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Sammelband Teilzugriff
Art History and Fetishism Abroad
Global Shiftings in Media and Methods- Herausgeber:innen:
- |
- Reihe:
- Image, Band 54
- Verlag:
- 2014
Zusammenfassung
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography – and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
Schlagworte
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Bibliographische Angaben
- Copyrightjahr
- 2014
- ISBN-Print
- 978-3-8376-2411-3
- ISBN-Online
- 978-3-8394-2411-7
- Verlag
- transcript, Bielefeld
- Reihe
- Image
- Band
- 54
- Sprache
- Englisch
- Seiten
- 324
- Produkttyp
- Sammelband
Inhaltsverzeichnis
KapitelSeiten
- Preface Kein Zugriff Seiten 9 - 10 Angela Stercken, Gabriele Genge
- Being Abroad - an Introduction Kein Zugriff Seiten 11 - 26 Angela Stercken, Gabriele Genge
- Survival of Images? Fetish and the Concept of the Image between West Africa and Europe Kein Zugriff Seiten 29 - 56 Gabriele Genge
- Speared Heads. Portraits as Things in 20th-Century Sculpture Kein Zugriff Seiten 57 - 70 Hans Körner
- Fetishism from the Space of Bowdich''s Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu''s (film) ObideεAba : Time Will Tell Kein Zugriff Seiten 71 - 90 Sylvester Okwunodu Ogbechie, John Picton, Christian Kravagna, Melanie Ulz, Kerstin Meincke, Thomas Reinhardt, Alexandra Karentzos, Hans Körner
- Currency Affairs. Photography and Productivity Kein Zugriff Seiten 93 - 112 Kerstin Meincke
- Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" Kein Zugriff Seiten 113 - 128 Sylvester Okwunodu Ogbechie
- [Arte]Fact, Object, Image. Jean-Michel Basquiat''s Archives of the Black Atlantic Kein Zugriff Seiten 129 - 158 Angela Stercken
- On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects Kein Zugriff Seiten 159 - 174 Sylvester Okwunodu Ogbechie, John Picton, Christian Kravagna, Melanie Ulz, Kerstin Meincke, Thomas Reinhardt, Alexandra Karentzos, Hans Körner
- Bocio. From Nothingness to Liminality and Minimality Kein Zugriff Seiten 177 - 188 Sylvester Okwunodu Ogbechie, John Picton, Christian Kravagna, Melanie Ulz, Kerstin Meincke, Thomas Reinhardt, Alexandra Karentzos, Hans Körner
- Encounters with Masks: Counter-Primitivism in 20th-Century Black Art Kein Zugriff Seiten 189 - 204 Christian Kravagna
- Fetishising Modernity: Bricolage Revisited Kein Zugriff Seiten 205 - 234 John Picton
- Fixing Shadows: Photography Beyond the Indexical Kein Zugriff Seiten 235 - 248 Thomas Reinhardt
- Incorporations of the Other - Exotic Objects, Tropicalism, and Anthropophagy Kein Zugriff Seiten 251 - 270 Alexandra Karentzos
- The Court in Dakar. Political Aesthetics in the Post-Colony Kein Zugriff Seiten 271 - 288 Sylvester Okwunodu Ogbechie, John Picton, Christian Kravagna, Melanie Ulz, Kerstin Meincke, Thomas Reinhardt, Alexandra Karentzos, Hans Körner
- Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China Kein Zugriff Seiten 289 - 302 Sylvester Okwunodu Ogbechie, John Picton, Christian Kravagna, Melanie Ulz, Kerstin Meincke, Thomas Reinhardt, Alexandra Karentzos, Hans Körner
- Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality Kein Zugriff Seiten 303 - 316 Melanie Ulz
- Biographical Notes Kein Zugriff Seiten 317 - 324 Angela Stercken, Gabriele Genge





