Dimensions of Curation

Ann Rowson Love; Pat Villeneuve

doi:10.5771/9781538167359

Zusammenfassung

Exhibition making requires great effort and resources. Are your exhibitions attracting audiences and drawing them back to your museum? The Dimensions of Curation Competing Values Exhibition Model uses three axes to help you to make sense of exhibitions your museum has curated and think intentionally about future curatorial decisions. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.

This book:

Introduces competing values and organizational models that address them.
Explains the three axes comprising the model and the eight types of exhibitions that result from various combinations of positions on the axes.
Looks in depth at case studies of the eight different exhibition types.
Provides candid observations about changing curatorial practices.
Offers tools to help museums implement the model.

Two sections of the book feature practice-based examples from museums in the US and internationally. The third section of the book concentrates on practical tools and considerations for the future of exhibition curation.

Schlagworte

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Bibliographische Angaben

Copyrightjahr: 2023
ISBN-Print: 978-1-5381-6734-2
ISBN-Online: 978-1-5381-6735-9
Verlag: Rowman & Littlefield, Lanham
Sprache: Englisch
Seiten: 238
Produkttyp: Monographie

Inhaltsverzeichnis

KapitelSeiten

1. Contents Kein Zugriff
2. Acknowledgments Kein Zugriff
3. Preface Kein Zugriff
1. 1. The Dimensions of Curation Competing Values Model Kein Zugriff
1. TRADITIONAL: Object (x) + Lone Creative (y) = Traditional Kein Zugriff
2. 2. Queering the Museum Kein Zugriff
3. 3. Using Traditional Practice to Review the Chinese National Art Exhibition Kein Zugriff
4. EXCLUSIVE: Object (x) + Collaborative (y) = Exclusive Kein Zugriff
5. 4. Iterations of Curating with Matthew Ritchie: WORKING COLLABORATIVELY DURING THE COVID-19 PANDEMIC Kein Zugriff
6. 5. The Artist Is No Longer Present: RECONSIDERING CROSS-BORDER EXHIBITION CURATING IN THE POST-PANDEMIC ERA Kein Zugriff
7. SYMPATHETIC: Audience (x) + Lone Creative (y) = Sympathetic Kein Zugriff
8. 6. A Shared Body: REENVISIONING CURATORIAL COLLABORATION IN AN ACADEMIC ART MUSEUM Kein Zugriff
9. 7. Ally is a Verb: ADOPTING A SYMPATHETIC CURATORIAL PRACTICE TO BUILD ADVOCACY AND COMMUNITY WITHIN A TEACHING MUSEUM Kein Zugriff
10. INCLUSIVE: Audience (x) + Collaborative (y) = Inclusive Kein Zugriff
11. 8. Art Connects Kein Zugriff
12. 9. Responsive, Relational, and Disruptive: A CASE STUDY IN COMMUNITY-BASED CURATION Kein Zugriff
1. DISSEMINATE: Object (x) + Lone Creative (y) + Democratization of Culture (z) = Disseminate Kein Zugriff
2. 10. Traditional Practice That Disseminates: NATIVE BRAZIL/ALIEN BRAZIL ANNA BELLA GEIGER Kein Zugriff
3. 11. Something’s Off: RECONSIDERING TRADITIONAL PRACTICE Kein Zugriff
4. DISCERN: Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern Kein Zugriff
5. 12. Discerning the Cryosphere: HUMANS AND CLIMATE IN ART FROM THE FRANCES LEHMAN LOEB ART CENTER, VASSAR COLLEGE Kein Zugriff
6. 13. Discerning with a Good Voice: HÓWAŠTE AT THE HERITAGE CENTER Kein Zugriff
7. ENRICH: Object (x) + Collaborative (y) + Democratization of Culture (z) = Enrich Kein Zugriff
8. 14. Not Just Dissemination, an Enriched Experience: MING DYNASTY COSTUME EXHIBITION Kein Zugriff
9. 15. SKIN, a Multisensory Art Exhibition for Children Aged Eight and Older and Their Families Kein Zugriff
10. AMPLIFY… Object (x) + Collaborative (y) + Cultural Democracy (z) = Amplify Kein Zugriff
11. 16. Challenging Romaphobia: THE CASE OF A ROMANIAN CARNIVAL MASK AT MUCEM Kein Zugriff
12. 17. Lock & Key Creative Expression Lab: A CURATED SPACE DURING THE PANDEMIC Kein Zugriff
13. MEDIATE: Audience (x) + Lone Creative (y) + Democratization of Culture = Mediate Kein Zugriff
14. 18. The Same Four Walls: INSPIRATION AND REFLECTION DURING A GLOBAL PANDEMIC Kein Zugriff
15. 19. SCREEN IT: A MEDIATION-DRIVEN APPROACH TO ART, TECHNOLOGY, AND AUDIENCES Kein Zugriff
16. INSPIRE: Audience (x) + Lone Creative (y) + Cultural Democracy (z) = Inspire Kein Zugriff
17. 20. The Boneyard: INSPIRING THROUGH IN-GALLERY ARTIST DEMONSTRATIONS Kein Zugriff
18. 21. There Is No Planet B!: AN AUDIENCE PARTICIPATION PROJECT MEANT TO INSPIRE Kein Zugriff
19. EMPOWER: Audience (x) + Collaborative (y) + Democratization of Culture (z) = Empower Kein Zugriff
20. 22. EmPOWER: LEARNING FROM OUR YOUNGEST COMMUNITY MEMBERS AT THE CLYFFORD STILL MUSEUM Kein Zugriff
21. 23. Anybody Home? Kein Zugriff
22. ACT: Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act Kein Zugriff
23. 24. Collaborative Reach of a Site-Specific Exhibition That Addresses School Segregation Kein Zugriff
24. 25. Boundless Hospitality: M FROM A DIFFERENT PERSPECTIVE Kein Zugriff
1. 26. One Museum, Three Dimensions of Curation: A SCRIPT Kein Zugriff
2. 27. You Say You Want a Revolution: EMPOWERING THE EDU-CURATOR Kein Zugriff
3. 28. M Leuven: A HOLISTIC APPROACH TO EXHIBITION MAKING Kein Zugriff
4. 29. Inclusive Curatorial Practice Kein Zugriff
5. 30. Toward an Interactive Model of Competing Values: FROM VISUALIZATION TO TOOL KIT Kein Zugriff
6. 31. Dimensions of Education: ADAPTING THE CURATORIAL MODEL FOR MUSEUM EDUCATION Kein Zugriff
Index Kein Zugriff Seiten 221 - 226
About the Contributors Kein Zugriff Seiten 227 - 238