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Kubrick's 2001

A Triple Allegory
Authors:
Publisher:
 2000

Summary

Acclaimed in an international critics poll as one of the ten best films ever made, Stanley Kubrick's 2001: A Space Odyssey has nonetheless baffled critics and filmgoers alike. Its reputation rests largely on its awesome special effects, yet the plot has been considered unfathomable. Critical consensus has been that Kubrick himself probably didn't know the answers.

Leonard Wheat's Kubrick's 2001: A Triple Allegory reveals that Kubrick did know the answers. Far from being what it seems to be—a chilling story about space travel—2001 is actually an allegory, hidden by symbols. It is, in fact, a triple allegory, something unprecedented in film or literature. Three allegories—an Odysseus (Homer) allegory, a man-machine symbiosis (Arthur Clarke) allegory, and a Zarathustra (Nietzsche) allegory—are simultaneously concealed and revealed by well over 200 highly imaginative and sometimes devilishly clever symbols. Wheat "decodes" each allegory in rich detail, revealing the symbolism in numerous characters, sequences, and scenes. In bringing Kubrick's secrets to light, Wheat builds a powerful case for his assertion that 2001 is the "grandest motion picture ever filmed."



Bibliographic data

Copyright year
2000
ISBN-Print
978-0-8108-3796-6
ISBN-Online
978-1-4616-6023-1
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
181
Product type
Book Titles

Table of contents

ChapterPages
    1. Table of Contents No access
    1. Where the Answers Lie No access
    2. Allegory and Kubrick's Allegorical Symbols No access
    3. A Preview of Coming Attractions No access
    1. The Basic Narrative No access
    2. Fuzzy Areas of the Narrative No access
    1. Dave Bowman's Name No access
    2. The African Monolith No access
    3. The Judgment of Paris No access
    4. Heywood R. Floyd's Name No access
    5. Heywood Floyd as Paris No access
    6. Heywood Floyd as Menelaus No access
    7. The Trojan Horse and the Fall of Troy No access
    8. The City of Ismarus and Lotus Land No access
    9. The Cyclops Monster No access
    10. The Laestrygonian Rock Attack No access
    11. The Sirens No access
    12. The Surf, Charybdis, and Scylla No access
    13. Hyperion and Zeus No access
    14. Seven Years with Calypso No access
    15. Phaeacian Hospitality No access
    16. Pallas Athene No access
    17. Penelope, Her Suitors, and the Great Bow No access
    18. Slaying the Suitors No access
    19. Reunion with Penelope No access
    1. Overview of the Allegory No access
    2. The Dawn of Man No access
    3. The Evolution of Humanoid Machines No access
    4. Hal-Discovery as a Genuine Humanoid No access
    5. The Death of Homo Machinus No access
    6. The Evolution of Homo Futurus No access
    7. What about Freud and Jung? No access
    1. Nietzsche's Characters and Themes No access
    2. Interpretive Progress No access
    3. The Monoliths as Human Attributes No access
    4. Frank Poole as the Rope Dancer No access
    5. Heywood Floyd as the Young Zarathustra No access
    6. Dave Bowman as the Older Zarathustra and Overman No access
    7. Hal-Discovery as God No access
    1. The Death of God No access
    2. The Immediate Aftermath No access
    3. Man into Overman No access
    4. Appendix A: Fallacies in Zarathustra's Eternal Recurrence Argument No access
    5. Appendix B: List of the Zarathustra Allegory's 160 Symbols No access
    1. 2001's Critical Stature in the Absence of Allegory No access
    2. The Quality of the Allegory and Symbolism No access
    3. One Man's Opinion No access
  1. Bibliography No access Pages 163 - 166
  2. Index No access Pages 167 - 180
  3. About the Author No access Pages 181 - 181

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