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Sammelband Teilzugriff
A New Thoughtfulness in Contemporary China
Critical Voices in Art and Aesthetics- Herausgeber:innen:
- |
- Reihe:
- Image, Band 18
- Verlag:
- 2014
Zusammenfassung
Globalization euphoria and enthusiasm for the West are on the decline in contemporary China. Critical voices make themselves heard in artistic and cultural circles, turning towards their personal everyday lives to take stock. Their questions revolve around concrete experiences in the radical upheaval of lifeworlds, the continued significance of traditions after many of them have been thoroughly uprooted, and the paradoxes produced by the predominance of neo-liberalism. The 17 positions assembled in this volume provide a vivid illustration of such a »new thoughtfulness« in a wide variety of aspects ranging from aesthetics and art to theatre and photography.
Schlagworte
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Bibliographische Angaben
- Copyrightjahr
- 2014
- ISBN-Print
- 978-3-8376-1665-1
- ISBN-Online
- 978-3-8394-1665-5
- Verlag
- transcript, Bielefeld
- Reihe
- Image
- Band
- 18
- Sprache
- Englisch
- Seiten
- 232
- Produkttyp
- Sammelband
Inhaltsverzeichnis
KapitelSeiten
- Preface Kein Zugriff Seiten 7 - 16 Jörg Huber
- Ink Painting in the Age of New Wave Kein Zugriff Seiten 17 - 28 Dao Zi, Zhu Qi, Wang Chunchen, Qiu Zhiji, Jiang Wei, Wang Nanming, Chen Anying, Zhang Xian, Zhao Chuan, Gao Shiming, Chen Chieh-jen, Tao Qingmei
- The Sound of One Hand: Between Meaning and No-Meaning Kein Zugriff Seiten 29 - 44 Dao Zi, Zhu Qi, Wang Chunchen, Qiu Zhiji, Jiang Wei, Wang Nanming, Chen Anying, Zhang Xian, Zhao Chuan, Gao Shiming, Chen Chieh-jen, Tao Qingmei
- The Essential Meaning of Chinese Calligraphy and Its Loss Kein Zugriff Seiten 45 - 58 Dao Zi, Zhu Qi, Wang Chunchen, Qiu Zhiji, Jiang Wei, Wang Nanming, Chen Anying, Zhang Xian, Zhao Chuan, Gao Shiming, Chen Chieh-jen, Tao Qingmei
- Literati Painting: Reflections Across Discontinuities Kein Zugriff Seiten 59 - 70 Chen Anying
- Realism is a Kind of Ideology in China Kein Zugriff Seiten 71 - 78 Wang Chunchen
- The Emperors Have Rotted Long Ago, Only the Fragrance of Nanmu Wood Remains Kein Zugriff Seiten 79 - 86 Qiu Zhiji
- People''s ''Writing'' Kein Zugriff Seiten 87 - 102 Zhao Chuan, Chen Chieh-jen
- The Dismantling and Re-Construction of Bentu (''This Land'' or ''Native Land''): Contemporary Chinese Art in the Post-colonial Context Kein Zugriff Seiten 103 - 120 Gao Shiming
- Gu Dexin: A Double Take Kein Zugriff Seiten 121 - 130 Dao Zi, Zhu Qi, Wang Chunchen, Qiu Zhiji, Jiang Wei, Wang Nanming, Chen Anying, Zhang Xian, Zhao Chuan, Gao Shiming, Chen Chieh-jen, Tao Qingmei
- Art in Its Regional Political Context: Exhibition and Criticism Kein Zugriff Seiten 131 - 142 Wang Nanming
- Two Histories of Art: What Arts Represent China? Kein Zugriff Seiten 143 - 152 Zhu Qi
- Pingyao and Lianzhou: Changes in the Situation of Contemporary Chinese Photography Kein Zugriff Seiten 153 - 162 Jiang Wei
- Evolution of Conceptual Photography and Its Position in the History of New Art Kein Zugriff Seiten 163 - 178 Dao Zi
- How Much Space of Exchange is there on the Internet in Relation to Contemporary Art? Kein Zugriff Seiten 179 - 188 Dao Zi, Zhu Qi, Wang Chunchen, Qiu Zhiji, Jiang Wei, Wang Nanming, Chen Anying, Zhang Xian, Zhao Chuan, Gao Shiming, Chen Chieh-jen, Tao Qingmei
- The Paradox of the Individual and the Collective: Kein Zugriff Seiten 189 - 198 Tao Qingmei
- Can That Be? Why Can''t It Be? Kein Zugriff Seiten 199 - 210 Zhang Xian
- Art That Has Encountered Changes Kein Zugriff Seiten 211 - 222 Zhao Chuan
- Authors Kein Zugriff Seiten 223 - 232 Zhao Chuan, Jörg Huber





