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Andersmöglichsein. Zur Ästhetik des Designs

Authors:
Series:
Design, Volume 41
Publisher:
 2018

Summary

What do we want to talk about when we think about design? Anyone who looks around is bound to see shaped objects. They have been designed to be useful. But is everything you can use already a design? Our society has coined the term of design so as to tell that which is designed apart from other objects by means of certain criteria. These encodings may be considered to be a form of aesthetic perception. Annette Geiger provides an overview of the theory and history of design for anyone who wants to approach this discipline from a new perspective: Design is the exploration of the chance to be different.

Keywords



Bibliographic data

Copyright year
2018
ISBN-Print
978-3-8376-4489-0
ISBN-Online
978-3-8394-4489-4
Publisher
transcript, Bielefeld
Series
Design
Volume
41
Language
German
Pages
314
Product type
Book Titles

Table of contents

ChapterPages
  1. FrontmatterPages 1 - 4 Download chapter (PDF)
  2. InhaltPages 5 - 8 Download chapter (PDF)
  3. Einleitung No access Pages 9 - 18
  4. 1. Design. Anmerkungen zu einem unmöglichen Begriff No access Pages 21 - 60
  5. 2. Die Form als Reform. Designgeschichte als Widerstand No access Pages 61 - 102
  6. 3. Mensch und Technik. Wer gestaltet wen? No access Pages 103 - 128
  7. 4. Geschmack als Gemeinsinn. Das Design der Einfachheit um 1800 No access Pages 133 - 164
  8. 5. Schönhässlich. Über das Wilde in der Mode No access Pages 165 - 192
  9. 6. Gestalten mit Nietzsche. Vom Jugendstil zum Bauhaus No access Pages 193 - 224
  10. 7. Körper, Bild, Buchstabe. Zur Sinnlichkeit der Typografie No access Pages 225 - 252
  11. 8. Das animierte Bild. Illustration als Illusion No access Pages 253 - 292
  12. Fazit No access Pages 293 - 294
  13. Literaturverzeichnis No access Pages 295 - 302
  14. Abbildungsverzeichnis No access Pages 303 - 314

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