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Edgar G. Ulmer

Detour on Poverty Row
Editors:
Publisher:
 2008

Summary

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.



Bibliographic data

Copyright year
2008
ISBN-Print
978-0-7391-2567-0
ISBN-Online
978-0-7391-4445-9
Publisher
Lexington, Lanham
Language
English
Pages
336
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Introduction No access
    1. CHAPTER 1: Edgar G. Ulmer: The Low-End Independent Filmmaker No access
    2. CHAPTER 2: Edgar G. Ulmer: The Godfather of Sexploitation? No access
    3. CHAPTER 3: At the Border: Edgar G. Ulmer’s Foreign-Language Productions No access
    1. CHAPTER 4: Dead Fathers and Other Detours: Ulmer’s Noir No access
    2. CHAPTER 5: See Spot: The Parametric Film Noirs of Edgar G. Ulmer No access
    3. CHAPTER 6: Even the Pictures Lie No access
    4. CHAPTER 7: Edgar G. Ulmer’s HomicidalNoirs No access
    5. CHAPTER 8: All Wrong Turns: Tracking Subjectivity in Detour No access
    6. CHAPTER 9: Masculinity and Masochism in Detour No access
    1. CHAPTER 10: Puppets and Paintings No access
    2. CHAPTER 11: Beyond Citizen Kane: Ruthless as Radical Psychobiography No access
    3. CHAPTER 12: “The Gateway to America” No access
    4. CHAPTER 13: Meeting The Man from Planet X No access
    5. CHAPTER 14: Nothing to Hyde: Reading The Daughter of Dr. Jekyll No access
    6. CHAPTER 15: Murder, Family, and Weird Science No access
    7. CHAPTER 16: “A Sword and Sandal Gone Screwy” or, Edgar G. Ulmer’s Journey to the Lost City No access
    1. CHAPTER 17: Bauhaus of Horrors: Edgar G. Ulmer and The Black Cat No access
    2. CHAPTER 18:The Devil’s Contract: The Satisfaction of Self-Destruction in Edgar G. Ulmer’s The Black Cat No access
    3. CHAPTER 19: “Tremonstrous” Hopes and “Oke” Results No access
  1. Index No access Pages 323 - 330
  2. About the Contributors No access Pages 331 - 336

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