Irritation of Life

Jörg Metelmann; Scott Loren

doi:10.5771/9783741000096

Summary

Das Buch führt zunächst die zentralen theoretischen Begriffe ein und entwickelt daraus im Anschluss an Elsaesser/Hagener ein allgemeines Modell der Filmanalyse, das die Affektordnung des Films historisch und systematisch erschliesst (Film- und Wahrnehmungsgeschichte, Genre, Stil). Den Hauptteil bilden drei ausführlichen Lektüren, die das Filmwerk von Haneke, Lynch und von Trier erläutern.

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Bibliographic data

Copyright year: 2013
ISBN-Print: 978-3-89472-818-2
ISBN-Online: 978-3-7410-0009-6
Publisher: Schüren, Marburg
Series: Marburger Schriften zur Medienforschung
Volume: 43
Language: English
Pages: 210
Product type: Book Titles

Titelei/Inhaltsverzeichnis No access Pages 1 - 8
1. F-U-C-K: Assuming positions in a possible cinema genealogy No access
2. Why Irritation? A note on method No access
1. Estrangement No access
2. Brecht’s Epic Theatre No access
3. Modernism, Melodrama and Deviant Aesthetics No access
1. Melodrama, Modernity, Sentimentality No access
2. (Re-)Visions of Cinematic Melodrama No access
3. 1. TITANIC (James Cameron, 1997) No access
  2. MOULIN ROUGE! (Baz Luhrmann, 2001) No access
  3. FAR FROM HEAVEN (Todd Haynes, 2002) No access
1. Queering the gaze in MOULIN ROUGE! No access
1. (In)Glourious Bastærds No access
2. FUNNY GAMES and the glaciation trilogy No access
3. THE PIANO TEACHER No access
4. HIDDEN (CACHÉ) No access
5. Irritated Judgment, or: Haneke’s modernist melodrama? No access
6. Color Stills No access
1. The Lynchian style: uncanny reflexivity No access
2. Queering the gaze: visual pleasure in BLUE VELVET No access
3. The mediated and the unmediated self: LOST HIGHWAY and the space of experiential re-membering No access
4. Profane Illuminations: staging tears in MULHOLLAND DRIVE No access
5. INLAND EMPIRE: a synoptic reflection on the cinematic frame in Lynch’s Melodrama No access
1. Masculinity and the political; golden hearts and melodrama No access
2. The USA Trilogy and Epic Theatre No access
3. DANCER IN THE DARK: Going All the Way No access
4. 1. 1 The role-playing game No access
  2. 2 Nietzsche’s THE ANTICHRIST, or ‹reversing the rules of melodramatic victimhood› No access
  3. 3 The challenge to Christian mythology part two; or, ‹who made the world›? No access
  4. 4 Cinema and gender play No access
5. Courting Disaster in MELANCHOLIA; or, the Feel-Good Filmaccording to Lars von Trier No access
1. Ethics and politics No access
2. Experiencing passionate detachment, feeling empathic unsettlement No access
Bibliography No access Pages 189 - 198
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Picture Credits No access Pages 203 - 204
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