Acting and Performance in Moving Image Culture: Bodies, Screens, Renderings. With a Foreword by Lesley Stern

Deborah Levitt; Jörg Sternagel; Dieter Mersch

doi:10.14361/transcript.9783839416488

, to see if you have full access to this publication.

Edited Book Partial access

Acting and Performance in Moving Image Culture

Bodies, Screens, Renderings. With a Foreword by Lesley Stern

Editors:
Series:: Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien, Volume 7
Publisher:: 2014

Go to chapter downloads

Keywords

Search publication

Bibliographic data

Edition: 1/2014
Copyright Year: 2014
ISBN-Print: 978-3-8376-1648-4
ISBN-Online: 978-3-8394-1648-8
Publisher: transcript, Bielefeld
Series: Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien
Volume: 7
Language: English
Pages: 488
Product Type: Edited Book

Full access Pages 1 - 1
Authors:
Download chapter (PDF)
Editorial No access Pages 2 - 4
Authors:
Contents Full access Pages 5 - 8
Authors:
Download chapter (PDF)
»›Always Too Small or Too Tall‹«: Rescaling Screen Performance No access Pages 11 - 48
Authors:
Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture No access Pages 51 - 58
Authors:
Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance No access Pages 61 - 70
Authors:
Cary Grant: Acting Style and Genre in Classical Hollywood Cinema No access Pages 71 - 86
Authors:
Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides No access Pages 87 - 100
Authors:
Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith No access Pages 101 - 114
Authors:
Quantum of Craig: Daniel Craig and the Body of the New Bond No access Pages 115 - 128
Authors:
Actor/Character Dualism: The Case of Luis Buñuel''s Paradoxical Characters No access Pages 131 - 144
Authors:
Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold No access Pages 145 - 158
Authors:
The Actor as an Icon of Presence: The Example of Delphine Seyrig No access Pages 159 - 176
Authors:
Living Pictures: From Tableaux Vivants to Puppets and Para-Selves No access Pages 177 - 194
Authors:
All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character No access Pages 195 - 208
Authors:
A Surrealist Turn: Transformative Gestures in The Birds No access Pages 211 - 232
Authors:
Berlin Alexanderplatz: The Becoming-Violence of Performance No access Pages 233 - 246
Authors:
Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction No access Pages 247 - 258
Authors:
An Inscrutable Face: Nicole Kidman in Dogville No access Pages 259 - 274
Authors:
Character-Witness, Actor-Medium No access Pages 275 - 288
Authors:
Between Image and Volatility: Framing Motion in Dance and Film No access Pages 291 - 302
Authors:
The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film No access Pages 303 - 320
Authors:
Carnicke Emotional Expressivity in Motion Picture Capture Technology No access Pages 321 - 338
Authors:
Going Native with Pandora''s (Tool) Box: Spiritual and Technological Conversions in James Cameron''s Avatar No access Pages 339 - 362
Authors:
Double Negative: The Actor, the Non- Actor, and the Animated Documentary No access Pages 363 - 376
Authors:
Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective No access Pages 379 - 394
Authors:
Thinking through Acting: Performative Indices and Philosophical Assertions No access Pages 395 - 412
Authors:
An Emphasis on Being: Moving towards a Responsive Phenomenology of Film(''s) Performance No access Pages 413 - 428
Authors:
Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor''s Four Bodies No access Pages 429 - 446
Authors:
Passion and Exposure: New Paradoxes of the Actor No access Pages 447 - 478
Authors:
Contributors No access Pages 479 - 488
Authors: