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Monograph No access
Making Sense
A Theory of Interpretation
Authors:
Publisher:
2000
Summary
Critics and artists (including performing artists) claim the title of 'interpreter' for themselves. Scientists do not so readily describe themselves in this way. But is the formulation of explanatory hypotheses in science so different from the interpretive work of artists? Making Sense recognizes that whenever interpretation occurs there may be a plurality of competing successful interpretations. It offers a philosophical theory that views the interpretive enterprise as an attempt to make sense of things by representing them in ways that can be accommodated within various significance-systems.
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Bibliographic data
Edition
1/2000
Copyright Year
2000
ISBN-Print
978-0-8476-9783-0
ISBN-Online
978-1-4616-3908-4
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
119
Product Type
Monograph
Table of contents
ChapterPages
CONTENTS No access
Introduction No access Pages 1 - 4
1 Data and Difficulties: The La Scala Eracle, Lavoisier's Oxygen, and Various People's Shakespeare No access Pages 5 - 18
2 Structure: Schikaneder's Flugwerk, Gilda's Body, and Horowitz's Liszt No access Pages 19 - 34
3 Process: Greek Meteorology, The Potato Eaters, and Madonna's "Fever" No access Pages 35 - 52
4 Kinds No access Pages 53 - 70
5 General Rules: The Uninspired Archaeologist and Freud's Macbeth No access Pages 71 - 86
6 Special Rules: The Offstage Piano and Elvis's "Hound Dog" No access Pages 87 - 102
