The limits of presentability and the enactment of that which is different is a central topic of drama theory and practice. Mayte Zimmermann gets to the bottom of it in theory and practice.
This work is protected by copyright and may only be used in accordance with the provisions of the Terms of Use and License Agreement. Any use of the work beyond this is expressly prohibited and will be prosecuted.
We welcome your feedback on content and features. Your message helps us to continuously improve our service.
