The Fu Genre of Imperial China: Studies in the Rhapsodic Imagination

Nicholas Morrow Williams

doi:10.2307/j.ctvs32t0w

Search publication

Bibliographic data

Edition: 1/2019
Copyright Year: 2019
ISBN-Print: 978-1-64189-331-2
ISBN-Online: 978-1-64189-333-6
Publisher: Arc Humanities Press, Yorkshire
Series: East Meets West: East Asia and Its Periphery from 200 BCE to 1600 CE
Language: English
Pages: 258
Product Type: Edited Book

1. Table of contents No access
2. Preface No access
Chapter 1 Introduction: The Rhapsodic Imagination No access Pages 1 - 16
Authors:
1. Authors:
  1. The Puchen .. Theory: “Directly Displaying” No access
  2. Challenging the Puchen Theory No access
  3. The Recitation Theory No access
  4. The Liu shi and the Recitation Theory No access
  5. An Etymological Approach by Jia Jinhua No access
  6. Another Etymological Approach by Chen Yunzhu No access
  7. Fu as a Literary Genre of Recitation61 No access
2. Chapter 3 Into the New Realm of Belles Lettres No access Pages 39 - 60
  Authors:
1. Authors:
  1. 1. “Fu Is an Outflow of the Ancient Songs”: Canonizing a Genre Through Assimilation No access
    2. “To Recite without Singing Is Called Fu”: Establishing Self-Identity through Dissimilation No access
  2. 1. Shi and Fu Pieces with the Same Title No access
    2. Lyricization of the Fu in the Southern Dynasties No access
    3. The “Fu-icization” of Verse and the Rise of the Fu de ti No access
  3. Conclusion No access
2. Authors:
  1. Dreams of Good Taste: “What Others Ignore, I Alone Study in Detail” No access
  2. The Garden of Metaphors: Xu Wei’s “Rhapsody on (Poems about) Peonies” No access
  3. Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode No access
  4. Influence No access
  5. Conclusion No access
1. Authors:
  1. The Rise of the Metaphysical Rhapsody: In Search of Nonbeing No access
  2. The Buddhist Conquest of the Metaphysical Rhapsody No access
  3. Coda No access
2. Authors:
  1. Li Guan’s “Ku yu fu” No access
  2. The Interplay of Modes: Readings of “Ku yu fu” No access
  3. Textual Affinities No access
  4. Further Lexical Considerations No access
  5. Rhyme No access
  6. Reconsidering the Fu/Shelun Relationship No access
  7. Conclusions No access
1. Authors:
  1. The Imaginary Journey in the “Contemplating the Mystery” No access
  2. Comparing the Five Imaginary Journey Poems No access
  3. The Journeys to the Four Cardinal Points No access
  4. Conclusions No access
2. Authors:
  1. The Collective Understanding of “Lament for the South” No access
  2. The Yu Xin Controversy No access
  3. “What Soil Remains Untainted?” No access
Bibliography No access Pages 223 - 242
Index No access Pages 243 - 248