Cover des Buchs: Reading Fu Poetry
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Reading Fu Poetry

From the Han to Song Dynasties
Herausgeber:innen:
Verlag:
 2022

Zusammenfassung

The fu genre (or “rhapsody” in English) is one of the major genres of Chinese poetry throughout imperial history. This volume presents close readings of representative works in the genre, spanning over a millennium of its history. Each chapter contains a complete translation of major fu poems, accompanied by an essay presenting the work or works in historical context and also examining their significance in contemporary culture. Ranging in style and topic from the exuberant accumulation of detail in Yang Xiong’s “Shu Capital,” translated by David R. Knechtges, to the luscious lyricism of Wang Bo’s “Spring Longings,” translated by Timothy W. K. Chan, the poems present a panorama of how the genre has been used for both personal and social expression. While the individual essays examine their respective subjects in depth and detail, collectively the essays also offer a sweeping survey of the fu genre from the Han (206 B.C.E.–220 C.E.) through the Song (960–1279 C.E.) dynasty.


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Bibliographische Angaben

Auflage
1/2022
Copyrightjahr
2022
ISBN-Print
978-1-64189-436-4
ISBN-Online
978-1-64189-491-3
Verlag
Arc Humanities Press, Yorkshire
Reihe
East Meets West: East Asia and Its Periphery from 200 BCE to 1600 CE
Sprache
Englisch
Seiten
184
Produkttyp
Sammelband

Inhaltsverzeichnis

KapitelSeiten
    1. CONTENTS Kein Zugriff
    2. ACKNOWLEDGEMENTS Kein Zugriff
    3. PREFACE Kein Zugriff
  1. Chapter 1 INVENTING THE FU: SIMULATED SPONTANEITY INSIMA XIANGRU’S “GREAT MAN” Kein Zugriff Seiten 1 - 38
    Autor:innen:
  2. Chapter 2 PROBLEMATIC FU OF THE WESTERN HAN: THE “SHU DU FU” ATTRIBUTED TO YANG XIONG Kein Zugriff Seiten 39 - 86
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  3. Chapter 3 RECLUSE’S FRUSTRATION? RECONSIDERING YU XIN’S (513–581) “FU ON A SMALL GARDEN” Kein Zugriff Seiten 87 - 108
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  4. Chapter 4 YUEFU AND FU: WANG BO’SNEW PROSODY FOR “SPRING LONGINGS” Kein Zugriff Seiten 109 - 138
    Autor:innen:
  5. Chapter 5 LI QINGZHAO’S RHAPSODYON CAPTURE THE HORSE Kein Zugriff Seiten 139 - 156
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  6. BIBLIOGRAPHY Kein Zugriff Seiten 157 - 170

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