The Art of Avaz and Mohammad Reza Shajarian
Foundations and Contexts- Authors:
- |
- Publisher:
- 2012
Summary
The Art of Avaz and Mohammad Reza Shajarian: Foundations and Contexts, by Rob Simms and Amir Koushkani, examines the traditional art of singing classical Persian poetry, as represented by its greatest living exponent. This in-depth study surveys the social and historical context of the twentieth-century tradition of avaz while placing Shajarian’s early career within this complex culture, from being a child prodigy of Qur’an recitation in Mashhad to his rise to national prominence in the 1970s.
As a globetrotting celebrity who is renowned for singing medieval poetry with impeccable technique and radiant inspiration, Shajarian’s life and work provide a compelling case study for larger issues of reconciling tradition and modernity, and the crucial role of the individual in maintaining and renovating traditional art forms. Avaz is discussed in the broader context of Iranian narrative performance traditions, where the performer retells well-known scripts in a way that is appropriate to the audience and the present occasion, spinning the tale to convey a personal message. Shajarian’s career also exemplifies the huge changes that Iranian musical culture underwent in the 1960s and 70s. Finally, the study includes a detailed examination of the materials and creative processes of Shajarian’s artistic craft, including his acquisition process and training, vocal technique, selection and treatment of poetry, use of traditional musical materials, and his balance of engaging preset materials with improvisation.
The Art of Avaz and Mohammad Reza Shajarian is an impressively detailed study of the music, life, and environment of the most influential musician in Iranian classical music of the past three decades.
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Bibliographic data
- Copyright year
- 2012
- ISBN-Print
- 978-0-7391-7211-7
- ISBN-Online
- 978-0-7391-7212-4
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 310
- Product type
- Book Titles
Table of contents
- Contents No access
- Preface No access
- Introduction No access
- Iham: Multiple Meaning, Uncertainty and Complexity No access
- Narratives and Their Performance No access
- The Occasion, Connectedness, and Appropriateness No access
- Avaz and Tasnif No access
- Histories of Avaz and Sung Poetry No access
- Individuals and Groups No access
- Musical Tradition No access
- Shajarian's Early Musical Formation and Activities No access
- Tradition and Its Guardians No access
- Traditional Narratives, Performance Genres and Performers No access
- Performing Truth: Truth-Telling and Authority No access
- Affekt No access
- Sufism and Music No access
- Innovators and Modernizers of the Early-Twentieth Century No access
- Women in Persian Music and Avaz No access
- Transmission, Patronage, Mediation, and Institutionalization No access
- Shajarian's Professional Activities in the 1970s No access
- Poetry, Music, and Their Combination No access
- Vocal Technique No access
- Materials No access
- Processes No access
- Layers No access
- Gesture and Dramatic Implications No access
- Forud/Bridge No access
- Appendices No access Pages 267 - 282
- Glossary No access Pages 283 - 286
- Bibliography No access Pages 287 - 300
- Index No access Pages 301 - 308
- About the Authors No access Pages 309 - 310





