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Screening Images of American Masculinity in the Age of Postfeminism

Herausgeber:innen:
Verlag:
 2015

Zusammenfassung

This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using “postfeminist” as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on—as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options.

Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today.

Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate “the possible” screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake.

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Bibliographische Angaben

Copyrightjahr
2015
ISBN-Print
978-1-4985-2582-4
ISBN-Online
978-1-4985-2583-1
Verlag
Lexington, Lanham
Sprache
Englisch
Seiten
210
Produkttyp
Sammelband

Inhaltsverzeichnis

KapitelSeiten
    1. Contents Kein Zugriff
    2. List of Images Kein Zugriff
    3. Introduction Kein Zugriff
    1. Ch01. Fashioning Flexibility: Racial Neoliberalism and the Vicissitudes of Masculinity Kein Zugriff
    2. Ch02. “Any closer and you’d be Mom”: The Limits of Postfeminist Paternity in the Films of Robin Williams Kein Zugriff
    3. Ch03. Rethinking the Nation and the Body Politic: The Wrestler and the Demise of American Exceptionalism Kein Zugriff
    4. Ch04. The Bourne Refusal: Changing the Rules of the Game? Kein Zugriff
    1. Ch5. Subverting the Master’s Hero: Firefly’s Malcolm Reynolds as a Feminist-Inflected Space Cowboy Kein Zugriff
    2. Ch06. When Eleven-Year-Old Girls Kick-Ass: The Gender Politics of Hit-Girl Kein Zugriff
    1. Ch07. “I’m Listening”: Analyzing the Masculine Example of Frasier Crane Kein Zugriff
    2. Ch08. Hanging with the Boys: Homosocial Bonding and Heterosexual Bromance Coupling in Nip/Tuck and Boston Legal Kein Zugriff
    3. Ch09. Some Assembly Required: Joss Whedon’s Bridging of Masculinities in Marvel Films’ The Avengers Kein Zugriff
    1. Ch10. The Falling Man: Nostalgia and Masculinity as Genres of Composure in Mad Men Kein Zugriff
    2. Ch11. “Out Like a Man”: Straddling the Postfeminist Fence in Dexter and Breaking Bad Kein Zugriff
    3. Ch12. Last Men Standing: Will Smith as the Obsolete Patriarchal Male Kein Zugriff
  1. Index Kein Zugriff Seiten 203 - 206
  2. About the Contributors Kein Zugriff Seiten 207 - 210

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