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Initiating a Dialogue Through 'the Global Community on your Bookshelf'

Narrative Representations of 'Islamic Fundamentalism' in Selected Novels from the 1990s to the Present
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Verlag:
 2018
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Zusammenfassung

Nina Liewald analyses literary representations of so-called 'Islamic fundamentalism' by contemporary authors whose cultural background and approach to the subject matter differs substantially: Hanif Kureishi, Sebastian Faulks, Mohsin Hamid and Yasmina Khadra. The author focuses on the narrative depiction of this complex phenomenon and its economic, religious and sociopolitical framework in selected contemporary novels. The interdisciplinary study is offering contextualised readings and combining narratology, literary and cultural studies with approaches from political science. It explores the potential functions of literature in a highly politicised context and specifically the potential of literature to shed light on radicalisation processes and to promote public discourse and intercultural understanding.

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Bibliographische Angaben

Auflage
1/2018
Copyrightjahr
2018
ISBN-Print
978-3-8288-4072-0
ISBN-Online
978-3-8288-6902-8
Verlag
Tectum, Baden-Baden
Reihe
Wissenschaftliche Beiträge aus dem Tectum Verlag: Anglistik
Band
8
Sprache
Deutsch
Seiten
412
Produkttyp
Monographie

Inhaltsverzeichnis

KapitelSeiten
  1. Titelei/Inhaltsverzeichnis Teilzugriff I - XII
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    1. 1.1) Topic and aim of this study Kein Zugriff
    2. 1.2) Theoretical framework, methodology and structure Kein Zugriff
    3. 1.3) On the choice of works and central terms Kein Zugriff
    1. 2.1) Point of departure Kein Zugriff
      1. 2.2.1) Findings of interdisciplinary research projects Kein Zugriff
      2. 2.2.2) Family resemblances between different forms of religious fundamentalism Kein Zugriff
      3. 2.2.3) Reasons for the emergence of Islamic fundamentalism Kein Zugriff
    3. 2.3) Literary studies on the interrelationship between literature and fundamentalism Kein Zugriff
      1. 2.4.1) A ‘Clash of Civilizations’? Kein Zugriff
      2. 2.4.2) Fundamentalist Islam against Western secularisation? Kein Zugriff
    5. 2.5) Migration, integration and identity Kein Zugriff
      1. 2.6.1) ‘Orientalism’ and ‘Occidentalism’ Kein Zugriff
      2. 2.6.2) ‘Western liberalism’ as point of criticism Kein Zugriff
      3. 2.6.3) Stereotypes and fears Kein Zugriff
    1. 3.1) Ethics Kein Zugriff
    2. 3.2) Aesthetics Kein Zugriff
    3. 3.3) A turn towards the ethical in literature and a “turn to the literary within ethics” Kein Zugriff
    4. 3.4) Main tendencies in ethical criticism Kein Zugriff
    5. 3.5) Man as “a story-telling animal” Kein Zugriff
    6. 3.6) Towards a humanist approach: Martha Nussbaum’s Love’s Knowledge Kein Zugriff
    7. 3.7) Towards a political approach: Issues of identity, hybridity and multiculturalism Kein Zugriff
      1. 3.8.1) The ‘intentional fallacy’ and author vs. reader-oriented criticism Kein Zugriff
      2. 3.8.2) The authors’ background: Khadra, Hamid, Kureishi, Faulks Kein Zugriff
      1. 4.1.1) Cultural and historical context Kein Zugriff
      2. 4.1.2) Literature as ‘cultural ecology’ Kein Zugriff
    2. 4.2) Current trends in narrative theory Kein Zugriff
    3. 4.3) Cultural and postcolonial narratology Kein Zugriff
    4. 4.4) Genette’s typology as a toolbox for a cultural interpretation Kein Zugriff
      1. 4.5.1) Point of view/perspective and multiperspectivity Kein Zugriff
      2. 4.5.2) Relationships of contrast and correspondence and the use of irony Kein Zugriff
      3. 4.5.3) Directing the readers’ sympathy Kein Zugriff
      1. 5.1.1) The representation of ‘Islamic fundamentalism’ Kein Zugriff
      2. 5.1.2) Economic libertarianism as fundamentalist phenomenon Kein Zugriff
      3. 5.1.3) Directing the sympathy of the reader Kein Zugriff
      4. 5.1.4) A Week in December in the light of ethical criticism and ‘literature as cultural ecology’: the power of literature to change our perspective Kein Zugriff
      1. 5.2.1) Fundamentalism as a bulwark against “drug-inspired debris” and “banal fantasies”? Kein Zugriff
      2. 5.2.2) “Everybody’s free to feel good”: Consumerism and the pleasure principle Kein Zugriff
      3. 5.2.3) “[T]he world was swirling, its compasses spinning”: Identity formation and crisis Kein Zugriff
      4. 5.2.4): “[T]here must be more to living than swallowing one old book”: The Black Album in the light of ethical criticism and literature as ‘cultural ecology’ Kein Zugriff
      1. 5.3.1) Islamic fundamentalism, the subversion of stereotypes and the creation of narrative ambiguity Kein Zugriff
      2. 5.3.2) American nostalgia, Christianity and capitalism Kein Zugriff
      3. 5.3.3) A “modern-day janissary” who refuses to “focus on the fundamentals”: identity and ‘fundamentalism’ Kein Zugriff
      4. 5.3.4) The Reluctant Fundamentalist in the light of ethical criticism and literature as cultural ecology Kein Zugriff
      1. 5.4.1) “The sirens echoed in the silence of the night”: The lure of Islamic fundamentalism Kein Zugriff
      2. 5.4.2) A war against “dim-witted cowboys”: Bedouin traditions vs. U.S. politics Kein Zugriff
      3. 5.4.3) The protagonist’s turn to fundamentalist ideas Kein Zugriff
      4. 5.4.4) The Sirens of Baghdad in the light of ethical criticism and literature as cultural ecology Kein Zugriff
    1. 6.1) Islamic fundamentalism and its antipoles Kein Zugriff
    2. 6.2) Explaining fundamentalism: the role of identity in radicalisation processes Kein Zugriff
    3. 6.3) Ethical criticism and the importance of literature, art and the intellectual Kein Zugriff
    4. 6.4) Potential functions as culture-critical metadiscourse, counter-discourse or reintegrative interdiscourse Kein Zugriff
  8. 7) Conclusion Kein Zugriff 337 - 352
    1. Primary sources (cited) Kein Zugriff
    2. Primary sources (referred to) Kein Zugriff
    3. Secondary sources Kein Zugriff
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