeitgenössische Musik in Indonesien: zwischen lokalen Traditionen, nationalen Verpflichtungen und internationalen Einflüssen, Hildesheim, Olms Verlag. Open Google Scholar DOI: 10.5771/9783956503719
- Manav, Özkan & Nemutlu, Mehmet, 2011, Müzikte Alımlama, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Maraqa, Salah Eddin, 2015, Die traditionelle Kunstmusik in Syrien und Ägypten von 1500 bis 1800. Eine Untersuchung der musiktheoretischen und historisch-biographischen Quellen, Tutzing. Open Google Scholar DOI: 10.5771/9783956503719
- Maral, Alper & Lindley, Mark, 2011, Techniques of 20th-Century Turkish “Contemporary” Music. An Introductory Survey, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Marett, Allan, 1987, “Turkish Folk Music in Sidney. A Preliminary Investigation”. Transplanted European Music Cultures, Adelaide, Pagel, pp. 80-89. Open Google Scholar DOI: 10.5771/9783956503719
- Markoff, Irene Judith, 1986, Musical Theory, Performance and the Contemporary Bağlama Specialist in Turkey, Ann Arbour. Open Google Scholar DOI: 10.5771/9783956503719
- Markoff, Irene Judith “Aspects of Turkihs Folk Music Theory”, 2001, Danielson, Virginia, Marcus, Scott & Reynolds, Dwight (eds.), Garland Encyclopedia of World Music, vol 6, The Middle East, pp. 77-87. Open Google Scholar DOI: 10.5771/9783956503719
- Mar¬tin, Robert, 1988/89, Charles Fonton, Turkish Musical Qua¬terly, 1/2 –2/1. Open Google Scholar DOI: 10.5771/9783956503719
- Massicard, Elise, 2001, “Alevismus in der Türkei: Kollektive Identität ohne starken Inhalt?” Rammert, Werner et al. (ed.), Kollektive Identitäten und kulturelle Innova¬tionen. Eth¬nologische, soziologische und historische Studien, Leipzig, Leipziger Uni¬versitätsverlag, pp. 155-174. Open Google Scholar DOI: 10.5771/9783956503719
- McCollum, Jonathan & Hebert, David G., 2014, Theory and Method in Historical Ethnomusicology, Lanhan, Lexington Books. Open Google Scholar DOI: 10.5771/9783956503719
- McPherson, Eve, 2011, “Political History and Embodied Identity. Discourse in the Turkish Call to Prayer”. Music & Politics 5, Number 1. Open Google Scholar DOI: 10.5771/9783956503719
- Mendívis, Julio, 2009, Making Music History: Strategien der Historisierung „geschichtsloser“ Musikkulturen – Der Fall der Musik aus den Anden (Bolivien, Ecuador und Peru), unpublished Habilitationsschrift, Hochschule für Musik und Theater Hannover, Köln. Open Google Scholar DOI: 10.5771/9783956503719
- Meric, Murat, 1999, “Türkiye’de Caz: Bir uzun Serüven”, Paçacı 1999: 160-167. Open Google Scholar DOI: 10.5771/9783956503719
- Meric, Murat 2011, “Cumhurriyet Dönemi İstanbul Eğlence Hayatına bir Bakış”, Aytar & Parmaksızoğlu 2011. Open Google Scholar DOI: 10.5771/9783956503719
- Merkt, Irmgard, 1993, “Das Eigene und das Fremde. Zur Entwicklung interkultureller Musi¬k-Erziehung”, Böhle, Reinhard (ed.), Möglichkeiten der Interkulturellen Ästheti¬schen Er¬ziehung in Theorie und Praxis. Beiträge vom 1. Symposium zur Interkulturellen Ästheti¬schen Erziehung an der Hochschule der Künste Berlin, Frankfurt am Main, IKO, pp. 141-151. Open Google Scholar DOI: 10.5771/9783956503719
- Milli Eğitim Bakanlığı, 2009, Ortaöğretim Genel Müdürlüğü (ed.), Güzel Sanatlar ve Spor Lisesi Geleneksel Türk Müziği Tarihi Dersi Öğretim Programı, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Mimaroğlu, Ilhan, 1991, Elektronik Müzik, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Nettl, Bruno, 1985, The Western Impact on World Music, New York, Schirmer Books. Open Google Scholar DOI: 10.5771/9783956503719
- Neubauer, Eckhard, 1969, “Musik zur Mongolenzeit in Iran und angrenzenden Ländern”, Der Islam, 45, pp. 233-261. Open Google Scholar DOI: 10.5771/9783956503719
- Neubauer, Eckhard 1985/1986, “1750 Charles Fonton: Essai sur la musique orientale, Istanbul”, Zeitschrift für Ge¬schichte der Arabisch-Islami¬schen Wissen¬schaften 2, 277-324 / 3, pp. 324-377. Open Google Scholar DOI: 10.5771/9783956503719
- Neubauer, Eckhard 1986, Codex on Music (Fethullah Mümin Sirvânî, Mecelle fi’l-Musiki), Frankfurt a.M., Institut for Arabic-Islamic Science der Johann Wolfgang von Goethe Universität. Open Google Scholar DOI: 10.5771/9783956503719
- Neubauer, Eckhard 1994, “15. ve 16. Yüzyıllarda Istanbul’da Musiki Hayatı”, Dünden Bügune Istanbul Ansiklopedisi, Vol. 5, pp. 523-533. Open Google Scholar DOI: 10.5771/9783956503719
- Neubauer, Eckhard 1997, “Zur Bedeutung der Begriffe Komponist und Komposition in der Musikgeschichte der islamischen Welt”, Zeitschrift für Geschichte der arabisch-islamischen Wissenschaften 11, pp. 307-363. Open Google Scholar DOI: 10.5771/9783956503719
- Neubauer, Eckhard 2000, “Glimpses of Arab Music in Ottoman Times from Syrian and Egyptian Sources”, Zeitschrift für Geschichte der Arabisch-Islamischen Wissenschaften, 13, pp. 317-365. Open Google Scholar DOI: 10.5771/9783956503719
- Neuhoff, Hans, 2017, “Weltmusik studieren – unterrichten – vermitteln”, Leggewie, Claus & Meyer, Erik (eds.), Global Pop, Stuttgart, J.B. Metzler, pp. 222-230. Open Google Scholar DOI: 10.5771/9783956503719
- Neumark, Fritz, 1980, Zuflucht am Bosporus. Gelehrte, Politiker und Künstler in der Emigration 1933-53, Frankfurt am Main, Knecht. Open Google Scholar DOI: 10.5771/9783956503719
- Neyzi, Leyla, 2002, “Metin-Kemal Kahraman’ın Müziği: Yaşlı Kuşağın Belleği Yoluyla Dersimli Kimliğinin Yeniden Keşfi”, Toplum ve Bilim 92, pp. 163-175. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne, 2010, “The Execution of Melody on Arab and Turkish Ney: Another Story?”, unpublished Article. Open Google Scholar DOI: 10.5771/9783956503719
- O’Connell, John Morgan, 1996, Alaturka Revisited: Style as History in Turkish Vocal Performance, PhD dissertation, University of California, Los Angeles. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2000, “Fine Art, Fine Music: Controlling Turkish Taste at the Fine Arts Academy in 1926”, Yearbook for Traditional Music, Vol. 32, pp. 117-142. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2001, “From Empire to Republic: Vocal Style in Twentieth-Century Turkey”, Danielson, Virginia, Marcus, Scott & Reynolds, Dwight (eds.), Garland Encyclopedia of World Music, vol 6, The Middle East, pp. 781-787. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2005, “In the Time of Alaturka: Identifying Difference in Musical Discouse”, Ethnomusicology, Vol. 49, 2, pp. 177-205. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2008, “War of the Waves: Cypriot Broadcasting in the United Kingdom”, Hemetek & Sağlam, 2008, pp. 119-130. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2010, “Alabanda: Brass Bands and Musical Methods in Turkey”, Spinetti 2010: 19-37. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2013, Alaturca: Style in Turkish Music (1923-1938), Farnham, Ashgate. Open Google Scholar DOI: 10.5771/9783956503719
- Noordink, Marianne 2017, “Usulsüz: Meter in the Concerts of Münir Nurettin Selçuk (1923-1938)”, Helvacı, Olley & Jäger 2017: 247-276. Open Google Scholar DOI: 10.5771/9783956503719
- Okyay, Erdoğan, 1973/74, “Die Schulmusikerziehung in der Türkei. Ihre geschichtliche Entwicklung und ihr heutiger Zustand”, Mitteilungen der deutschen Gesellschaft für Musik des Orients, Berlin, Vol. 12, pp. 6-39. Open Google Scholar DOI: 10.5771/9783956503719
- Okyay, Erdoğan 2009, Atatürk Devrimlerinin Simgesi Cumhurbaskanlığı Senfoni Orkestrası’na Armağan, Ankara, Sevda Cenap And Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Okyay, Erdoğan 2012, Ankara Devlet Konservatuvarı’na Armağan, Ankara, Sevda Cenap And Müzik Vakfı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Olley, Jacob, 2017, Writing Music in Nineteenth-Century Istanbul. Ottoman Armenian and the Intention of Hampartsum Notation, unpublished Ph.D. thesis, King’s College London. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin, 1959, “Das Tonsystem der Türkei-Türkischen Kunstmusik”, Die Musikforschung Vol. 10, pp. 250-264. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin 1964, Die traditionelle türkische Kunstmusik, Ankara, Küğ. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin 1965, Batı Tekniğiyle Yazan 60 Türk Bağdar, Ankara, Küğ. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin 1966, Die melodische Linie und der Begriff Makam der traditionellen türkischen Kunstmusik vom 15. bis zum 19. Jahrhundert, Ph.D. Thesis, München, Ankara, Türk Tarih Kurumu. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin 1972, Ali Ufkî ve Türk Dini Musikisi, unpublished doçentlik thesis, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin 1973, “Cumhuriyetin ilk Elli Yılında Geleneksel Sanat Musıkimiz”, in: Öner, N. (ed.), 50.Yıl, Ankara, Ankara Üniversitesi Ilâhiyat Fakültesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin “Türkiye’de Defter ve Dergi Biçiminde Fasıl Ya¬yın¬ları 1875-1876”, İlâhiyat Fakültesi Dergisi XXII, Ankara. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Gültekin 1983, “Çoksesli Müzik”; Belge, Murat, (ed.), Cumhuriyet Dönemi Türkiye Ansiklopedisi, Istanbul, Iletişim, pp. 1517-1730. Open Google Scholar DOI: 10.5771/9783956503719
- Oransay, Melâhat & Gültekin, 1969, Çağdaş Seslendiricilerimiz ve Küğ Yazarlarımız, Ankara, Küğ Yayını. Open Google Scholar DOI: 10.5771/9783956503719
- Osman, Ali Osman, 2001, Alamanya Türküleri. Türk Göçmen Edebiyatinin Sözlü/öncü kolu, Ankara, T.C. Kültür Bakanlığı Yayınlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Dr. Oz, 2011, Miktrotonal Klavye Tasarımları, unpublished broshure. Open Google Scholar DOI: 10.5771/9783956503719
- Ölmez, Niyazi, 2008, Sesler Hazinesi, Istanbul, Turkuaz Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Önaldı, Şenel, 1977, Türk Halk Musikîsi Ansiklopedisi, Istanbul, Alfa Matbaacılık. Open Google Scholar DOI: 10.5771/9783956503719
- Öner, Oguz, 2009, “Istanbul 2010 European Capital of Culture: Towards a Participatory Culture?”, Göktürk, Soysal & Türeli, 267-278. Open Google Scholar DOI: 10.5771/9783956503719
- Önüter, Fatos, 1989, Kemençe’nin Tarihi Gelişimi, Kemençe üzerine Araştırma ve Düşünceler, Master Thesis, İTÜ, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Örter, Erol, 1998, Buzuki Erol, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Özalp, M.N., 1976 / 1986 / 2000, Türk Musikisi Tarihi, Istanbul / Ankara, TRT / Istanbul, MEB Ya¬yın-ları. Open Google Scholar DOI: 10.5771/9783956503719
- Özbek, Mehmet, (1998) 2014, Türk Halk Müziği El Kitabı I Terimler Sözlüğü, Ankara: Atatürk Kültür Merkezi. Open Google Scholar DOI: 10.5771/9783956503719
- Özbek, Meral, 1991, Popüler Kültür ve Orhan Gencebay, Istanbul: Iletişim. Open Google Scholar DOI: 10.5771/9783956503719
- Özdek, Attila, 2014, Bağlama için Etüt, Egzersiz ve Eserler, Ankara, Plaka Matbaacılık. Open Google Scholar DOI: 10.5771/9783956503719
- Özdek, Attila 2016, “Günümüzde Bağlama Eğitiminde Görülen Problemler ve Çözüm Önerileri“, Koç, Adnan (ed.), 1. Uluslararası Nida Tüfekçi Bağlama Sempozyumu, İstanbul, İTÜ, pp. 177-207. Open Google Scholar DOI: 10.5771/9783956503719
- Özdemir, Ulas, 2007, Su Diyar-i Gurbet Elde, Aşık Mücrimî’nin Yasamı ve Şiirleri, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Özdemir, Ulas 2016, Kimlik, Ritüel, Müzik Icrası, İstanbul Cemevlerinde Zakirlik Hizmeti, Istanbul, Kolektif. Open Google Scholar DOI: 10.5771/9783956503719
- Özdogan, G., Üstel, F., Karakaslı, K. & Kentel, F., 2009, Türkiye’de Ermeniler: Cemaat-Birey-Yurtta. Istanbul, Istanbul Bilgi Üniversitesi Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Özeke, Sezen, 2003, A History of Music Teacher Education in the Republic of Turkey, 1982–1998, unpublished PhD thesis at the Arizona State University. Open Google Scholar DOI: 10.5771/9783956503719
- Özer, Mehmet Ihsan, 1988, Ses Cinsleri ve Çeşitli Akortlar açısından Klasik Türk Müziğinde Koro, Thesis, İTÜ, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Özer, Zülfikar Yavuz, 2011, Türk Mûsikîsinde Piyano Kullanılır mı? Izmir, Ege Üniversitesi Yayınevi. Open Google Scholar DOI: 10.5771/9783956503719
- Özer, Yetkin, 1997, Bilim Perspektifinde Müzik, Izmir, Eylül 1997. Open Google Scholar DOI: 10.5771/9783956503719
- Özer, Yetkin 2002, Müzik Etnografisi. Alan Çalışmasında Yöntem ve Teknik, Izmir, Dokuz Eylül Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Özkahraman, Hikmet, 2010, Basında Nevzat Atlığ ‘1949’dan Günümüze, Istanbul, Üstün Eserler. Open Google Scholar DOI: 10.5771/9783956503719
- Özkan, Derya (ed.), 2014, Cool Istanbul. Urban Enclosure and Resistance, Bielefeld, Transcript. Open Google Scholar DOI: 10.5771/9783956503719
- Özkan, İsmail Hakkı, 1984/2003, Türk Mûsıkîsi Nazariyatı ve Usûlleri, Ankara, Ötüken. Open Google Scholar DOI: 10.5771/9783956503719
- Özkoç, Önder, 2012, “Necil Kazim Akses’in “Neva Kâr” üzerine Scherzo’su”, paper presented at the symposium “Itrî ve Dönemine Disiplinlerarası Bakışlar”, Istanbul 3.12.2012. Open Google Scholar DOI: 10.5771/9783956503719
- Özpazarcık, Ismail, 1998, Alaturka Hayatlar Alafranga Masallar, Istanbul, Altın Kitaplar. Open Google Scholar DOI: 10.5771/9783956503719
- Özpekel, Osman Nuri, 1979, Hafiz Post Güfte Mecmuası, Istanbul, İstanbul Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz, 1949 / 1955, Türk Musikisi Lugatı, Musiki Mecmua¬sı, 15, 1949-91, 1955. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1969, Türk Bestecileri Ansiklopedisi, Istanbul. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1969 / 1974 / 1976 / 1980 / 1990, Türk Musikisi Ansiklopedisi, Ankara, Kültür Ba¬kanlığı. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1983, Abdülkaa¬dir Merâği, Ankara, Kültür ve Turizm Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1986, Sâdeddin Arel, Ankara, Kültür ve Turizm Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1987a, Dede Efendi, Ankara, Kültür ve Turizm Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1987b, Itrî, Ankara, Kültür ve Turizm Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1987c, Türk Mûsikîsi. Teknik ve Tarih, Istanbul, Türkpetrol Vakfi Lâle Mecmuası. Open Google Scholar DOI: 10.5771/9783956503719
- Öztuna, Yılmaz 1988, Abdülkaadir Merâgi, Ankara, Kültür ve Turizm Bakanlığı Ya¬yın¬ları. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürk, Ali Osman, 2001, Alamanya Türküleri, T.C. Kültür Bakanlığı Yayınlığı, An¬kara. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürk, Okan Murat, 2006, Zeybek Kültürü ve Müziği, Istanbul, Pan. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürk, Okan Murat 2014, Makam Müziğinde Ezgi ve Makam İlişkinin Analizi ve Yorumlanması Açısından Yeni bir Yaklaşım: Perde Düzenleri ve Makamsal Ezgi Çekirdekleri, Ph.D. thesis, İstanbul Teknik Üniversitesi. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürk, Okan Murat 2015, “An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity”, Greve 2015: 177-193. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürk, Okan Murat 2016, “Geleneksel Bağlama İcrasında Gelişiminde Üstadlık Kültürünün ve Belirleyiciliği”, Koç, Adnan 2016 (b): 127-142. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürkmen, Arzu, 1998, Türkiye’de Folklor ve Milliyetçilik, Istanbul, İletişim. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürkmen, Arzu 2005, “Staging a Ritual Dance out of its’s Context: The Role of an Individual Artist in Transforming the Alevi Semah”, Asian Folklor Studies, 64, pp. 247-260. Open Google Scholar DOI: 10.5771/9783956503719
- Öztürkmen, Arzu 2016, “Günhan Danışman (1943-2009): XII Oral History Conference in Istanbul, 2000,“ Santacana, Carles & Vilanova, Mercedes (eds.), Many Voives of Oral History, Barcelona, Icaria, pp. 34-40. Open Google Scholar DOI: 10.5771/9783956503719
- Özyıldırım, Murat, 2013, Arap ve Türk Musikisinin XX. Yüzyıl Birlikteliği, İstanbul, Bağlam. Open Google Scholar DOI: 10.5771/9783956503719
- Pack, William D., 1977, Paul Hindemith in Turkey: Some Contributions to Music Education, Ph.D. Thesis Brigham Young University. Open Google Scholar DOI: 10.5771/9783956503719
- Paçacı, Gönül, 1999 (ed.), Cumhuriyet’in Sesleri, İstanbul, Tarih Vakfı. Open Google Scholar DOI: 10.5771/9783956503719
- Paçacı, Gönül 2010, Osmanlı Müziğini Okumak. Neşriyât-i Musık, Istanbul, İstanbul 2010 Avrupa Kültür Başkenti. Open Google Scholar DOI: 10.5771/9783956503719
- Paçacı, Gönül 2015, „Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era”, Greve 2015: 151-165. Open Google Scholar DOI: 10.5771/9783956503719
- Parlak, Erol, 2000, Türkiye’de El ile (tezenesiz) Saz Çalma Geleneği ve Çalış Teknikleri, Ankara, T.C. Kültür Bakanliği. Open Google Scholar DOI: 10.5771/9783956503719
- Parlak, Erol 2001, Şelpe Tekniği Metodu 1, Istanbul, Maket Matbaacılık. Open Google Scholar DOI: 10.5771/9783956503719
- Parlak, Erol 2011, Bağlama Schule, Acoustic Music, Oldenburg. Open Google Scholar DOI: 10.5771/9783956503719
- Parlak, Erol 2013, Garip Bülbül Neşet Ertaş. Hayatı, Sanatı, Eserleri, Istanbul, Demos. Open Google Scholar DOI: 10.5771/9783956503719
- Parlak, Erol 2017, “Standardisierung und Notation der Bağlama von der Republiksgründung bis zur Gegenwart”, Çiftçi & Greve 2017. Open Google Scholar DOI: 10.5771/9783956503719
- Pekin, Ersu, 2003, “Surname’nin Müziği: 16. Yüzyılda İstanbul’da Çalgılar”, Dipnot, pp. 52-90. Open Google Scholar DOI: 10.5771/9783956503719
- Pekin, Ersu 2004, “Theory, Instruments and Music”, Inalcık, Halil & Renda, Günsel (eds.), Ottoman Civilization, Ankara , Ministery of Culture and Tourizm, Vol. 2. Open Google Scholar DOI: 10.5771/9783956503719
- Pekin, Ersu 2015, “Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music”, Greve 2015: 57-74. Open Google Scholar DOI: 10.5771/9783956503719
- Pennanen, Risto Pekka, 2008, “Lost in Scales: Balkan Folk Music Research and the Ottoman Legacy”, Musicology, 8, 127-146. Open Google Scholar DOI: 10.5771/9783956503719
- Pennanen, Risto Pekka 2004, “The Nationalization of Ottoman Popular Music in Greece”, Ethnomusicology, Vol. 48, 1, pp. 1-25. Open Google Scholar DOI: 10.5771/9783956503719
- Pennanen, Risto Pekka, Poulos, Panagiotis C. & Theodosiou, Aspasia (eds.) 2013, Ottoman Intimacies, Balkan Musical Realities, (Papers and Monographs of the Finnish Institute at Athens, vol. XIX, Helsinki. Open Google Scholar DOI: 10.5771/9783956503719
- Perchinig, Bernhard, 2008, “Eine kurze Geschichte der türkischen Einwanderung nach Zentral- und Westeuropa”, Hemetek & Sağlam, pp. 11-19. Open Google Scholar DOI: 10.5771/9783956503719
- Peres de Silva, Glaucia, 2017, “Weltmusik: Ein politisch umstrittener Begriff”, Leggewie, Claus & Meyer, Erik (eds.), Global Pop, Stuttgart, J.B. Metzler, pp. 9-16. Open Google Scholar DOI: 10.5771/9783956503719
- Picken, Laurence, 1975, Folk Music Instruments of Turkey, London, Oxford University. Open Google Scholar DOI: 10.5771/9783956503719
- Pierini, Marc, 2011, “General Remarks”, Ada, Serhan (ed.), Turkish Cultural Policy Report. A Civil Perspective, Istanbul, İstanbul Bilgi Üniversitesti Ya¬yın¬ları, pp. 159-162. Open Google Scholar DOI: 10.5771/9783956503719
- Petropoulos, Elias, 2000, Songs of the Greek Underworld, London, Saqi. Open Google Scholar DOI: 10.5771/9783956503719
- Pieterse, Jan Nederveen, 1995, “Globalization as Hybridization”, Featherstone, Mike, Lash, Scott & Robertson, Roland (eds.), Global Modernities, London, Sage, pp 45-68. Open Google Scholar DOI: 10.5771/9783956503719





