Crossing Frontiers: Intercultural Perspectives on the Western

Thomas Klein; Ivo Ritzer; Peter W. Schulze

doi:10.5771/9783741000195

Summary

Der Band untersucht das Western-Genre erstmals eingehend in seinen komplexen und vielschichtigen interkulturellen Auffächerungen, die sich in nationalspezifischen Western-Variationen finden. Er eröffnet interessante Perspektiven auf diesen film- und kulturgeschichtlich kaum erschlossenen Bereich. Ein Schwerpunkt gilt den verschiedenen nationalen Western-Varianten in Osteuropa. Beiträge von Spezialisten aus Polen und Russland arbeiten bislang unbekannte Übereinstimmungen und Differenzen im Gebrauch des Genres in den damals kommunistischen Ländern zu Tage.

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Bibliographic data

Edition: 1/2012
Copyright Year: 2012
ISBN-Print: 978-3-89472-733-8
ISBN-Online: 978-3-7410-0019-5
Publisher: Schüren, Marburg
Series: Marburger Schriften zur Medienforschung
Volume: 26
Language: English
Pages: 197
Product Type: Edited Book

Titelei/Inhaltsverzeichnis No access Pages 1 - 6
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1. Bibliography No access
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1. Bibliography No access
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1. Globalising the western all’italiana No access
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2. Going to Japan, coming to America No access
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3. Enter the professionals No access
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4. The martial arts craze No access
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5. Conclusion No access
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6. Bibliography No access
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1. Introduction No access
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2. The German Western up to the 1960s No access
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3. The German-European Western of the 1960s No access
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4. Characteristics and formulas of the German Western No access
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5. «A Super-Western of German Gründlichkeit» – Wolf C. Hartwig’s Rapid-Westerns No access
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6. Conclusion No access
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7. Bibliography No access
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1. Bibliography No access
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1. Bibliography No access
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1. Introduction No access
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2. Golden Twenties No access
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3. Thirties No access
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4. Forties No access
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5. Fifties No access
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6. Sixties No access
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7. Seventies No access
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8. Eighties No access
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9. Bibliography No access
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1. The significance of landscape in the Western No access
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2. Landscape in genres of other national cinemas related to the Western No access
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3. Landscape in the European Western No access
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4. Cinematic landscapes No access
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5. Landscape in the DEFA-Indianerfilm No access
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6. Conclusion No access
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7. Bibliography No access
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1. Introduction No access
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2. The Western as Australian genre No access
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3. The Kelly myth No access
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4. Ned on the screen No access
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5. Ned outside the screen – the commodification of the bushranger No access
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6. The last stand No access
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7. Bibliography No access
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1. The colonial era No access
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2. After independence No access
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3. Half-truths No access
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4. Bibliography No access
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1. The birth of the nordestern from the spirit of the Western No access
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2. History and myth of the cangaço No access
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3. Matrices of the nordestern as a cinematographic genre No access
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4. Glauber Rocha and the politicisation of the nordestern No access
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5. Generic nordesterns: themes and tendencies No access
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6. Comedies, parodies and genre hybrids No access
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7. Decline of the nordestern and its temporary resumption No access
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8. Between transnational adaptation and nationalistic affirmation No access
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9. Bibliography No access
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Table of figures No access Pages 194 - 195
Contributors No access Pages 196 - 197