
Ritual, Spectacle, and Theatre in Late Medieval Seville
Performing Empire- Autor:innen:
- Reihe:
- Early Social Performance
- Verlag:
- 2023
Zusammenfassung
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity.
Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theatre by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville as the imperial centre of Christian Spain.
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Bibliographische Angaben
- Auflage
- 1/2023
- Copyrightjahr
- 2023
- ISBN-Print
- 978-1-80270-085-5
- ISBN-Online
- 978-1-80270-154-8
- Verlag
- Arc Humanities Press, Yorkshire
- Reihe
- Early Social Performance
- Sprache
- Englisch
- Seiten
- 182
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Contents Kein Zugriff
- List of Illustrations Kein Zugriff
- Abbreviations Kein Zugriff
- Notes Kein Zugriff
- Acknowledgements Kein Zugriff
- Introduction: Theatres of Absence Kein Zugriff Seiten 1 - 28
- 1. The Cantigas de Santa Maria Kein Zugriff Seiten 29 - 86
- 2. Penance, Conversion, and Affective Convivencia Kein Zugriff Seiten 87 - 126
- 3. Strange Infidels in the Imperial Metropole Kein Zugriff Seiten 127 - 164
- Conclusion: Walking Ghosts Kein Zugriff Seiten 165 - 168
- Bibliography Kein Zugriff Seiten 169 - 172
- Index Kein Zugriff Seiten 173 - 174





