Women's Fiction and Post-9/11 Contexts
- Editors:
- | |
- Publisher:
- 2014
Summary
9/11 is not simple a date on the calendar but marks a distinct historical threshold, ushering in the war on terror, various states of emergency, a supposed “clash of civilizations,” and the putative legitimation of counter-democratic procedures ranging from extraordinary renditions to enhanced interrogation. Perhaps no date, since Virginia Woolf declared that “on or about December 1910 human character changed,” has marked such a singular point in the perception of time, identity and nature. Women’s writing has always been something of a counter-canon, offering modes of voice and point of view beyond that of the “man” of reason. This collection of essays explores the two problems of what it means to write as a woman and what it means to write in the twenty-first century.
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Bibliographic data
- Copyright year
- 2014
- ISBN-Print
- 978-1-4985-0095-1
- ISBN-Online
- 978-1-4985-0096-8
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 207
- Product type
- Edited Book
Table of contents
- Contents No access
- Acknowledgments No access
- Introduction No access
- Chapter One: Counter-Apocalyptic, Counter-Sex No access Pages 1 - 16
- Chapter Two: The Turn to Precarity in Twenty-First-Century Fiction No access Pages 17 - 34
- Chapter Three: Aesthetics, Form and Consolation in Zadie Smith’s On Beauty No access Pages 35 - 50
- Chapter Four: Against Spectacle No access Pages 51 - 64
- Chapter Five: Beyond Queer Time after 9/11 No access Pages 65 - 80
- Chapter Six: The Naming of Love, or Reading Anne Enright’s The Gathering against Derrida’s The Politics of Friendship No access Pages 81 - 94
- Chapter Seven: Ordinary Sublime No access Pages 95 - 106
- Chapter Eight: Lionel Shriver’s (We Need to Talk About) Kevin No access Pages 107 - 124
- Chapter Nine: Counter-discourses in Post-9/11 Muslim Women’s Narratives No access Pages 125 - 140
- Chapter Ten: In the Light of A.L. Kennedy’s Day No access Pages 141 - 158
- Chapter Eleven: “Please don’t hate me, sensitive girl readers” No access Pages 159 - 178
- Chapter Twelve: “How did it come to this” No access Pages 179 - 194
- Index No access Pages 195 - 204
- About the Contributors No access Pages 205 - 207





