American Film Noir Genres, Characters, and Settings
- Authors:
- Publisher:
- 2023
Summary
American Film Noir Genres, Characters, and Settings argues that film noir style evolved out of American literature prior to the 1930s and continues to evolve long after the classic films that defined its presence in cinema. While many critics suggest that the film noir tradition ceased after the mid-1950s, labeling similar films produced later as ‘neo-noir’, Harold Hellwig contends that film noir itself has continued to evolve beyond cinema to include television series such as CSI, Have Gun Will Travel, and Frasier, among others. Hellwig posits that, rather than being a single genre in and of itself, film noir comprises several genres, including detective procedurals, science fiction, the Western, and even comedy. This book examines different elements of American film noir – including the characters and settings it is often defined by – and its contexts within different adaptations in both film and television. Scholars of film studies, American literature, and media studies will find this book of particular interest.
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Bibliographic data
- Copyright year
- 2023
- ISBN-Print
- 978-1-6669-1651-5
- ISBN-Online
- 978-1-6669-1652-2
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 164
- Product type
- Book Titles
Table of contents
- Dedication No access
- Contents No access
- List of Figures No access
- Acknowledgments No access
- Chapter 1: Introduction: Genre and American Film Noir No access Pages 1 - 8
- Chapter 2: Genre and Foundation in Film Noir Adaptations from American Culture No access Pages 9 - 30
- Chapter 3: William Blake’s Jerusalem and the Los Angeles of Film Noir: The Genre of Color within a Color-Deprived Urban Landscape No access Pages 31 - 50
- Chapter 4: The Film Noir City and the Detective No access Pages 51 - 64
- Chapter 5: Travel in Film Noir No access Pages 65 - 80
- Chapter 6: The Genre of Women as Controlling Figures: Deception and Redemption No access Pages 81 - 100
- Chapter 7: Science Fiction in Film Noir No access Pages 101 - 112
- Chapter 8: The Western as a Film Noir Genre No access Pages 113 - 128
- Chapter 9: Comedy as a Film Noir Genre: A Specific Focus on Frasier: A Television Series (1993–2004) No access Pages 129 - 144
- Works Cited No access Pages 145 - 154
- Index No access Pages 155 - 162
- About the Author No access Pages 163 - 164





