Hitchcock's Stars
Alfred Hitchcock and the Hollywood Studio System- Authors:
- Publisher:
- 2014
Summary
Although he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock’s ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills.
In Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock’s films were examples of creative casting that strayed far from the norm during the structured Hollywood star system. Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most popular stars in Hollywood history. Coffin explains how the master of on-screen manipulation exploited the nervous insecurity of Joan Fontaine for the lead in Rebecca, subverted the wholesome image of Robert Walker to play a deranged killer in Strangers on a Train, and plucked an unknown actress to star in The Birds.
Documenting Hitchcock’s Hollywood output from his arrival in America through his final effort, Family Plot, the author chronicles each film’s casting process, performances, and the personas each star brought to his or her role. Inspiring a fresh look at several films, this book will engage fans and encourage them to reconsider a number of Hitchcock classics in a new light.
Search publication
Bibliographic data
- Copyright year
- 2014
- ISBN-Print
- 978-1-4422-7803-5
- ISBN-Online
- 978-1-4422-3078-1
- Publisher
- Rowman & Littlefield, Lanham
- Language
- English
- Pages
- 232
- Product type
- Book Titles
Table of contents
- Contents No access
- Acknowledgments No access
- Introduction: Hitchcock’s Livestock No access
- Ch01. Rebecca No access Pages 1 - 12
- Ch02. Foreign Correspondent No access Pages 13 - 19
- Ch03. Mr. and Mrs. Smith No access Pages 20 - 25
- Ch04. Suspicion No access Pages 26 - 33
- Ch05. Saboteur No access Pages 34 - 39
- Ch06. Shadow of a Doubt No access Pages 40 - 47
- Ch07. Lifeboat No access Pages 48 - 53
- Ch08. Spellbound No access Pages 54 - 58
- Ch09. Notorious No access Pages 59 - 64
- Ch10. The Paradine Case No access Pages 65 - 69
- Ch11. Rope No access Pages 70 - 76
- Ch12. Under Capricorn No access Pages 77 - 82
- Ch13. Stage Fright No access Pages 83 - 87
- Ch14. Strangers on a Train No access Pages 88 - 93
- Ch15. I Confess No access Pages 94 - 99
- Ch16. Dial M for Murder No access Pages 100 - 104
- Ch17. Rear Window No access Pages 105 - 108
- Ch18. To Catch a Thief No access Pages 109 - 113
- Ch19. The Trouble with Harry No access Pages 114 - 120
- Ch20. The Man Who Knew Too Much No access Pages 121 - 125
- Ch21. The Wrong Man No access Pages 126 - 132
- Ch22. Vertigo No access Pages 133 - 139
- Ch23. North by Northwest No access Pages 140 - 146
- Ch24. Psycho No access Pages 147 - 153
- Ch25. The Birds No access Pages 154 - 162
- Ch26. Marnie No access Pages 163 - 173
- Ch27. Torn Curtain No access Pages 174 - 181
- Ch28. Family Plot No access Pages 182 - 190
- Conclusion: Hitchcock’s Influence No access Pages 191 - 194
- Notes No access Pages 195 - 215
- Filmography No access Pages 216 - 224
- Index No access Pages 225 - 230
- About the Author No access Pages 231 - 232





