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The a to Z of Horror Cinema

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Publisher:
 2009

Summary

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers.

The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.



Bibliographic data

Copyright year
2009
ISBN-Print
978-0-8108-6887-8
ISBN-Online
978-0-8108-7050-5
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
380
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Editor’s Foreword No access
    3. Reader’s Note No access
    4. Chronology No access
    5. Introduction No access
  1. The Dictionary No access Pages 1 - 348
  2. Bibliography No access Pages 349 - 378
  3. About the Author No access Pages 379 - 380

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