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Acting and Performance in Moving Image Culture
Bodies, Screens, Renderings. With a Foreword by Lesley Stern- Editors:
- | |
- Series:
- Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien, Volume 7
- Publisher:
- 2014
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Bibliographic data
- Edition
- 1/2014
- Copyright year
- 2014
- ISBN-Print
- 978-3-8376-1648-4
- ISBN-Online
- 978-3-8394-1648-8
- Publisher
- transcript, Bielefeld
- Series
- Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien
- Volume
- 7
- Language
- English
- Pages
- 488
- Product type
- Edited Book
Table of contents
ChapterPages
- Editorial No access Pages 2 - 4 Deborah Levitt, Jörg Sternagel, Dieter Mersch
- Contents Full access Pages 5 - 8 Deborah Levitt, Jörg Sternagel, Dieter Mersch Download chapter (PDF)
- »›Always Too Small or Too Tall‹«: Rescaling Screen Performance No access Pages 11 - 48 Lesley Stern
- Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture No access Pages 51 - 58 Deborah Levitt, Jörg Sternagel, Dieter Mersch
- Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance No access Pages 61 - 70 Jacqueline Nacache, Keren Omry, Johannes Riis, Aaron Taylor, James Tobias, Christina Adamou, Jennifer M. Barker, Cynthia Baron, Sharon Marie, Kathrina Glitre, Ceri Hovland, Tarja Laine, Malte Hagener, Mirjam Schaub, Jan Distelmeyer, Susanne Foellmer, Vivian Sobchack, Henri Schoenmakers, Lesley Stern
- Cary Grant: Acting Style and Genre in Classical Hollywood Cinema No access Pages 71 - 86 Kathrina Glitre
- Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides No access Pages 87 - 100 Ceri Hovland
- Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith No access Pages 101 - 114 Christina Adamou
- Quantum of Craig: Daniel Craig and the Body of the New Bond No access Pages 115 - 128 Keren Omry
- Actor/Character Dualism: The Case of Luis Buñuel''s Paradoxical Characters No access Pages 131 - 144 Johannes Riis
- Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold No access Pages 145 - 158 Jan Distelmeyer
- The Actor as an Icon of Presence: The Example of Delphine Seyrig No access Pages 159 - 176 Jacqueline Nacache
- Living Pictures: From Tableaux Vivants to Puppets and Para-Selves No access Pages 177 - 194 Deborah Levitt
- All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character No access Pages 195 - 208 Malte Hagener
- A Surrealist Turn: Transformative Gestures in The Birds No access Pages 211 - 232 Jennifer M. Barker
- Berlin Alexanderplatz: The Becoming-Violence of Performance No access Pages 233 - 246 Jacqueline Nacache, Keren Omry, Johannes Riis, Aaron Taylor, James Tobias, Christina Adamou, Jennifer M. Barker, Cynthia Baron, Sharon Marie, Kathrina Glitre, Ceri Hovland, Tarja Laine, Malte Hagener, Mirjam Schaub, Jan Distelmeyer, Susanne Foellmer, Vivian Sobchack, Henri Schoenmakers, Lesley Stern
- Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction No access Pages 247 - 258 Tarja Laine
- An Inscrutable Face: Nicole Kidman in Dogville No access Pages 259 - 274 Mirjam Schaub
- Character-Witness, Actor-Medium No access Pages 275 - 288 Jacqueline Nacache, Keren Omry, Johannes Riis, Aaron Taylor, James Tobias, Christina Adamou, Jennifer M. Barker, Cynthia Baron, Sharon Marie, Kathrina Glitre, Ceri Hovland, Tarja Laine, Malte Hagener, Mirjam Schaub, Jan Distelmeyer, Susanne Foellmer, Vivian Sobchack, Henri Schoenmakers, Lesley Stern
- Between Image and Volatility: Framing Motion in Dance and Film No access Pages 291 - 302 Susanne Foellmer
- The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film No access Pages 303 - 320 Cynthia Baron
- Carnicke Emotional Expressivity in Motion Picture Capture Technology No access Pages 321 - 338 Sharon Marie
- Going Native with Pandora''s (Tool) Box: Spiritual and Technological Conversions in James Cameron''s Avatar No access Pages 339 - 362 James Tobias
- Double Negative: The Actor, the Non- Actor, and the Animated Documentary No access Pages 363 - 376 Jacqueline Nacache, Keren Omry, Johannes Riis, Aaron Taylor, James Tobias, Christina Adamou, Jennifer M. Barker, Cynthia Baron, Sharon Marie, Kathrina Glitre, Ceri Hovland, Tarja Laine, Malte Hagener, Mirjam Schaub, Jan Distelmeyer, Susanne Foellmer, Vivian Sobchack, Henri Schoenmakers, Lesley Stern
- Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective No access Pages 379 - 394 Henri Schoenmakers
- Thinking through Acting: Performative Indices and Philosophical Assertions No access Pages 395 - 412 Aaron Taylor
- An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(''s) Performance No access Pages 413 - 428 Jacqueline Nacache, Keren Omry, Johannes Riis, Aaron Taylor, James Tobias, Christina Adamou, Jennifer M. Barker, Cynthia Baron, Sharon Marie, Kathrina Glitre, Ceri Hovland, Tarja Laine, Malte Hagener, Mirjam Schaub, Jan Distelmeyer, Susanne Foellmer, Vivian Sobchack, Henri Schoenmakers, Lesley Stern
- Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor''s Four Bodies No access Pages 429 - 446 Vivian Sobchack
- Passion and Exposure: New Paradoxes of the Actor No access Pages 447 - 478 Dieter Mersch
- Contributors No access Pages 479 - 488 Deborah Levitt, Jörg Sternagel, Dieter Mersch
