A Critical Companion to Jane Campion

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1. Contents No access
Introduction No access Pages 1 - 10
1. Chapter 1: Vestigial Remains: Queens of the Garden, Angels of the House, and Dutiful Daughters in Jane Campion’s Sweetie, An Angel at My Table, and Holy Smoke! No access
2. Chapter 2: Gendered Spaces in Jane Campion’s Top of the Lake and Top of the Lake: China Girl: Female Oppression and Neutral Community No access
3. Chapter 3: Poetic Textures: Jane Campion’s Interrogation of Gendered Notions of Creativity in Bright Star No access
4. Chapter 4: The Feminine Sublime in the Work of Jane Campion No access
1. Chapter 5: Jane Campion’s The Portrait of a Lady: Staging Desire and Seduction, Fantasies and Reality No access
2. Chapter 6: Perspective, Dismemberment, and Editing in In the Cut No access
3. Chapter 7: The Mutability of the Male Body in The Piano (1993), Bright Star (2009), and The Power of the Dog (2021) No access
1. Chapter 8: Opening Her Third Eye: Protagonist and Auteurial Awakening in Sweetie, The Piano, and Holy Smoke! No access
2. Chapter 9: Antipodean Multiplicities: Hypotext and Influence in Jane Campion’s Dancing Daze and Two Friends No access
3. Chapter 10: Voiceless in the Trees: Postcolonial Memory and the Gothic in Jane Campion’s Sweetie No access
4. Chapter 11: The Power of Playing with Genre: The Western Gothic Melodrama in Jane Campion’s The Power of the Dog (Netflix, 2021) No access
Index No access Pages 237 - 240
About the Editors and Contributors No access Pages 241 - 244