Emerging Bodies
The Performance of Worldmaking in Dance and Choreography- Herausgeber:innen:
- |
- Reihe:
- TanzScripte, Band 21
- Verlag:
- 2014
Zusammenfassung
The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.
Schlagworte
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Bibliographische Angaben
- Copyrightjahr
- 2014
- ISBN-Print
- 978-3-8376-1596-8
- ISBN-Online
- 978-3-8394-1596-2
- Verlag
- transcript, Bielefeld
- Reihe
- TanzScripte
- Band
- 21
- Sprache
- Englisch
- Seiten
- 264
- Produkttyp
- Sammelband
Inhaltsverzeichnis
- Dancing Politics: Worldmaking in Dance and ChoreographySeiten 17 - 28 Gabriele Klein Download Kapitel (PDF)
- Dance and Work: The Aesthetic and Political Potential of DanceSeiten 47 - 60 Bojana Kunst Download Kapitel (PDF)
- Jérôme Bel and Myself: Gender and Intercultural CollaborationSeiten 73 - 82 Susan Leigh Foster Download Kapitel (PDF)
- Transnationalism and Contemporary African Dance: Faustin LinyekulaSeiten 83 - 92 Sabine Sörgel Download Kapitel (PDF)
- Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in MuseumsSeiten 93 - 106 Gesa Ziemer, Randy Martin, Julie Townsend, Stephen Turk, Norah Zuniga Shaw, Michael Diers, Sabine Sörgel, Gabriele Brandstetter, Monika Gintersdorfer, Bojana Kunst, Sabine Gehm, Frédéric Bevilacqua, Susan Leigh Foster, Knut Hickethier, Ole Frahm, Katharina von Wilcke, Sandra Noeth Download Kapitel (PDF)
- The Bluff of Contemporary DanceSeiten 107 - 116 Gabriele Klein, Monika Gintersdorfer Download Kapitel (PDF)
- Transcription - Materiality - Signature. Dancing and Writing between Resistance and ExcessSeiten 119 - 136 Gabriele Brandstetter Download Kapitel (PDF)
- Autobiography and the Coulisses: Narrator, Dancer, SpectatorSeiten 137 - 148 Julie Townsend Download Kapitel (PDF)
- Dance Images. Dance Films as an Example of the Representation and Production of MovementSeiten 149 - 162 Knut Hickethier Download Kapitel (PDF)
- Against the Beat. Music, Dance and the Image in Michelangelo Antonioni''s Blow-UpSeiten 163 - 180 Michael Diers Download Kapitel (PDF)
- Gesture Capture: Paradigms in Interactive Music/ Dance SystemsSeiten 183 - 194 Gesa Ziemer, Randy Martin, Julie Townsend, Stephen Turk, Norah Zuniga Shaw, Michael Diers, Sabine Sörgel, Gabriele Brandstetter, Monika Gintersdorfer, Bojana Kunst, Sabine Gehm, Frédéric Bevilacqua, Susan Leigh Foster, Knut Hickethier, Ole Frahm, Katharina von Wilcke, Sandra Noeth Download Kapitel (PDF)
- Tables of Weights and Measures: Architecture and the Synchronous Objects ProjectSeiten 195 - 206 Stephen Turk Download Kapitel (PDF)
- Synchronous Objects, Choreographic Objects, and the Translation of Dancing IdeasSeiten 207 - 222 Norah Zuniga Shaw Download Kapitel (PDF)
- Communicating, Distilling, Catalyzing. On the Creation of Dance Congress WorldsSeiten 225 - 234 Sabine Gehm, Katharina von Wilcke Download Kapitel (PDF)
- Situational Worlds. Complicity as a Model of CollaborationSeiten 235 - 246 Gesa Ziemer Download Kapitel (PDF)
