Dramaturgy as a concept and, more importantly, as a method did not enter the American theatre until long after the musical had been created. Accordingly, a decidedly dramaturgical view of the musical is rarely, if ever, found in production and (academic) reception. In this study, Felix Nier examines the US-American musical in terms of its dramaturgical structure. By focusing on the element song, the subgenre discourse and the socio-political component, parallel dramaturgical lines emerge that intersect, merge or diverge. According to Nier, the simultaneity of artistic and commercial logic proves to be the essence of musical dramaturgy(ies).
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Bibliographic data
Publication year
2025
Publication date
25.04.2025
ISBN-Print
978-3-68900-356-2
ISBN-Online
978-3-68900-357-9
Publisher
Tectum, Baden-Baden
Series
Young Academics: Theaterwissenschaft
Volume
1
Language
German
Pages
98
Product type
Book Titles
Table of contents
ChapterPages
Titelei/Inhaltsverzeichnis No access Pages I - VIII
1 Einleitung No access Pages 1 - 4
2 Über die Problemlage der Fragestellung No access Pages 5 - 8
3 Eingrenzung des Dramaturgie-Begriffs No access Pages 9 - 14
4 Methodische Grundlage – Bursting into Song and Dance No access Pages 15 - 22
5.1 Handlungssongs No access
5.2 Charaktersongs No access
5.3 Produktionssongs No access
5.4 Reprisen und Motive No access
6.1 Integrated Musical »versus« Concept Musical No access
6.2 Der Sonderfall des Jukebox-Musicals No access
6.3 Komprimierte Musicalgenres No access
7 Das politische Moment No access Pages 83 - 88
8 Fazit No access Pages 89 - 90
9.1 Bühnenmusical-Verzeichnis No access
9.2 Filmographie No access
9.3 Weitere Gegenstände No access
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